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  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    The Rest is Noise. Das 20. Jahrhundert hören

  • Kenya Hara

    Weiss

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    The Emancipated Spectator

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    Yes is More. An Archicomic on Architectural Evolution

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    Institutional Critique. An Anthology of Artists'…

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    Archivologie. Exterioritäten des Wissens in Philosophie,…

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    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

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    Situation. Documents of Contemporary Art

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    Geometrie des Verfahrens. Schriften zur Methode

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    Aesthetics and Its Discontents

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    Nomadic Furniture. D-I-Y Projects that are Lightweight

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    Vivre, vaincre

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    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

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    The BLDG BLOG Book

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Reading Capital

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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    The North Will Rise Again. Manchester Music City 1976-1996

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    A Brief History of Curating

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    IDEA 332. How does graphic design CHANGE?

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    Archäologie des Kinos, Gedächtnis des Jahrhunderts

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    Ryan McGinness

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    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

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    Soziologie der Städte

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    Urban Transformations

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    Mehr Geld

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    The Big Archive. Art From Bureaucracy

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    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

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    Beyond Archigram. The Structure of Circulation

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    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

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    An Architektur 22: GAMMA Grid, 1953. Das Ende des CIAM und…

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    The Three Ecologies

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    An Architektur 19-21: Community Design. Involvement and…

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    The Porcelain Workshop. For a New Grammar of Politics

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    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

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    Architecture or Techno-Utopia. Politics after Modernism

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    Textiles Prozessieren

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    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

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    Wissenschaft, Technik, Leben. Beiträge zur historischen…

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    Henri Lefebvre. Key Writings

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    Ulrike Ottinger. Eine Autobiografie

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    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

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    Words to Be Looked at. Language in 1960s Art

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    Comments on the Society of the Spectacle

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    Kunst des Handelns

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    Ist Kunst widerständig?

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    Wofür steht der Name Sarkozy?

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    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

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    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

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    Writings on Cities

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    The Production of Space

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    Big Bang Beijing. Urban Change in Beijing

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    Rogue Economics. Capitalism's New Reality

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    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

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    An Architektur 16-17

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    An Architektur 15 / FFM 11: Europäische…

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    An Architektur 14: Camp for Oppositional Architecture

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 10: Gemeinschaftsräume

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    An Architektur 04-09: Krieg und die Produktion von Raum

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    IDEA 296. Books <preposition> graphic design

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    An Architektur 01-03

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Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118