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  • Christopher Dell

    Ware: Wohnen. Politik. Ökonomie. Städtebau

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    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

  • Gerhard Senft (Hg.)

    Land und Freiheit. Zum Diskurs über das Eigentum von Grund…

  • Nils Ballhausen (Ed.)

    Wo Architekten arbeiten / Where Architects Work

  • Wade Guyton

    Zeichnungen für lange Bilder. Kunsthalle Zürich

  • Bruno Latour

    An Inquiry Into Modes of Existence. An Anthropology of the…

  • David Wagner

    Mauer Park

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    Nachtleben Berlin.1974 bis heute

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    Simon Denny. All You Need Is Data

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    Formerly Urban. Projecting Rust Belt Futures

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    Never Modern

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    Bestiary. Inspiring animals by inspired artists

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    The ups and downs of Stan Back

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    Sep Ruf 1908 - 1982. Leben und Werk

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    Geschichtsbilder. Kino, Kunst, Widerstand

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    Art Production beyond the Art Market?

  • Jesko Fezer

    Civic City Cahier 6. Design in and Against the Neoliberal…

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    La fabrique du cinema de Guy Debord

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    Dark Trajectories. Politics of the Outside

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    Steady Unsteady

  • Jan Kedves

    Talking Fashion. Von Helmut Lang bis Raf Simons: Gespräche…

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    Weaponized Architecture. The Impossibility of Innocence

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    French Theory and American Art

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    Simon Vélez. Architect Mastering Bamboo. Architecte La…

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    A Voice That Once Was In One's Mouth

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    An Anthropology of Architecture

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    Rapport. Raban Ruddigkeit 1988 - 2013

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    Fabricate. Making Digital Architecture

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    the book on books on artists books

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    Creative Enterprise. Contemporary Art Between Museum and…

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    Wie überlebe ich als Künstler?

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    Le Corbusier Secret Photographer (LC FOTO)

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    Unverfugt. Lücken im Berliner Stadtraum

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    A Choreographer's Score: Fase, Rosas Danst Rosas,…

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    Morgen werde ich Idiot. Kybernetik und Kontrollgesellschaft

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    The Berlin Reader. A Compendium on Urban Change and Activism

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    Open Space. Urban Public Landscape Design

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    Analog

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    Vom Bauhaus nach Palästina

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    Legible Practises. Six Stories About the Craft of…

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    Die Kunst der Bausünde

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    Future Perfect. Contemporary Art from Germany

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    Art and Politics. A Small History of Art for Social Change…

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    Visual Time. The Image in History

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    Hans Scharoun. Philharmonie

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    Middle East. Landscape City Architecture

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    Ton. Texte zur Akustik im Dokumentarfilm

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    Kengo Kuma 2006 - 2012

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    The Cinema Makers. Public Life and the Exhibition of…

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    Suburban Constellations. Governance, Land and…

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    System City. Infrastructure and the Space of Flows (AD)

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    Projects Review 2013

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    Wir sind hier nicht zum Spaß. Kollektive und subkulturelle…

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    Booktrek. Selected Essays on Artists’ Books since 1972

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    No is not an Answer. On the work of Marie-Louise Ekman

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    History in Motion. Time in the Age of the Moving Image

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    Recombo DNA. The Story of Devo, or How the 60s Became the…

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    Super Graphic. A Visual Guide to the Comic Book Universe

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    Ultrabody. 208 works between art and design

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    Weil Design die Welt verändert ...: Texte zur Gestaltung

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    Ortsentwürfe. Urbanität im 21. Jahrhundert

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    Urgent Architecture. 40 Sustainable Housing Solutions for a…

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    Sex and Buildings. Modern Architecture and the Sexual…

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    On Continuous and Systematic Nutrition Improvement

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    La Di Da Di. The Eclectic Manifesto

Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118