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  • Hans Dickel, Lisa Puyplat (Hg.)

    Reading Susanne Kriemann

  • Byung-Chul Han

    Shanzhai. Dekonstruktion auf Chinesisch

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    Hello! UK Graphics. Graphic Design in the UK since the 1980s

  • Bruce Jenkins

    Gordon Matta-Clark. Conical Intersect

  • Andreas Gelhard

    Kritik der Kompetenz

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    The Modernist

  • Lars Spuybroek

    Textile Tectonics. Research and Design

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    After Crisis. Contemporary Architectural Conditions

  • Louis Luthi

    On the Self-reflexive Page

  • Jan Kempemaers

    Spomenik

  • Vilém Flusser

    Dinge und Undinge. Phänomenologische Skizzen

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    Morphologie City Metaphors

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    Your Farm in the City

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    Reading the City. Stadt lesen

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    The Power of Religion in the Public Sphere

  • Richard Fairfield

    The Modern Utopian. Alternative Communities of the 60s and…

  • Jochen Rädeker, Kirsten Dietz

    Reporting. Unternehmenskommunikation als Imageträger

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    Inventionen 1. Gemeinsam. Prekär. Potentia. Dis-/Konjunktion

  • Jimini Hignett

    The Detroit Diary

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    Behind the Zines. Self-Publishing Culture

  • Tom Holert

    Civic City Cahier 3. Distributed Agency, Design’s…

  • El Croquis 154

    Aires Mateus 2002-2011

  • Paul Van Beek, Charles Vermaas

    Landscapology. Learning to Landscape the City

  • Jan Ole Arps

    Frühschicht. Linke Fabrikintervention in den 70er Jahren

  • Detlef Mertins, Architecture Words 7

    Modernity Unbound

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    Captain Pamphile. Ein Bildroman

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    Democracy in What State?

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    Cognitive Architecture. From Biopolitics to NooPolitics

  • Stefan Sagmeister

    Sagmeister: Another Book about Promotion and Sales Material

  • Enzo Mari

    The Intellectual Work. Sixty Paperweights

  • Bettina Allamoda

    Catwalk to History - A Sourcebook

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    Schatten konstruieren. Pergolen, Zelte, Pavillons, Seile,…

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    Architects' Sketchbooks

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    Disko 16-19. u.a. The New Deathstrip, Townhouse

  • Martin Ebner, Florian Zeyfang (Hg.)

    Poor Man’s Expression

  • El Croquis 151

    Sou Fujimoto 2003-2010

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    Sound (Documents of Contemporary Art)

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    Painting (Documents of Contemporary Art)

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    Inaesthetics 2

  • Nancy Holt

    Time Outs

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    Big Bad City

  • Ed Annink, Max Bruinsma

    Lovely Language. Words Divide Images Unite

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    Artists' Magazines. An Alternative Space for Art [pb]

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    Preis dem Todesüberwinder

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    Kreation und Depression. Freiheit im gegenwärtigen…

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    Dark Matter. Art and Politics in the Age of Enterprise…

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    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

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    A Little-Known Story about a Movement

  • Fundación Cisneros/Colección Patricia…

    Tomás Maldonado in Conversation with María Amalia García

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    Junya Ishigami

  • Gert Urhahn

    The Spontaneous City

  • Sharon Zukin

    Naked City. The Death and Life of Authentic Urban Places

  • El Croquis 152/153

    Herzog & de Meuron 2005-2010

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    TSNX C24VA7ME A play by Dr Hun

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    My Green City

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    "Mit-Sein". Gemeinschaft – ontologische und…

  • Paul Virilio, Philippe Petit

    Cyberwelt, die wissentlich schlimmste Politik

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    Traveling the Spaceways. Sun Ra, the Astro Black and other…

  • Ingmar Bergman

    Laterna Magica. Mein Leben. Autobiographie

  • Chris Kraus

    Where Art Belongs

  • The Institute of Social Hypocrisy

    The Sound Of Downloading Makes Me Want To Upload

  • Ed Annink, Max Bruinsma (Hg.)

    Gerd Arntz. Graphic Designer

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    Something Fantastic. A Manifesto by Three Young Architects…

  • Diarmuid Costello, Margaret Iversen (Hg…

    Photography After Conceptual Art

  • Österreichische Gesellschaft für…

    Umbau 25. Architektur im Ausverkauf. Architecture for Sale

  • Steven Heller, Lita Talarico

    Graphic. Inside the Sketchbooks of the World's Great G…

  • Nils Röller

    Magnetismus. Eine Geschichte der Orientierung

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    What was the Hipster? A Sociological Investigation

  • Peter Hook

    The Hacienda. How Not to Run a Club

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    The Designed World. Images, Objects, Environments

  • Tony Fry

    Design as Politics

  • Hans Venhuizen

    Game Urbanism. Manual for Cultural Spatial Planning

  • Gary Indiana

    Last Seen Entering the Biltmore. Plays, Short Fiction,…

  • Amos Vogel

    Film as a Subversive Art

  • Iris Holtkamp, Jan-Eric Stephan

    Closing Down — All Stock Reduced — The Role of Design in…

  • Tom Holert, Marion von Osten (Hg.)

    Das Erziehungsbild. Die visuelle Kultur des Pädagogischen

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    Clip, Stamp, Fold. The Radical Architecture of Little…

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    Journeys. How Travelling Fruit, Ideas and Buildings…

  • Keith Moskow, Robert Linn

    Small Scale. Creative Solutions for Better City Living

  • Slavoj Zizek, Costas Douzinas (Hg.)

    The Idea of Communism

  • Christian Hundertmark (C100)

    The Art Of Rebellion 3. The Book about Streetart

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    Autorenserien. Die Neuerfindung des Fernsehens

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    The Post-Modern Reader (AD Reader)

  • AA School of Architecture

    AA Book. Projects Review 2010

  • Bill Moggridge

    Designing Media

  • Aaron Levy, William Menking (Hg.)

    Architecture on Display. On the History of the Venice…

  • Gui Bonsiepe

    Civic City Cahier 2. Design and Democracy

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    Web Design Index by Content 5

  • John Kelsey

    Rich Texts. Selected Writing for Art

  • Kitayama, Tsukamoto, Nishizawa

    Tokyo Metabolizing

  • Stephen Willats

    Art Society Feedback

  • Avermaete, Karakayali, Von Osten (Hg.)

    Colonial Modern. Aesthetics of the Past, Rebellions for the…

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    Megacities. Exploring a sustainable Future

  • Maia Francisco

    Fontology. Free Fonts Source Book

  • Peggy Buth

    Katalog. Desire in Represention

  • Creischer, Hinderer, Siekmann (Hg.)

    Das Potosí-Prinzip

  • Juan Maria Songel

    A Conversation with Frei Otto

  • Vito Campanelli

    Web Aesthetics. How Digital Media Affect Culture and…

Rosalind Nashashibi

(…) You can go into a situation knowing that you’re interested and even knowing why you’re interested, but it’s the filmmaking that gets you closer to the parts of your knowledge that are inaccessible or not yet accessible. The way I used to make films was to look at places that attracted me – places that intimidated me or excited me or places I liked – and then film in order to really look at them. Now I try to get a bit closer to knowing, to constructing something. I’m already one step further when I start than I used to be. I’d like to put those two ways of working together. Still, it’s really only about trying to find out why I’m going back to this place or situation in the first place. (…)
THE CAST
ROSALIND ……………………………….. Rosalind Nashashibi1
THE EGOIST ……………………………….. Raimundas Malašauskas2
THE BLIND MAN ……………………………….. Laure Prouvost3
TANGO ……………………………….. Emma Davie4
1. Rosalind Nashashibi is a London-born artist based in Liverpool. She makes 16mm films and other things. She often works collaboratively with artist Lucy Skaer, and teaches part time at Liverpool John Moores University.
2. Raimundas Malašauskas’s was born in Vilnius, curates world-wide, and writes occasionally.
3. Laure Prouvost is an artist born in France, now living and working in London, who creates multi-media environments that often invoke loose narratives centred around a single event. Her work has been shown at Tate Britain, ICA (London), Serpentine Gallery, and the Sculpture Centre (New York). She is the recipient of the 2011 Max Mara Art Prize for Women.
4. Emma Davie is a documentary filmmaker and Programme Director of Film & Television at Edinburgh College of Art, University of Edinburgh.


Drawing Room Confessions Issue #6
Rosalind Nashashibi
DRC, 2012, 978-88-67490-04-2