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  • Studio Henrike Naumann

    Henrike Naumann. Die Innere Front. The Home Front

  • dérive

    dérive N° 104, Design als soziale und ökologische Praxis (…

  • SPECTRAL

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  • Axel Müller-Schöll / idea… Institut e.V…

    Nach innen gedacht. 12 Indikative zum Wirkungspotenzial der…

  • Paul Dobraszczyk

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    Umbauhof. Ein Ort für die Wiederverwendung von Bauteilen

  • Marc Angélil, Cary Siress

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    Guide to Tbilisi Districts. Kala

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    Cyberpunk. Das neue totalitäre System

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    Architecture of Invention. 10 Experimental Bibliographies

  • NUB, Gabriele Tosi

    Sound Chapters. Voices of Sound Experimentations in Italy

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    The Housing Question is a Feminist Question.

  • Kathrin Aste, Teresa Stillebacher (Hg.)

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  • Alina Schmuch

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    Theorising Interior Architecture and Design: Identity,…

  • Carl Grodach, Jessica Ferm

    Planning the Productive City. Rethinking Urban Industrial…

  • Músicas Sospechosas

    N’écoutez pas la musique des noirs. De-Archiving the Sounds…

  • Spike

    Spike Art Magazine Issue 88 Spirituality

  • Optimistic Runners

    LUNGS Magazine. Issue 01 Berlin Summer 2026

  • Joar Nango, Axel Wieder (Ed.)

    Girjegumpi. The Sámi Architecture Library. Joar Nango

  • Catherine Malabou

    There Was No Revolution. Reflections on Property, Power and…

  • Alexandra Kollontaï

    Finland and Socialism

  • Diane E. Davis, Markus Miessen (eds.)

    Reflections on Democracy and Urban Form. Provocations from…

  • Katie Milestone, Simon A. Morrison

    Transatlantic Drift. The Ebb and Flow of Dance Music

  • Pascal Gielen, Bahia Shehab (eds.)

    In the Absence of Bombs. Art, War, and Silence

  • Dirk Vis

    Study Trip. Psychedelics for Research and Art

  • Marieke Kums, Carolin Koopmann

    The Architecture of Housing Co-ops. 15 case Studies in DE/NL

  • Experimental Jetset

    Statement and Counter-Statement 2: Typologies/Typographies/…

  • Daniel Haaksman

    It began in Ipanema. Rio de Janeiro in 50 Songs

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    Invisible Tapestry Vol.3

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    Creative Construction. Demokratische Planung im 21.…

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    Collapsed Mythologies. A Geofinancial Atlas

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    The Politics of Privacy. Autonomy and Power in the Digital…

  • arc en rêve centre d’architecture (Hg.)

    Stone Voids. Xu Tiantian's Reactivation of the…

  • Katja Schechtner, Alex Putzer, Wojciech…

    Stadt Natur Rechte. Was Bienen und Bäume dürfen müssen

  • Matt Bluemink

    The Future is not Lost. On Music, Technology, and the…

  • Regine Heß

    Von der Weltausstellung zur Bauausstellung. Eine…

  • Thomas Venker, Linus Volkmann (Hg)

    kaput Magazin für Insolvenz & Pop. No. 1

  • Petra Eisele, Isabel Naegele (Eds.)

    UN/SEEN. Women in Graphic Design up to the Bauhaus

  • Aleksandr Delev, Niklas Egberts, Tekena…

    Silicity Protocols Issue #6 404

  • Philipp Oswalt, Ute Famulla (Hgs.)

    Hannes Meyers Interieurs. Möbel und Innenraumgestaltung am…

  • Anh-Linh Ngo

    ARCH+ 264. Ruhr: Vom Gebiet zum Raum / From Territory to…

  • Helga Blocksdorf

    Seismische Stellen. Über das Ausloten des Spannungsfeldes…

  • Melanie Ohnemus (Hg)

    Megan Francis Sullivan. Wolkenstudie / Cloud Study.…

  • Gregorio Astengo, Davide Spina (Hg.)

    Real Estate. Histories of Architecture and Capital

  • Sigrid Adorf, Sønke Gau, Basil Rogger (…

    going public. Praktiken des Veröffentlichens im Kunstfeld

  • Erieta Attali (ed.)

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    Morten Paul (Hg.)

    Was war Faschismustheorie?

  • Bilge Emir

    Tongue Touching the Other / Dil Ötekine Değince

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    Selen Okumuş, Bilge Emir

    Mother Tongue Magazine

  • Charlotte Kerner

    Pionierin der Moderne. Die Architektin und Designerin…

  • Maren Haffke

    Umgebungsaufnahmen. Zur Epistemologie, Technik und Ästhetik…

  • Eirini Fountedaki, AG Dissident Paths,…

    Walk Notations

  • Linda Bilda (Hrsg. von Helene Baur,…

    Die goldene Welt. Linda Bilda

  • Patrick McGraw (Ed.)

    Heavy Traffic #7

  • AgwA, architecten jan de vylder inge…

    Take On Add Away. A transformation of the Palais des…

  • Amy Holmes, Julie Cirelli (Eds)

    Spirits Out of Trees. Francis Kéré. Gando / Montana

  • Tony Fry

    Contrapractice. Action Against Defuturing

  • Derek Jones, Elizabeth Boling, James…

    Studio Properties. A field guide to design education

  • IDEA Magazine

    Idea 414. The Graphics of Human Intimacy. Designing…

  • Alberica Bazzoni, Federica Buangiorno (…

    Performing Embodiment: Choreographies of Affect, Language,…

  • Nora-Swantje Almes (Hg)

    Florentina Holzinger. HOLZINGER

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    Teslokratie. Ideologien des Tech-Kapitalismus

  • Moritz Henkel, Anna Jessen, Ingemar…

    Berliner Stadtmodelle. Von der Reform des Mietshauses bis…

  • Matteo Vianello

    The Ocean as Ground. An Offshore Theory of Urbanisation

  • Adam Kraft

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    Martha Schwendener

    The Society of the Screen. Vilém Flusser's Radical…

  • Trevor Paglen

    How to See Like a Machine. Art in the Age of AI

  • Christoph Möllers, Nils Weinberg

    Öffentliche Kunstfreiheit

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    Maryanne Amacher, Lawrence Kumpf (ed.)

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  • The David King Estate

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  • Lujan Cambariere

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  • Jan-Werner Müller

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    Alenka Zupancic

    Disavowal

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    Yuk Hui

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  • Monique Wittig

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  • Adam Kraft

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  • Piet Eckert, Wim Eckert (Hrsg.)

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  • Christian Nirvana Damato

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  • Hannes Liechti

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  • Karin Harrasser

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  • Maliha Safri, Marianna Pavlovskaya,…

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  • Eyal Weizman

    Ungrounding. The Architecture of Genocide

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    Yiorgis Yerolymbos, Platon Issaias

    Athens as a Project. A critical examination of the…

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    Spike

    Spike Art Magazine Issue 87 Everything's Computer

Tell It to the Stones. Encounters with the Films of Danièle Huillet and Jean-Marie Straub

Danièle Huillet and Jean-Marie Straub remembered quite well their first meeting in Paris in November 1954, “because that was when the Algerian Revolution began.” They often recalled this date, one that was the beginning of their fifty-year collaboration still considered to be one of the most radical and controversial oeuvres in modern cinema.
"Tell It to the Stones" presents artistic and intellectual responses to Huillet and Straub’s filmmaking methods and body of work. The book stems from a prolonged public program presented at the Akademie der Künste, Berlin, consisting of concerts, public conferences, a three-month exhibition, and a complete cinema retrospective.
Contributing artists, scholars, filmmakers, and writers, some of whom were long-time collaborators of Straub and Huillet, as well as younger artists and writers from various disciplines call upon this collective experience in new texts, revised transcripts, conceptual essays, and visual montages—taking seriously what Huillet once requested from the audience: “to help us build the in-between.” This volume is not only concerned with a general appreciation of Straub and Huillet’s cinema practice but also recognizes their substantial contributions to other arts and political thought. Presented are new readings of their literary references―Sophocles, Hölderlin, Mallarmé, Kafka, Pavese, and Brecht, among others—and also musicological and philosophical reflections on their preoccupation with Arnold Schoenberg; essayistic excursions to sites of their films; critical acclaim of their unflinching yet often misunderstood political stances; close readings of some of their most influential and radical films enriched by insights into the processes of their production. Tell It to the Stones reanimates these encounters and emphasizes how Straub and Huillet’s oeuvre still matters today, perhaps more than ever.
Contributions by Manfred Bauschulte, Renato Berta, Manfred Blank, Barton Byg, Paolo Caffoni, Rinaldo Censi, Diedrich Diederichsen, Luisa Greenfield, Louis Henderson, Ute Holl, Volko Kamensky, Peter Kammerer, Jan Lemitz, Armin Linke, Elke Marhöfer and Mikhail Lylov, Mochida Makoto, Peter Nestler, Maggie Perlado, Patrick Primavesi, Florian Schneider, Danièle Huillet and Jean-Marie Straub, Oraib Toukan, Ming Tsao, Barbara Ulrich, Rembert Hüser and Nikolaus Wegmann, Antonia Weiße, Ala Younis


Annett Busch, Tobias Hering (Eds.)
Tell It to the Stones. Encounters with the Films of Danièle Huillet and Jean-Marie Straub
Sternberg Press, 2021, 978-3-95679-532-9
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