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    What Comes after Farce?

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    The German Cinema Book (second edition)

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    Salticidae Icius - a Research on Independent Art Spaces and…

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    Intersektionalität. Von der Antidiskriminierung zur…

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    Psychogeografie

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    Operative Mapping. Maps as Design Tools

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    Jenseits unserer Haut. Körper als umkämpfter Ort im…

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    The Manifesto Handbook. 95 Theses on an Incendiary Form

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    Universalenzyklopädie der menschlichen Klugheit

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    Join the Future. Bleep Techno and the Birth of British Bass…

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    Allegories of the End of Capitalism. Six Films on the…

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    How I Became One of the Invisible (New Edition)

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    Sleeveless. Fashion, Image, Media, New York 2011-2019

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    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

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    Music - A Subversive History

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    Die neue Krise der Städte

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    Set the Night on Fire - L.A. in the Sixties

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    Designing Disorder. Experiments and Disruptions in the City

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    October Files 24: Michael Snow

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    Good Times in Dystopia

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    Materials and Meaning in Architecture

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    Everything She Touched. The Life of Ruth Asawa

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    Filmed Thought. Cinema as Reflective Form

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    Uneven Innovation. The Work of Smart Cities

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    Whose Tradition? Discourses on the Built Environment

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    Migrant Mother, Migrant Gender

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    Marmor für alle. Zur Kunst im öffentlichen Raum in Berlin

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    How We Die Is How We Live Only More So

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    The Demon of Writing. Powers and Failures of Paperwork

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    Clubkultur. Dimensionen eines urbanen Phänomens

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    Harun Farocki. Ich habe genug!

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    Heritage and Debt. Art in Globalization

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    Merce Cunningham. After the Arbitrary

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    Betrachtungen zur Schwulenfrage

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    Making and Being: Embodiment, Collaboration, and…

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    The Presence Project. Computer Related Design Research…

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    Statista. Staatskunst am Haus der Statistik

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    Smart Cities

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    The Pornographic Age

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    Das Grafische Atelier Stankowski + Duschek

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    Scheingleichheit. Drei Essays

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    Hexen. Die unbesiegte Macht der Frauen

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    Females. Everyone is female, and everyone hates it

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    Work Want Work. Labour and Desire at the End of Capitalism

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    Science Fiction

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    Variete / Architecture / Desire

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    Modes of Criticism 5. Design Systems

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    Hacking Urban Furniture. HUF

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    Flaming Creatures

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    Stockhausen Serves Imperialism

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

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    Reverse Cowgirl

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    Ways of Knowing Cities

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    Althusser and Art

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    Kapital und Ideologie

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    Visuelle Zeitgestaltung

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    Kapitalismus. Ein Gespräch über kritische Theorie

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    Gulbenkian. Photography by André Cepeda

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    Die Welt wieder verzaubern. Feminismus, Marxismus &…

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    The Materials Book

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    Planet Earth: 21st Century

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    The Force of Non-Violence. An Ethico-Political Blind

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    An Apartment on Uranus

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    Marxist-Feminist Theories and Struggles Today. Essential…

Untimely, Again

The book Christoforos Savva: Untimely, Again is published on the occasion of the participation of the Republic of Cyprus at the 58th edition of the Venice Biennale. Untimely, Again is a posthumous exhibition of works by Christoforos Savva (1924–1968) presented at the Cyprus Pavilion.
The publication focuses, in a very precise but also circumscribed manner, on a specific aspect of Christoforos Savva’s work that is beyond the artist’s control: the artwork’s presence in the world. The moment the work leaves the studio and goes into the world is, quite often, when artists themselves find out whether it has sufficient autonomy and strength. In Savva’s case and particularly in the case of such a fragmented photographic archive – and, therefore, so fascinating and suggestive – as the one presented in the book, the glimpses of his work in contact with the world over time silently witness and reflect the transformations of a society. Looking at, often blurred or slightly crooked, amateur photographs is a way to reaffirm that what matters, when one faces the work of Christoforos Savva, is not only or not so much individually looking at each painting, yfasmatography, or relief on its own, but also looking at the world around them.
The exhibition of Christoforos Savva’s work at the Cyprus Pavilion at the 58th edition of the Venice Biennale is part of a long-term research project on the artist’s legacy and the ways in which the main themes observed in his life and work continue to reverberate in local and international artistic production.
Curated by Jacopo Crivelli Visconti, co-organised by the Ministry of Education and Culture and Point Centre for Contemporary Art, Nicosia.


Christoforos Savva
Untimely, Again
Bom Dia Boa Tarde Boa Noite, 2019, 978-3-96436-013-7
19,00 €