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  • Julia Popova

    How many female type designers do you know? I know many and…

  • Hannah Wehrle, Jonas Wehrle, Klaus…

    Geht doch! Ein Buch über bezahlbares Wohnen

  • Barkow Leibinger

    Revolutions of Choice

  • Silvio Lorusso, Pia Pol, Miriam Rasch (…

    Here and Now? Explorations in Urgent Publishing

  • Jeffrey Hogrefe and Scott Ruff with…

    In Search of African American Space. Redressing Racism

  • Gabu Heindl

    Stadtkonflikte. Radikale Demokratie in Architektur und…

  • Klaus Jan Philipp

    Architektur - gezeichnet: Vom Mittelalter bis heute

  • Quang Truong

    Composite Architecture. Building and Design with Carbon…

  • Yvonne Rainer

    Revisions. Essays by Apollo Musagète, Yvonne Rainer, and…

  • Geert Lovink, Andreas Treske (Hg)

    Video Vortex Reader III: Inside the YouTube Decade. INC…

  • Andrés Jaque / Office for Political…

    Superpowers of Scale

  • Christopher Dell

    Das Arbeitende Konzert / The Working Concert

  • Sandra Schäfer

    Moments of Rupture. Spaces, Militancy & Film

  • Linda Lackner

    Belgrads radikale Ränder

  • Uta Hassler

    Bauen und Erhalten. Eine Einführung

  • Vít Havránek, Tereza Stejskalová (Eds.)

    Come Closer: The Biennale Reader

  • Jeanne Gerrity, Anthony Huberman (Eds.)

    Where are the tiny revolts? (A Series of Open Questions,…

  • Hilde Heynen

    Sibyl Moholy-Nagy. Kritikerin der Moderne

  • Lisette Smits (Ed.)

    Master of Voice

  • Julian Caskel

    Die Theorie des Rhythmus. Geschichte und Ästhetik einer…

  • Beate Söntgen, Holger Kuhn, Oona…

    Critique: The Stakes of Form

  • Drehli Robnik

    Ansteckkino. Eine politische Philosophie und Geschichte des…

  • Donatella Di Cesare

    Souveränes Virus? Atemnot des Kapitalismus

  • Alexandra Juhasz, Alisa Lebow (Eds.)

    A Companion to Contemporary Documentary Film

  • Enver Hirsch & Philipp Meuser

    Behelfsheim

  • Juan Duque, Nicolas Lakiotakis, David…

    Free Love Paid Love. Expressions of Affection in Mykonos

  • Juan Duque, David Bergé (Eds.)

    The Sleeping Hermaphrodite. Waking up from a Lethargic…

  • Michel Serres

    Branches. A Philosophy of Time, Event and Advent

  • Tim Markham

    Digital Life

  • David Vincent

    A History of Solitude

  • Clémentine Deliss

    The Metabolic Museum

  • Annemiek van Boeijen, Yvo Zijlstra

    Culture Sensitive Design. A Guide to Culture in Practice

  • Veit Görner (Hg.)

    Lehrstunde der Nachtigall - Gilbert and George, Walther,…

  • Jill Richards

    The Fury Archives. Female Citizenship, Human Rights, and…

  • Krystian Woznicki

    Undeclared Movements

  • Pietsch, Schreurs, Mandias, Broekhuizen…

    The New Craft School

  • Designing Lightness. Structures for…

    Adriaan Beukers, Ed van Hinte

  • Sameep Padora

    How To Build An Indian House. The Mumbai Example

  • Frank Wilderson III

    Afropessimism

  • Amanda Beech, Robin Mackay (Eds.)

    Construction Site for Possible Worlds

  • Sianne Ngai

    Theory of the Gimmick. Aesthetic Judgment and Capitalist…

  • Sarah Atkinson, Helen W. Kennedy (Hg)

    Live Cinema. Cultures, Economies, Aesthetics

  • Craig Staff

    Retroactivity and Contemporary Art

  • Andrew Filmer and Juliet Rufford (ed)

    Performing Architectures. Projects, Practices, Pedagogies

  • Heinz Hirdina (Autor), Achim Trebeß /…

    Figur und Grund. Entwurfshaltungen im Design von William…

  • Simon Kretz

    The Cosmos of Design. Exploring the Designer’s Mind

  • Achim Szepanski (Ed.)

    Ultrablack of Music

  • Bonaventure Soh Bejeng Ndikung (Hg.)

    I Will Draw a Map of What You Never See

  • Friedrich von Borries

    The World as Project: A Political Theory of Design

  • Eric C. H. de Bruyn, Sven Lütticken (Ed…

    Futurity Report

  • James Hoff (Ed.)

    Yvonne Rainer. Work 1961-73

  • Eleanor Weber, Camilla Wills (Hg)

    What the Fire Sees. A Divided Reader

  • Anne Lacaton, Carina Sacher (Hg)

    Qualities of Inhabiting. Studio Anne Lacaton, Lacaton…

  • Touré F. Reed

    Toward Freedom. The Case Against Race Reductionism

  • Ivana Bartoletti

    An Artificial Revolution. On Power, Politics and AI

  • Valentin Groebner

    Ferienmüde. Als das Reisen nicht mehr geholfen hat

  • Michael Volkmer, Karin Werner (Hg.)

    Die Corona-Gesellschaft. Analysen zur Lage und Perspektiven…

  • Dieter Bogner (Hg.)

    Friedrich Kiesler 1890-1965: Inside the Endless House

  • Adrian Lahoud, Andrea Bagnato (Hg.)

    Rights of Future Generations. Conditions

  • Japonica Brown-Saracino

    The Gentrification Debates A Reader

  • Jeremy Seabrook, Imran Ahmed Siddiqui

    People Without History. India's Muslim Ghettos

  • David Wilson

    Cities and Race. America's New Black Ghettos

  • Allen S. Weiss

    Unpacking my Library. The Autobiography of Teddy

  • Kris Dittel (ed.)

    The Trouble with Value. Art and Its Modes of Valuation

  • Alexander Kluge, Joseph Vogl

    Senkblei der Geschichten. Gespräche

  • Barbara Schönig, Lisa Vollmer (Hg.)

    Wohnungsfragen ohne Ende?! Ressourcen für eine soziale…

  • Rainald Goetz

    Rave

  • Hélène Frichot

    Dirty Theory: Troubling Architecture

  • Zairong Xiang

    Queer Ancient Ways. A Decolonial Exploration

  • Dietmar Dath

    Niegeschichte. Science Fiction als Kunst- und Denkmaschine

  • Lukas Feireiss (Ed.)

    Space is the Place. Current Reflections on Art and…

  • Branden Joseph (Ed.)

    Carolee Schneemann: Uncollected Texts

  • Natalie Fenton, Des Freedman, Justin…

    The Media Manifesto

  • Amador Vega, Peter Weibel, Siegfried…

    Dia-Logos: Ramon Llull's Method of Thought and…

  • Luke Fernandez, Susan J. Matt

    Bored, Lonely, Angry, Stupid: Changing Feelings about…

  • Peter Ortner

    The Essence of Berlin-Tegel. Taking Stock of an Airport…

  • Cornelia Sollfank (Hg)

    The Beautiful Warriors. Technofeminist Praxis in the Twenty…

  • DeBevoise, Chooy, Lu (Hg)

    Uncooperative Contemporaries: Art Exhibitions in Shanghai c…

  • IDEA Magazine

    IDEA 390. writtenafterwards. Material Bindings. The Savage…

  • Jane Bennett

    Influx & Efflux. Writing up with Walt Whitman

  • Slavoj Žižek

    Der Exzess der Leere. Ökonomisch-philosophosche Notizen zu…

  • Jörg Kreienbrock

    Sich im Weltall orientieren. Philosophieren im Kosmos 1950…

  • Stéphane Mallarmé

    The Book

  • Bram Büscher, Robert Fletcher

    Conservation Revolution. Radical Ideas for Saving Nature…

  • Erin Y. Huang

    Urban Horror: Neoliberal Post-Socialism and the Limits of…

  • Christian Huck

    Digitalschatten. Das Netz und die Dinge

  • Byung-Chul Han

    Palliativgesellschaft. Schmerz heute

  • Bastian Lange u.a. (Hg.)

    Postwachstumsgeographien. Raumbezüge diverser und…

  • Thomas Flierl (Hg.)

    Bauhaus – Shanghai – Stalinallee – Ha-Neu. Der Lebensweg…

  • Alexandra Martini

    Inspired by Method: Creative tools for the design process

  • Yuk Hui

    Die Frage nach der Technik in China. Ein Essay über die…

  • Ruedi Baur, Ulrike Felsing (Eds.)

    Visual Coexistence. Informationdesign and Typography in the…

  • Brandon LaBelle

    The Other Citizen

  • Roland Reichenbach, Rolf Bossart (Hg.)

    Bildungsferne. Essays und Gespräche zur Kritik der Pädagogik

  • Slavs and Tatars, M. Constantine (Ed.)

    Slavs and Tatars. Crack Up - Crack Down. The 33rd Ljubljana…

  • C. Riley Snorton, Hentyle Yapp (Ed.)

    Saturation. Race, Art, and the Circulation of Value

  • Pamela M. Lee

    Think Tank Aesthetics. Midcentury Modernism, the Cold War,…

  • Lucy Ives (Ed.)

    The Saddest Thing Is That I Have Had To Use Words. A…

101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216