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  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

    The New Normal

  • G. Raunig

    Maschinen Fabriken Industrien

  • Lukas Feireiss (Ed.)

    The Radical Cut-Up Reader: No Single Narrative

  • Juliane Streich (Hg.)

    These Girls. Ein Streifzug durch die feministische…

  • Chris O'Leary

    Ashes to Ashes. The Songs of David Bowie, 1976-2016

  • Edit DeAk, Walter Robinson (eds.)

    Art-Rite

  • Alice Gorman

    Dr Space Junk vs The Universe. Archaeology and the Future

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    Volksfronten / Popular Fronts. Art and Populism in an Era…

  • Rene Boer, Marina Otero Verzier, Katia…

    Architecture of Appropriation. On Squatting as Spatial…

  • Susan Ferguson

    Women and Work. Feminism, Labour, and Social Reproduction

  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

  • Julia Eckhardt

    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

  • Adolph Stiller, Aneta Bulant-Kamenova (…

    Stefka Georgieva: Architektin der 1960er Jahre in Bulgarien

  • Carola Platzek (Hg.)

    Teachings of the Garden

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    Floating University Berlin 2018. An illustrated report

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    Für den Arsch / Energie ohne Macht. Christian Maurels…

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    Jacques and Jacqueline Groag, Architect and Designer: Two…

  • Christoph Liepach

    Gera Ostmodern

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    Dialectic of Pop

  • Alina Popa

    Alina Popa. Square of Will in Square of Love. Texts, Notes…

  • Timothy Morton

    Ökologisch sein

  • Saskia Sassen, David Harvey, Arjun…

    Urbaner Protest. Revolte in der neoliberalen Stadt

  • Georges Bataille

    Der Fluch der Ökonomie

  • Alfia Nakipbekova (Ed.)

    Exploring Xenakis. Performance, Practice, Philosophy

  • Alexander Wilson

    Aesthesis and Perceptronium. On the Entanglement of…

  • Seraji, Devabhaktuni, Lu (Eds.)

    From Crisis to Crisis: Debates on Why Architecture Criticsm…

  • Momus

    Herr F

  • Robert Conrad

    Vergessene Orte in Berlin und Brandenburg

  • 2G / # 79

    Studio Muoto (Paris)

  • Ingeborg Bloem & Klaus Kempenaars

    Branded Protest. The Power of Branding and its Influence on…

  • Wiel Arets

    Un-Conscious-City

  • Achille Mbembe

    Necropolitics

  • K. Jacobson, A. Ray (eds)

    ...and Other Such Stories: 2019 Chicago Architecture…

  • Barsac, Cheruet, Perriand (eds.)

    Charlotte Perriand: Inventing A New World

  • Daniel López-Pérez

    R. Buckminster Fuller - Pattern-Thinking

  • Carlana, Mezzalira, Pentimalli (eds.)

    Quirino De Giorgio. An Architect's Legacy

  • Annette Weisser

    Mycelium

  • Hendrik Kempt, Megan Volpert (Ed.)

    RuPaul's Drag Race and Philosophy. Sissy That Thought

  • Warren Neidich

    The Glossary of Cognitive Activism (For a not so distant…

  • Crimson Historians & Urbanists

    City of Comings and Goings

  • Alan Quireyns, Nav Haq

    Sustainability is not enough. Non-Conventional…

  • Borasi, Ferré, Garutti, Kelley, Zardini…

    The Museum Is Not Enough

  • Mark van Wageningen

    Color and Type: Mehrfarbige Multi-Layer-Schriften entwerfen…

  • M. Kries, T. Cunz (Hg)

    Objekte der Begierde. Surrealismus und Design 1924 - Heute

  • Lukas Feireiss

    Radical Cut-Up: Nothing Is Original

  • Chanon Goodwin (Ed.)

    Permanent Recession: A Handbook on Art, Labour and…

  • David Toop

    Inflamed Invisible: Collected Writings on Art and Sound,…

  • Tom Bieling (Ed.)

    Design (&) Activism: Perspectives on Design as Activism…

  • Material Matters 04

    Paper: Creative interpretations of common materials

  • Kate Franklin, Caroline Till

    Radical Matter: Rethinking Materials for a Sustainable…

  • Bernd Scherer u.a. (Hg.)

    Wörterbuch der Gegenwart

  • Owen Hatherley, Christopher Herwig

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  • Amt für Hochbauten der Stadt Zürich

    Pavillon Le Corbusier Zürich: Restaurierung eines…

  • Peter Adam

    Eileen Gray: Her Life and Work

  • Diedrich Diederichsen, Anselm Franke (…

    Liebe und Ethnologie: die koloniale Dialektik der…

  • Eyal Weizman

    Forensic Architecture: Violence at the Threshold of…

  • Jens Müller (Ed.)

    West-Berlin Grafik-Design. Gestaltung hinter dem Eisernen…

  • Dimitry Kochenov

    Citizenship (Essential Knowledge Series)

  • Jason Oddy

    Revolution Will Be Stopped Halfway: Oscar Niemeyer in…

  • Alessandro Zambelli

    Scandalous Space - Between architecture and archaeology

  • Holly Buck

    After Geoengineering: Climate Tragedy, Repair, and…

  • Junya Ishigami

    Serpentine Pavilion 2019

  • Jesús Vassallo

    Epics in the Everyday: Photography, Architecture, and the…

  • A. Gigon, M. Guyer (Hg.)

    Bürogebäude

  • Mckenzie Wark

    Capital Is Dead: Is This Something Worse?

  • Susanne Hefti & Damjan Kokalevski

    Skopje Walkie Talkie

  • K. Grimstad, S. Rennie (Hg)

    The New Woman's Survival Catalog: A Woman-Made Book

  • Fink, Graff, Rostek, Wagner (Hg.)

    Architects on Architects

  • Natasha Lennard

    Being Numerous. Essays on Non-Fascist Life

  • Graphic #44

    Berlin Issue

  • Peter Weibel (Hg.)

    Sound Art: Sound as a Medium of Art

  • Walter Scheiffele

    Ostmoderne-Westmoderne

  • Samuel Greengard

    Virtual Reality

  • Ion Grigorescu

    From static oblivion

  • Guy Standing

    Plunder of the Commons: A Manifesto for Sharing Public…

  • Sofia Bempeza

    Geschichte(n) des Kunststreiks

  • Vilém Flusser

    Vom Stand der Dinge. Eine kleine Philosophie des Design

  • Jane Hall

    Breaking Ground: Architecture by Women

  • Jason Bahbak Mohaghegh

    Omnicide: Mania, Fatality, and the Future-in-Delirium

  • Chantal Akerman

    My Mother Laughs

  • Stiftung Buchkunst

    Die Schönsten Deutschen Bücher 2019: The Best German Book…

  • Franco "Bifo" Berardi

    Die Seele bei der Arbeit: Von der Entfremdung zur Autonomie

  • Judith Butler

    Rücksichtslose Kritik. Körper, Rede, Aufstand

  • Alexandra Hopf, Regine Steenbock

    Vogue. M29 Special.09/2019 September

  • J. Dowling, C. Leterme

    From Latin America

  • Extinction Rebellion

    This Is Not A Drill: An Extinction Rebellion Handbook

  • Matthias Schmelzer, Andrea Vetter

    Degrowth / Postwachstum zur Einführung

  • M. Rothenberger, T. Weber (Hg)

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  • Marcel Hénaff

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  • Francesco Garutti

    Our Happy Life. Architecture and Well-Being in the Age of…

  • Kenya Hara

    Designing Japan. A Future Built on Aesthetics

  • T. Rieniets, C. Kämmerer

    Architektur der 1950er bis 1970er Jahre im Ruhrgebiet: Als…

  • Janwillem Schrofer (Ed.)

    Plan and Play, Play and Plan: Defining Your Art Practice

  • Giorgio Agamben

    Creation and Anarchy: The Work of Art and the Religion of…

  • Danae Io, Callum Copley (Ed.)

    Schemas of Uncertainty

  • Lucy Cotter

    Reclaiming Artistic Research

101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216