Direkt zum Inhalt

Warenkorb

  • Barbagallo, Beuret, Harvie (Hg.)

    Commoning with George Caffentzis and Silvia Federici

  • A Prior #20

    The Research Issue

  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

  • C. Profanter, H. Andersen, J. Eckhardt…

    The Middle Matter. Sound as Interstice

  • I. Galuzin, G. Severianova (Eds.)

    The Withdrawal of the Red Army

  • IDEA #381

    Transboundary Design. Perspective of Yoshihisa Tanaka

  • Andres Lepik, Daniel Talesnik (Hg)

    Access for All. São Paulo's Architectural…

  • Isabelle Graw, Christoph Menke (eds.)

    The Value of Critique: Exploring the Interrelations of…

  • Bernhard Denkinger

    Die vergessenen Alternativen. Strukturalismus und…

  • P. Bogner, G. Zillner

    Frederick Kiesler: Face to Face with the Avant-Garde:…

  • Jonathan Hill

    The Architecture of Ruins: Designs on the Past, Present and…

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • IDEA Magazine

    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

  • Gregor H. Lersch, Léontine Meijer-van…

    Mischa Kuball. res.o.nant

  • Marco Revelli

    The New Populism: Democracy Stares into the Abyss

  • Jacques Ranciere

    Aisthesis: Scenes from the Aesthetic Regime of Art

  • Gean Moreno

    In the Mind but Not from There. Real Abstraction and…

  • Saskia de Wit

    Hidden Landscapes. The metropolitan garden as a multi-…

  • Tchoban Foundation

    Deutsche Filmarchitektur 1918–1933 – German Film…

  • Natascha Süder Happelmann

    Ankersentrum (surviving in the ruinous ruin)

  • HeK (House of Elecronics Basel)

    Entangled Realities: Living with Artificial Intelligence /…

  • Alain Ehrenberg

    Die Mechanik der Leidenschaften: Gehirn, Verhalten,…

  • Rosi Braidotti

    Posthuman Knowledge

  • Klaus-Martin Bresgott

    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

  • Jochen Volz, Gabi Ngcobo (Eds.)

    We Are Many. Art, the Political and Multiple Truths

  • Fitz, Krasny, Architekturzentrum Wien (…

    Critical Care. Architecture and Urbanism for a Broken Planet

  • Anne Kockelkorn, Nina Zschocke (Hg)

    Productive Universals. Specific Situations: Clinical…

  • Elke Neumann

    Palast der Republik. Utopie, Inspiration, Politikum

  • A+U 441

    Metal Skins

  • Troy Schaum (Ed.)

    Totalization: Speculative Practice in Architectural…

  • F. Serapiao, G. Wisnik

    Infinite Span. 90 Years of Brazilian Architecture

  • Heike Munder (Ed.)

    Producing Futures: A Book on Post-Cyber-Feminisms

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • Victor Papanek

    Design for the Real World

  • Andreas, Jung, Schmal (Hg.)

    Wohnen für Alle: Bautenkatalog

  • Elizabeth Resnick

    The Social Design Reader

  • Anca Benera, Arnold Estefan

    DEBRISPHERE - Landscape as an Extension of the Military…

  • Fiona McGovern, Megan Francis Sullivan…

    Jill Johnston. The Disintegration of a Critic

  • Byung-Chul Han

    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

  • Camiel van Winkel

    Archive Species: Bodies, Habits, Practices

  • Ted Hyunhak Yoon

    Decoding Dictatorial Statues

  • Sophie Cure, Aurelien Farina

    Graphic Design Play Book: An Exploration of Visual Thinking

  • Danielle Child

    Working Aesthetics: Labour, Art and Capitalism

  • Katya Garcia-Anton

    Sovereign Words. Indigenous Art, Curation and Criticism

  • Monika Rinck

    Champagner für die Pferde

  • Lorraine Daston

    Against Nature

  • Brigitta Gerber, Ulrich Kriese (Hg)

    Boden behalten - Stadt gestalten

  • Civic City Cahier 4

    Afterlives of Neoliberalism

  • Camila Marambio, Cecilia Vicuña

    Slow Down Fast, A Toda Raja

  • Dominik Landwehr (Hg.)

    Virtual Reality: Edition Digital Culture 6

  • Thor Magnusson

    Sonic Writing: Technologies of Material, Symbolic, and…

  • Biechteler, Käferstein, Hochschule…

    Architekturpädagogiken: Ein Glossar

  • Haenschel, Nelke, Planitzer (Hg.)

    Uncanny Interfaces

  • Jens Balzer

    Pop und Populismus: Über Verantwortung in der Musik

  • Lisa Baker

    Tiny Interiors: Compact Living Spaces

  • Marvin Heiferman

    Seeing Science: How Photography Reveals the Universe

  • Kristen Alvanson

    XYZT

  • Zdenke Badovinac

    Comradeship: Curating, Art, and Politics in Post-Socialist…

  • Juan Serra Lluch

    Color for Architects

  • 2G 78

    Junya Ishigami

  • OASE 102

    Schools & Teachers

  • Geert Lovink

    Sad by Design: On Platform Nihilism

  • Paul Mason

    Klare, lichte Zukunft: Eine radikale Verteidigung des…

  • M. F. Gage (Ed.)

    Aesthetics Equals Politics: New Discourses Across Art,…

  • Ben Green

    The Smart Enough City: Putting Technology in Its Place to…

  • Make_Shift (Hg.)

    Make City. Stadt anders machen. A Compendium of Urban…

  • Lizzie O'Shea

    Future Histories: What Ada Lovelace, Tom Paine, and the…

  • Alex Bykov, Ievgeniia Gubkina

    Soviet Modernism. Brutalism. Post-Modernism

  • Yuk Hui

    Recursivity and Contingency

  • David Bennewith, Sereina Rothenberger (…

    Questions? Looking for answers in the middle of somewhere

  • Eduardo Viveiros de Castro, Deborah…

    In welcher Welt leben?: Ein Versuch über die Angst vor dem…

  • Alina Popa, Florin Flueras

    Unsorcery

  • Goodman, Heys, Ikoniadou (Eds.)

    AUDINT. Unsound : Undead

  • Tabea Nixdorff.

    Fehler lesen. Korrektur als Textproduktion

  • Silvia Federici

    Re-enchanting the World: Feminism and the Politics of the…

  • Daniel McClean

    Artist, Authorship & Legacy. A Reader

  • Christian Bjone

    Almost Nothing. 100 Artists Comment on the Work of Mies van…

  • André Cadere

    Geschichte einer Arbeit/ Unordnung herstellen

  • Kirsten Maar

    Entwürfe und Gefüge. William Forsythes choreographische…

  • James Bridle

    New Dark Age: Technology and the End of the Future

  • David Rothenberg

    Nightingales in Berlin: Searching for the Perfect Sound

  • Sabine von Fischer

    Das akustische Argument. Wissenschaft und Hörerfahrung in…

  • K. Klaus, R. Bittner (Hg.)

    Gestaltungsproben: Gespräche zum Bauhausunterricht

  • Fröhlich, Fröhlich, Borges, Lippok (Hg.)

    Plans & Images. An Archive of Projects on Typology in…

  • Daniel Martin Feige

    Zur Dialektik des Social Design (Studienhefte…

  • Ursula Böckler

    Die Photos der "Magical Misery Tour" mit Martin…

  • Michael Scheer / Gesellschaft für…

    Stadtwirte. Von Sozialraumfarmern und Inklusionswirten

  • re:form e. V. (Hg.)

    Re:Eden. Neue Blicke auf die älteste Reformsiedlung…

  • Alice Maude-Roxby, Stefanie Seibold

    Censored Realities / Changing New York

  • Nathan Jurgenson

    The Social Photo: On Photography and Social Media

  • Randy Deutsch

    Superusers: Design Technology Specialists and the Future of…

  • John Latham

    John Latham. The N-U Niddrie Heart

  • IDEA Magazine

    IDEA 385. Focusing on Locality in Design Practices of the…

  • Anna Harding (Hg.)

    Artists in the City. SPACE in '68 and beyond

  • Damon Krukowski

    Ways of Hearing (SFX: Needle Drop)

  • Sophie Wolfrum, Alban Janson

    Die Stadt als Architektur

  • Heinz Peter Knes

    Der weltrevolutionäre Prozess seit Karl Marx und Friedrich…

101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216