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  • Andrew Hemingway

    The Mysticism of Money. Precisionist Painting and Machine…

  • Karl-Siegbert Rehberg, Paul Kaiser (Hg.)

    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

  • Neil Brenner (Ed.)

    Implosions / Explosions. Towards a Study of Planetary…

  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Vibeke Gieskes (Ed.)

    The Future of Architecture

  • Mark Sinclair, Tony Brook

    Type Only

  • Sven Völker (Ed.)

    Some Book. Graphic Expressions between Design and Art

  • Dan Graham

    Nuggets – New and Old Writing on Art, Architecture, and…

  • Ellen Blumenstein, Katharina Fichtner (…

    The World According to Patricia Esquivias. Fernando Garrido…

  • Ilka & Andreas Ruby, Nathalie…

    The Economy of Sustainable Construction

  • Joshua Decter

    Art Is a Problem. Selected Criticism, Essays, Interviews…

  • James Guerin

    Berlin Quarterly. European review of Culture. Issue 1

  • Blexbolex

    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Maik Schierloh (Hg.)

    Kosmetiksalon Bar Babette

  • Model House Research Group (Ed.)

    Transcultural Modernisms

  • Museo Berardo (Ed.)

    Pancho Guedes. Vitruvius Mozambicanus

  • Clog

    Unpublished

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Darran Anderson

    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens 1. Siegfried…

  • Pascal Gielen (Ed.)

    Institutional Attitudes. Instituting Art in a Flat World

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Kultur & Gespenster 14

    Radio

  • Philipp Misselwitz, Eui Young Chun,…

    Gwangju Folly II

  • Katrin Grögel

    Andrea Zittel. Institute of Investigative Living. Leben und…

  • Marcel Duchamp, Henri-Pierre Roche,…

    3 New York Dadas and the Blindman

  • Nadin Heinich, Plan A (Ed.)

    Digital Utopia. Über dynamische Architekturen, digitale…

  • Catherine Zuromskis

    Snapshot Photography. The Lives of Images

  • E. Bippus, J. Huber, R. Nigro

    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

  • Chantal Pontbriand

    The Contemporary, the Common: Art in a Globalizing World

  • Aleksandra Mir

    The Space Age. Poster Book

  • Fabrico Próprio

    The Design of Portuguese Semi-Industrial Confectionery

  • Viola Vahrson, Susanne Märtens, Beate…

    Gehen

  • Matthias Messmer, Hsin-Mei Chuang

    China's Vanishing Worlds. Countryside, Traditions, and…

  • Pier Vittorio Aureli, Martino Tattara

    Dogma. 11 Projects

  • Laura Pavia, Mario Ferrari

    Mies Van Der Rohe. Neue Nationalgalerie in Berlin 1962-1968

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • Alain de Botton, John Armstrong

    Art as Therapy

  • Brian Dillon, Marina Warner

    Curiosity. Art and the Pleasures of Knowing

  • Tod Williams, Billie Tsien

    Wunderkammer

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Angus Carlyle, Cathy Lane (Eds.)

    On Listening

  • Arindam Dutta (Ed.)

    A Second Modernism. MIT, Architecture, and the 'Techno…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • Daniel Lopez-Perez

    R. Buckminster Fuller. World Man

  • Michael Asgaard Andersen

    Jorn Utzon. Drawings and Buildings

  • Shaun McNiff (Ed.)

    Art as Research

  • Melissa Gordon, Marina Vishmidt (Eds.)

    Persona Issue 2

  • Jürgen Teipel

    Mehr als laut - DJs erzählen

  • Kenny Cupers (Ed.)

    Use Matters. An Alternative History of Architecture

  • Collection du Frac Centre

    Architectures Experimentales 1950-2012

  • Archilab

    Naturaliser l'architecture. Naturalizing architecture

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Elmar Kossel

    Hermann Henselmann und die Moderne

  • Rogério Duarte

    Marginália 1

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Deorte Kuhlmann, Dorte Kuhlmann

    Gender Studies in Architecture. Space, Power and Difference

  • Cerith Wyn Evans

    The What If?... Scenario (after LG)

  • Wouter Davidts, Guy Châtel, Stefaan…

    Luc Deleu. Orban Space

  • Tiqqun

    Alles ist gescheitert, es lebe der Kommunismus

  • Annie Pedret

    Team 10. An Archival History

  • Ana Jeinić, Anselm Wagner (Eds.)

    Is There (Anti-)Neoliberal Architecture?

  • Studio Manuel Raeder

    The Letter E is Everywhere. La Letra E esta por Doquier.

  • Oliver Marchart

    Das unmögliche Objekt. Eine postfundamentalistische Theorie…

  • Max Hollein, Martina Weinhart (Hg.)

    Brasiliana. Installationen 1960 bis heute. Installations…

  • Bradley L. Garrett

    Explore Everything. Place-Hacking the City

  • Sylvia Lavin, Kimberli Meyer (Eds.)

    Everything Loose Will Land. 1970s Art and Architecture in…

  • Claire Bishop

    Radical Museology or, What's Contemporary in Museums…

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Robert Kronenburg

    Architecture in Motion. The History and Development of…

  • Kirsty Bell

    The Artist's House. From Workplace to Artwork

  • Charlotte Bundgaard

    Montage Revisited. Rethinking Industrialised Architecture

  • Ralph Rugoff (Ed.)

    The Alternative Guide to the Universe

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Eve Meltzer

    Systems We Have Loved. Conceptual Art, Affect, and the…

  • Nicholas Alfrey

    Uncommon Ground. Land Art in Britain 1966-1979

  • Margitta Buchert, Laura Kienbaum (Eds.)

    Einfach entwerfen. Simply Design

  • Jeffrey Kipnis

    A Question of Qualities. Essays in Architecture

  • Susanne Lehmann-Reupert

    Von New York lernen. Mit Stuhl, Tisch und Sonnenschirm

  • Petrit Halilaj

    Poisoned by men in need of some love

  • ARGE Schnittpunkt (Hg.)

    Handbuch Ausstellungstheorie und -praxis

  • Riki Kalbe, Wolfgang Kil

    Gelände. Terrain.

  • Jörn Schafaff (Hg.)

    Kunst - Begriffe der Gegenwart. Von Allegorie bis Zip

  • AV 157-158

    Herzog & De Meuron 2005-2013

  • Freek Lomme (Ed.)

    Who Told You so? The Collective Story vs. The Individual…

  • Uta Meta Bauer, Thomas D. Trummer (Eds.)

    AR - Artistic Research

Capital and Language. From the New Economy to the War Economy

(Semiotext(e) / Foreign Agents). Michael Hardt
The Swiss-Italian economist Christian Marazzi is one of the core theorists of the Italian postfordist movement, along with Antonio Negri, Paolo Virno, and Bifo (Franco Berardi). But although his work is often cited by scholars (particularly by those in the field of "Cognitive Capitalism"), his writing has never appeared in English. This translation of his most recent work, "Capital and Language" (published in Italian in 2002), finally makes Marazzi's work available to an English-speaking audience."Capital and Language" takes as its starting point the fact that the extreme volatility of financial markets is generally attributed to the discrepancy between the "real economy" (that of material goods produced and sold) and the more speculative monetary-financial economy. But this distinction has long ceased to apply in the postfordist New Economy, in which both spheres are structurally affected by language and communication. In "Capital and Language" Marazzi argues that the changes in financial markets and the transformation of labor into immaterial labor (that is, its reliance on abstract knowledge, general intellect, and social cooperation) are just two sides of the same coin."
Capital and Language" focuses on the causes behind the international economic and financial depression of 2001, and on the primary instrument that the U.S. government has since been using to face them: war. Marazzi points to capitalism's fourth stage (after mercantilism, industrialism, and the postfordist culmination of the New Economy): the "War Economy" that is already upon us.Marazzi offers a radical new understanding of the current international economic stage and crucial post-Marxist guidance for confronting capitalism in its newest form. "Capital and Language" also provides a warning call to a Left still nostalgic for a Fordist construct - a time before factory turned into office (and office into home), and before labor became linguistic.


Christian Marazzi
Capital and Language. From the New Economy to the War Economy
MIT/Semiotexte, 2008, 978-1584350675