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  • Mona Chollet

    Hexen. Die unbesiegte Macht der Frauen

  • Andrea Long Chu

    Females. Everyone is female, and everyone hates it

  • Mareile Pfannebecker, James A. Smith

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  • Matthew J. Wolf-Meyer

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  • Anette Baldauf

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  • Constantine Verevis

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

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  • Eileen Myles

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  • Silvia Federici

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  • João Carmo Simões

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  • Silvia Federici

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  • Ilka and Andreas Ruby (Ed.)

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  • Daniela Comani

    Planet Earth: 21st Century

  • Judith Butler

    The Force of Non-Violence. An Ethico-Political Blind

  • Paul B. Preciado

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  • Fredi Fischli, Niels Olsen (Ed.)

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  • Khayaat Fakier, Diana Mulinari, Nora…

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  • Kollektiv Quotidien

    Lefebvre for Activists [dt./engl.]

  • Siegfried Zielinski

    Variations on Media Thinking

  • Marcus White, Nano Langenheim

    The Death of Urbanism. Transitions through the stages of…

  • Sezgin Boynik, Taneli Viitahuhta (Ed.)

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  • Clara Bouveresse

    Women at Work / Femmes a l'oeuvre / Femmes a l'…

  • Anne Massey

    Interior Design Since 1900 (World of Art)

  • Finn Brunton

    Digital Cash: The Unknown History of the Anarchists,…

  • Andrea Bajani

    The Barolo Chapel. The last eclipse of the millennium. The…

  • Joost Meuwissen

    Zur Architektur des Wohnens

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  • Wolfgang Tillmans

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  • Mark Fisher

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  • Goshka Macuga, Simon Moretti

    The Enigma of Hour. 100 Years of Psychoanalytic Thought

  • Owen Hopkins

    Postmodern Architecture: Less is a Bore

  • Ray Lucas

    Anthropology for Architects. Social Relations and the Built…

  • Michael Bull

    Sirens. The Study of Sound

  • Dominik Bartmanski, Ian Woodward

    Labels. Making Independent Music

  • Jens Hoffmann

    In the Meantime: Speculations on Art, Curating, and…

  • Laure Prouvost

    GDM: Grand Dad's Visitor Center

  • John Cage

    Diary: How to Improve the World (You Will Only Make Matters…

  • Nina Canell & Robin Watkins (eds.)

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  • Kumiko Inui

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  • U. Borinski, R.P. Gorbach

    Lesbar: Typografie in der Wissensvermittlung

  • Claude Lefort

    Dante's Modernity. An Introduction to The Monarchia

  • Sharon Lockhart

    Pine Flat. (Afterall Series One Work)

  • Pascal Johanssom (Ed.)

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  • Andreas Nentwich, Christine Schnapp

    Modern in alle Ewigkeit: Eine Reise zu den schönsten…

  • David Reinfurt

    A New Program for Graphic Design

  • Sophie J. Williamson (Ed.)

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  • Zamp Kelp

    Luftschlosser: Ein Blick auf Haus-Rucker-Co / Post-Haus-…

  • M. Seidel, G. Steixner (Hg)

    Society now! Architektur. Projekte und Positionen 2009 -…

  • Moisés Puente (Hg)

    2G 80. Fala Atelier

  • Ocean Vuong

    Night Sky With Exit Wounds

  • Viction Workshop (Ed.)

    Botanical Inspiration: Nature in Art and Illustration

  • Florentine Nadolni (Hg.)

    Alltag formen!: Bauhaus-Moderne in der DDR

  • Karl Gerstner

    Designing Programmes: Programme as Typeface, Typography,…

  • Maarten Van Den Driessche (Ed.)

    Robbrecht en Daem: An Architectural Anthology

  • C. Blanchfield, F. Lotfi-Jam

    Modern Management Methods - Architecture, Historical Value…

  • Shirin Sabahi

    Pocket Folklore

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    Building Critique: Architecture and its Discontents

  • Alona Rodeh, Kunstpalais

    The Third Dimension. A Journey from Past Reality to Future…

  • Rike Felka

    Biomorphe Architekturen

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  • Alonso, Palmarola (eds.)

    Flying Panels: How Concrete Panels Changed the World

  • Laura Sobral

    Doing it Together. Cooperation Tools for the City Co-…

  • M. Hieslmair, M. Zinganel (Hg)

    Stop and Go. Nodes of Transformation and Transition

  • Rike Frank, Beatrice von Bismarck

    Of(f) Our Times: Curatorial Anachronics

  • Sara Ahmed

    What's the Use? On the Uses of Use

  • Graham Harman

    Art and Objects

  • Benjamin Bratton

    The Terraforming

  • Michael Hieslmair, Michael Zinganel (…

    Stop and Go. Nodes of Transformation and Transition

  • Ana Vujanovic, Livia Piazza (Ed.)

    A Live Gathering: Performance and Politics in Contemporary…

  • edu-factory

    Alle Macht der selbstorganisierten Wissensproduktion

  • Alona Rodeh

    FIRE: Safe & Sound

  • Vision 5

    Artists Photographs

  • Hilma Af Klint

    Visionary

  • Allan Kaprow

    How To Make A Happening CD

  • Ruth Sonderegger

    Polyphone Ästhetik: Eine kritische Situierung

  • Philipp Oswalt

    Marke Bauhaus 1919-2019: Der Sieg der ikonischen Form über…

  • Marie-Pier Boucher, Stefan Helmreich,…

    Being Material

  • Tom Rice

    Films for the Colonies. Cinema and the Preservation of the…

  • Jürgen Habermas

    Auch eine Geschichte der Philosophie. Bd 1: Die okzidentale…

  • Constance DeJong, Andrew Lampert (Ed.)

    Tony Conrad. Writings

Sweet Sweat

Erudite, baroque, a dazzling writer and painter but maniacal and all-encompassing in his approach, Roee Rosen keeps erasing the fine line that separates fiction and truth, imagination and reality, just as Sade and Lautréamont have done before him. But this division doesn't exist anymore. What makes his summa erotica erotic is that, for him as for Georges Bataille, pornography is philosophy.
“What are you doing after the orgy?” Jean Baudrillard once perversely asked. I would answer: just read Roee Rosen. Rosen came after the orgy, and he knows it. With Sweet Sweat, he is bringing in for a last call all the erotic avant-gardes of the West. But he can only do it with a vengeance - by writing himself into the picture. (Sylvère Lotringer)
Sweet Sweat, the only novel by Belgian artist Justine Frank, is unusual, to say the least - a blend of feminism, pornography, Judaism, and art, written in French in 1931. Its heroine is a Jewish girl named Rachel, born in the South of France, who has an outstanding talent for debauchery and crime. She takes up with the sybaritic Count Urdukas and sets out with him on an odyssey of pleasure and corruption marked by bizarre events in which horror and humor mingle. This comprehensive new edition of Frank's novel includes an essay and an extensive biography by Roee Rosen and a timeline tracing key moments in Frank's life, providing a definitive analysis of this once-scandalous novel and its historical and cultural contexts.
Justine Frank is a fictive surrealist artist and writer, having purportedly been born in Antwerp in 1900 and died in Tel Aviv in 1943, invented by Israeli artist Roee Rosen (born 1963 in Rehovot, Israel). Rosen's paintings, films, and writings have become known for their historical and theological consciousness, novelistic imagination, and psychological ambition. His work addresses the representation of history, the political economy of memory, and the politics of identity, often exploring the tension between trauma, horror, humor, and truth.
Rosen received degrees in visual art from the School of Visual Arts and Hunter College, both in New York. He now lives in Israel, where he teaches art and art history at Bezalel Academy of Art and at Beit Berl College. In 1997 Rosen's controversial exhibition “Live and Die as Eva Braun” at The Israel Museum, Jerusalem, was aggressively attacked by Israeli politicians. It won critical praise, however, for its new approach to the representation of the memory of the Holocaust. Rosen's projects include the exhibition “Justine Frank (1900–1943): A Retrospective” (2009) and the films Two Women and a Man (2005) and The Confessions of Roee Rosen (2008). He has authored the books A Different Face (Shva, 2000), Lucy (Shadurian, 2000), Sweet Sweat (Babel, 2001), and Ziona™ (Keter, 2007).


Justine Frank, Roee Rosen
Sweet Sweat
Sternberg Press, 2009, 978-1-933128-66-5