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  • dérive

    dérive N° 103, Sampler (Apr - Jun 2026)

  • Judith Schalansky

    Marmor, Quecksilber, Nebel. Woraus die Welt gemacht ist

  • Dieter Thomä (Hg)

    Postismen. Vom Nutzen und Nachteil eines Denkmusters für…

  • Merle Ibach

    Postwachstum gestalten. Designethnografische Perspektiven…

  • Edgar Walthert, George Sinclair (Hg)

    Letterspace 50

  • Gionata Girardi

    Space Issues: The Leaking City

  • Magdalena Zotou

    Space Issues: Animals

  • Florian Nagler, Tilmann Jarmer, Anne…

    Einfach umbauen. Ein Leitfaden

  • Lori Jo Marso

    Feminism and the Cinema of Experience

  • David Jackson, Marsha Courneya, Toby…

    Listening In. How Audio Surveillance Became Artificial…

  • Daniela Hamaui (Ed.)

    Archivio Magazine N°11. The Tech Issue

  • Stewart Brand

    Maintenance: Of Everything. Part One

  • SdA Strategien der Aufstandsbekämpfung…

    The Subject of Counterrevolution. Art, War, and the Public.

  • Lou Manuel Arsenault

    Of Enemies & Venison. First Materials for an Aztec…

  • Jacques Rancière

    Wege der Kunst

  • Stephan Trüby

    Right-Wing Spaces. Political Essays

  • Apsara Flury, Livio Liechti

    FREE BOOKS. On the Infrastructural Promise of Street…

  • Chiara Certomà, Susan Noori, Martin…

    Urban gardening and the struggle for social and spatial…

  • Nina Flaitz (Hg.)

    Mycelium Resources in Architecture and Design

  • Anja Schwanhäußer, Albrecht Gäbel

    It's a Book, money low, funny though. Independence.…

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    Barbara Büscher, Franz Anton Cramer,…

    Relational Acts. Performance Practices and Media of…

  • Lisa Siraganian

    The Problem of Personhood. Giving Rights to Trees,…

  • Omari Souza

    Design Against Racism. Creating Work That Transforms…

  • Jeremy Harding

    Analogue Africa. Notes on the Anti-Colonial Imagination

  • Gail Day, Steve Edwards

    Amphibious Realities. The Documentary Poetics of Allan…

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    Reinier de Graaf

    Architecture Against Architecture. A Manifesto

  • Wolfgang Ernst

    Den Technológos aufspüren. Medienarchäologische Arbeit am…

  • Carolyn L. Kane, Lida Zeitlin-Wu (eds.)

    Color Protocols. Technologies of Racial Encoding in…

  • Peter Eisenman

    Rewriting Alberti

  • Lorenz Krauth (ed.)

    spheres of Post-Urban Spaces. 8 Essays and 4 Conversations

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    Peter Wolfendale

    The Revenge of Reason

  • Soundtrackcity

    Play Play Play, all day every day. An Integrational…

  • Tom Holert, Volker Pantenburg (Hg)

    Harun Farocki. Häuserbauen und Filmemachen. Dokument,…

  • Annette Gigon, Mike Guyer, Arend Kölsch

    Haus, Energie und CO2. Ein Handbuch

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    Olga Smith, Andrew Patrizio (Eds)

    Methods for Ecocritical Art History

  • Adrian J. Ivakhiv

    The New Lives of Images. Digital Ecologies and Anthropocene…

  • Jerome Denis, David Pontille

    The Care of Things. Ethics and Politics of Maintenance

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    Rachel Adams

    The New Empire of AI. The Future of Global Inequality

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    Jianwei Xun

    Prompt Thinking. A Critique of Generative Reason

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    Katia Baudin, Waleria Dorogova (Hg)

    Charlotte Perriand. Die Kunst des Wohnens

  • Walter J. Scheirer

    A History of Fake Things on the Internet

  • Matias Echanove, Rahul Srivastava

    The Homegrown City. Reclaiming the Metropolis for its Users

  • Suzanne Lettieri, Anya Sirota (Hg)

    Junior Architects. New Paradigms in Design Education

  • Hendrikje Alpermann

    Buildings on Standby: Stitching the Post-Socialist Cityscape

  • Brigitta Kuster, Achim Lengerer (Hg.)

    Territoires – Filmtranskripte

  • Virginie Bobin, Achim Lengerer (Hg)

    The Interpreter Dis/Appears. L'interprète dis/parait

  • Andreas Henrich, Olivier Arcioli,…

    45 Symbols - Clay to Code

  • Mateo Kries, Glenn Adamson (Hrsg.)

    Hella Jongerius. Whispering Things

  • Joel Wainwright

    The End. Marx, Darwin, and the Natural History of the…

  • Denise Madsack

    Kunst am Bau. Zustände, Erhalt und Vermittlung

  • Adrian Daub

    Was das Valley herrschen nennt

  • Linda van Deursen, Alexandra Margetic (…

    Slideshow 1: Linda van Deursen: “Image Continuum”

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    Enrico Camporesi, Catherine de Smet,…

    Read Frame Type Film Or, Written on the Screen

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    Werner Lorenz, Roland May (Hgs.)

    Bauen am Limit. Traditionen und Transformationen eines…

  • Christina Haas, Anne-Catherine Schröter…

    Kernkraftwerke. Nuclear Power Plants.

  • Jorge Muñoz, Jesús Vassallo

    The Houses of Guadalajara. Ghosts of Modernity / Ghosts of…

  • David Bröderbauer

    Acker, Baulücke, Deponie. Ein Brachenatlas

  • Mark Terkessidis

    Gewalt am Denken. Wann beginnt Faschismus?

  • IDEA Magazine

    Idea 413. Fault Lines in Printing History: Risograph and…

  • AFF Architekten, Kim Grundlach (Hg)

    AFF Architekten. New Schools on the Block. A Typological…

  • Christopher Dell

    Michel Foucault oder die Heterotopie

  • Cassie Thornton & Magdalena Jadwiga…

    It's Too Late. Do It Anyway!

  • World of Interiors. December 2025 Mini Edition

  • Monique Wittig

    The Lesbian Body

  • Eva von Redecker

    Dieser Drang nach Härte. Über den neuen Faschismus

  • Amanda-Li Kollberg, Siri Lee Lindskrog

    Notes on Book Design: by Formal Setting

  • Anh-Linh Ngo

    ARCH+ 263. Stadtnatur / Urban Nature

  • Wolfgang Ullrich

    Memokratie. Soziale Medien und autoritäre Bildpolitik

  • Ilka Becker

    Mykoästhetik. Pilze, Kunst und Kino

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    Inke Arns, Sabine Weier, Jan Wenzel,…

    Robotron. Code und Utopie

  • Sekou Cooke

    Black Architect

  • Katya García-Antón, Margarida Mendes (…

    The Word for World is Water. World-Building and Creative…

  • Heinrich Geiselberger (Hg.)

    Oben rechts. Rechtspopulismus als Klassenprojekt

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    Ferda Kolatan

    Misfits & Hybrids. Architectural Artifacts for the 21st…

  • Olaf Nicolai, Mariana Pende

    Dance Deluxe. Olaf Nicolai, Mariana Pende

  • Tiphaine Abenia, Louis Destombes,…

    Clara No. 11: The Ethics of Detailing

  • Marjan Unger (Autorin), Theo Smeets (Hg)

    Jewellery in Context. A multidisciplinary framework for the…

  • Volker M. Heins

    Sichere Häfen. Städte als Zuflucht

  • Krystina Castella

    Designing for Kids. Creating for Playing, Learning and…

  • Hans Teerds

    Space Is Politics. A Manifesto on Architecture

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    Felix Torkar

    Brutalist Berlin. An Architect's Guide to Brutalist…

  • Santiago Bogani, Igo Kommers Wender,…

    SHIFT. Architecture in Times of Radical Change

  • Michelle Christensen, Florian Conradi,…

    Re/Embodied Data. Ambiguities of Knowing

  • Tobias Allers

    Freiräume. Berliner Clubkultur. Berlin’s Club Culture…

  • Samantha Parsley

    Minor Keys. Gender, Inequality and Work In Electronic Music

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    Olga Goriunova

    Ideal Subjects. The Abstract People of AI

  • gerade nicht auf Lager
    Susan Leigh Foster

    Knowing as Moving. Perception, Memory, and Place.

  • Joshua Comaroff

    Spectropolis. The Enchantment of Capital in Singapore

  • Olga Touloumi

    Assembly by Design. The United Nations and Its Global…

  • Lisa Lagova, Manon Fraser (eds.)

    Pure Fiction

  • Alexander Eisenschmidt

    At Home with the Collective. A Report from the Future of…

  • Heike Grebin (Ed.)

    Play the System. Parametric Approaches in Graphic Design

  • Uta Brandes, Tom Bieling, Michelle…

    Nutzen statt Besitzen. Michael Erlhoff Revisited

  • Sarah Horn

    Trans*Werden. Queere Zeitlichkeiten und Transitionen in…

  • Andrew Santa Lucia, Daniel Jonas Roche

    Antifascist Architecture. A Genealogy of Antifascist…

  • Freek Persyn, Seppe De Blust, Ilka Ruby

    51N4E. Negotiating Infrastructure

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    Jamie Taylor

    Studio Electrophonique. The Sheffield Space Age, from the…

  • Bruno Munari

    Bruno Munari. Design and Visual Communication

Lovely Language. Words Divide Images Unite

The world speaks in about 7000 tongues, and countless dialects. For centuries, people have tried to overcome this tower of Babel. For instance by propagating one language or by making a new language, such as Esperanto. But the language which today is best understood world-wide does not consist of words, but of images. A universal visual language was the ideal of two Modernists: the social scientist and philosopher Otto Neurath (1882-1945) and graphic designer Gerd Arntz (1900-1988). In Vienna, from the 1920s onward, they developed more than 4000 icons, which together formed Isotype: a visual language in which important information on society, politics, economy and industry could be summarized, also for those who could not read well. Thus Neurath's motto: 'words (which not everyone can read) divide, images (which can be understood by all) unite.' Nowadays, the whole world communicates in images. But with its dissemination, this lovely language for all spawns more and more dialects. Visual language has grown up; everyone understands its basics, but individuals vary on it to write their own visual poetry.
'Lovely Language' features work by a.o.: Otl Aicher, Gerd Arntz, Lars Arrhenius, Ruedi Baur, Gert & Derk Dumbar, Fabrica, Mieke Gerritzen, Nigel Holmes, Susan Kare, Max Kisman, Pippo Lionni , Koert van Mensvoort, Paul Mijksenaar, Otto Neurath, Charles Sandison, Andreas Siekmann, Erik Spiekermann. This book aims at providing material for the discussion about visual communication tomorrow. Are the generic guidelines of Otto Neurath and Gerd Arntz still valid? Or have they become embedded into a visual language that by now goes well beyond their project? And what is the future role of designers and communicators in using and expanding this language?


Ed Annink, Max Bruinsma
Lovely Language. Words Divide Images Unite
Veenman, 2008, 978-9086901272
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