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  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

  • Robin Kinross

    Unjustified Texts. Perspectives on Typography

  • Elke Krasny (Hg.)

    Hands-On Urbanism 1850 - 2012

  • Maria Lind (Hg.)

    Performing the Curatorial With and Beyond Art

  • Jost Hochuli

    Das ABC eines Typografen

  • M. Ziehl, S. Oßwald, O. Hasemann, D.…

    Second Hand Spaces. Recycling Sites Undergoing Urban…

  • Michael Buhrs, Hannes Rössler (Hg.)

    Terunobu Fujimori. Architekt

  • Idea 352

    Video Game Graphic

  • Emanuel Christ, Christoph Gantenbein (…

    Typology. Hong Kong, Rome, New York, Buenos Aires. Review…

  • Slavs and Tatars

    Not Moscow Not Mecca

  • Lisa Robertson, Matthew Stadler (Hg.)

    Revolution. A Reader

  • Andrew Parker

    The Theorist's Mother

  • Okwui Enwezor (Hg.)

    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Kenneth E. Silver

    Making Paradise. Art, Modernity, and the Myth of the French…

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

  • Institut Mathildenhöhe Darmstadt (Hg.)

    A House Full of Music. Strategien in Musik und Kunst

  • Sophie Elisabeth Hochhäusl

    Otto Neurath - City Planning. Proposing a socio-political…

  • Susan Morgan (Hg.)

    Piecing Together Los Angeles. An Esther McCoy Reader

  • Magdalena Droste (Ed.)

    Lilly Reich. Designer and Architect

  • Jan Gehl

    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

  • Xavier Antin

    Printing at Home

  • Vladimir Arkhipov

    Home-Made Europe. Contemporary Folk Artifacts

  • Alexander Eichenlaub

    Umbau mit Bestand. Nachhaltige Anpassungsstrategien für…

  • Eyal Weizman

    The Least of All Possible Evils

  • Architecture for Humanity

    Design Like You Give a Damn, Volume 2

  • Théo Lessour

    Berlin Sampler. From Cabaret to Techno: 1904-2012, a…

  • Nomadisch Grün (Hg.)

    Prinzessinnengärten. Anders gärtnern in der Stadt

  • David Harvey

    Rebel Cities. From the Right to the City to the Urban…

  • Kate Fletcher, Lynda Grose

    Fashion & Sustainability. Design for Change

  • Quinn Latimer

    Rumored Animals

  • Nikolaus Gansterer

    Drawing A Hypothesis. Figures of Thought

  • Jürgen Teller

    Bilder und Texte. Literatur

  • Roberto Gargiani, Anna Rosellini (Hg.)

    Le Corbusier. Beton Brut and Ineffable Space (1940 - 1965)

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Jill Stoner

    Toward a Minor Architecture

  • Jasper Morisson

    A world without words

  • Helmut Höge

    Spatzen

  • Boris Groys

    Introduction to Antiphilosophy

  • Raimundas Malasauskas

    Paper Exhibition. Selected Writings by Raimundas Malasauskas

  • The Otolith Group

    Thoughtform-La forma del pensiero

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

  • Pierre Keller (Hg.)

    Types We Can Make. A Selection of Contemporary Swiss Type…

  • Douglas Crimp

    Our Kind of Movie. The Films of Andy Warhol

  • Simona Malvezzi, Wilfried Kuehn

    Kuehn Malvezzi. Index

  • Garry Neill Kennedy

    The Last Art College. Nova Scotia College of Art and Design…

  • Joan Ockman

    Architecture School. Three Centuries of Educating…

  • Fucking Good Art #29

    Italian Conversations. Art in the Age of Berlusconi

  • Markus Miessen, Nina Valerie…

    Expothesis No2. Waking Up From The Nightmare Of…

  • Christof Migone

    Sonic Somatic. Performances of the Unsound Body

  • Adrian Shaughnessy, Tony Brook

    Kwadraat-Bladen A Series of Graphic Experiments 1955—74

  • 51N4E (Hg.)

    Reasons for Walling a House

  • Ute Frank (Hg.)

    Eklat. Entwerfen und Konstruieren in Lehre, Anwendung und…

  • Felix Denk, Sven von Thun

    Der Klang der Familie. Berlin, Techno und die Wende

  • Walter Benjamin

    The "Berlin Chronicle" Notices

  • Gerald Raunig

    Fabriken des Wissens. Streifen und Glätten 1

  • Jane Bennett

    Vibrant Matter. A Political Ecology of Things

  • Christiane Rösinger

    Liebe wird oft überbewertet. Ein Sachbuch

  • David Harvey

    Die urbanen Wurzeln der Finanzkrise

  • Jeffrey T. Schnapp, Adam Michaels

    The Electric Information Age Book

  • Christian Naujoks

    True Life / In Flames CD/LP

  • Winy Maas

    The Vertical Village. Individual, Informal, Intense

  • Andrew Shea

    Designing for Social Change

  • Ian Bogost

    How to Do Things with Videogames

  • Deborah Schneiderman

    Inside Prefab. The Ready-Made Interior

  • Beatriz Preciado

    Pornotopia. Architektur, Sexualität und Multimedia im…

  • Marc Angélil, Rainer Hehl (Hg.)

    Building Brazil!

  • Klanten, Ehmann, Sinofzik (Hg.)

    Introducing. Visual Identities for Small Businesses

  • Dietmar Dath, Barbara Kirchner

    Der Implex. Sozialer Fortschritt: Geschichte und Idee

  • Eva Grubinger, Jörg Heiser (Hg.)

    Sculpture Unlimited

  • Montreal CCA (Hg.)

    Imperfect Health. The Medicalization of Architecture

  • Jun Igarashi

    Construction of a State

  • Jérôme Knebusch

    Notizen zu Berlin

  • Ryan McGinley

    You and I

  • Magnus Ericson, Ramia Mazé (Hg.)

    Design Act. Socially and Politically Engaged Design Today

  • Nigel Coates

    Narrative Architecture

  • Lois Weinthal

    Toward a New Interior

  • Daniel Miller

    Das wilde Netzwerk. Ein ethnologischer Blick auf Facebook

  • Mark Borthwick

    Light up Playbutton

  • William E. Jones

    Halsted Plays Himself

  • Hans Ulrich Obrist, Kazuyo Sejima

    SANAA. The Conversation Series 26

  • Helen Armstrong, Zvezdana Stojmirovic

    Participate. Designing with User-Generated Content

  • Aaron Levy, William Menking

    Four Conversations on the Architecture of Discourse

  • 2G 60

    Lacaton & Vassal. Recent Work

  • Ilka Ruby, Andreas Ruby

    Lacaton & Vassal (2G Books)

  • Max Risselada (Hg.)

    Alison & Peter Smithson. A Critical Anthology

  • Gertrud Lehnert (Hg.)

    Räume der Mode

  • Miriam Bratu Hansen

    Cinema and Experience

  • ETH Studio Basel (Hg.)

    Belgrade. Formal/Informal

  • Michael Biggs, Henrik Karlsson

    Routledge Companion to Research in the Arts

  • Chris Dercon (Hg.)

    Carlo Mollino. Maniera Moderna

  • Walter Benjamin

    Berlin Childhood circa 1900

  • Lida Hujic

    The First to Know. How Hipsters and Mavericks Shape the…

  • Archphoto 2.0

    Radical City 01

  • V. Smith, M. Taussig, I. Garcia (Hg.)

    Juan Downey. The Invisible Architect

  • Arbeitsgruppe Kunst und Politik (Hg.)

    Kunst Spektakel Revolution Nr. 2

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • John McHale

    The Expendable Reader. Articles on Art, Architecture,…

Behind the Zines. Self-Publishing Culture

Twenty-volume folios will never make a revolution. It’s the little pocket pamphlets that are to be feared.
—Voltaire
Social networks are dominating today‘s headlines, but they are not the only platforms that are radically changing the way we communicate. Creatives such as designers, photographers, artists, researchers, and poets are disseminating information about themselves and their favorite subjects not via predefined media such as Twitter or blogs, but through printed or other self-published projects—so-called zines. Those who publish zines are mostly interested in sole authorship, namely that all components including text, images, layout, typography, production, and distribution are firmly in the hands of one person or a small group. At their best, the results convey a compelling and consistent atmosphere and push against the established creative grain in just the right way. They provoke with surprising and non-linear food for thought. In short, zines are advancing the evolution of today‘s media.
With a cutting-edge selection of international examples, Behind the Zines introduces the broad range of zines that exists today. These include zines that function as a new kind of project-oriented portfolio to showcase a self-profile or document an exhibit. While some act as (pseudo) scientific treatises to call the reader‘s attention to a specific topic, others serve as playrooms for creatives to run riot and express themselves and communicate with each other in a space that is free from editorial restrictions.
The book examines the key factors that distinguish various zines. It introduces projects in which the printing process significantly influences aesthetics or in which limited distribution to a small, clearly defined target audience becomes part of the overall concept.
Behind the Zines not only documents outstanding work, but also shows how the self-image of those who make zines impacts the scene as a whole. Through interviews with people involved in zine production and distribution, the book sheds light on various strategies for this evolving media form.


Klanten, Mollard, Hübner (Hg.)
Behind the Zines. Self-Publishing Culture
Die Gestalten, 2011, 978-3-89955-336-9