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  • Ilaria Bombelli (Hg)

    Vika Kirchenbauer. Compassion and Inconvenience

  • Lorenzo De Chiffre, Artem Kitaev, Eva…

    Reuse in Teaching. The Future of the Architectural Design…

  • Filippo Pagliani, Michele Rossi,…

    The Reinventing Heritage. A Design Compass on Adaptive Reuse

  • Cornelia Wild (Hg)

    Medium Wolke. Figur, Phänomen, Objekt

  • Neda Atanasoski, Nassim Parvin (Hg)

    Technocreep and the Politics of Things Not Seen

  • Manfredo di Robilant, Manuel Orazi

    Gio Ponti. More than One. Critic, Editor, Graphic Artist,…

  • Clare Croft

    Jill Johnston in Motion. Dance, Writing, and Lesbian Life

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    Soma Chaudhuri, Jane Ward (Hg)

    The Witch Studies Reader

  • Okwui Enwezor, Atreyee Gupta (Hg)

    Postwar Revisited. A Global Art History

  • Marcus S. Kleiner

    Keine Macht für Niemand. Pop und Politik in Deutschland

  • Judith Butler

    Wer hat Angst vor Gender?

  • Melanie Sehgal and Alex Wilkie (Eds)

    More-Than-Human Aesthetics. Venturing Beyond the…

  • Katrin Trautwein

    Working with Color. Library of 400 Combinations

  • Prem Krishnamurthy, Asad Raza (Hg)

    How Can We Gather Now?

  • Luïza Luz

    Beneath the Surface. Deep Listening, Buried Narratives, and…

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    Hg. von Nina Gerlach, Simon Vagts,…

    Zwischen Pixel und Pigment: Malerei in der postdigitalen…

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    Charlotte Malterre-Barthes / Eds.:…

    A Moratorium on New Construction. Charlotte Malterre-Barthes

  • Bildungskollektiv Biko

    Kunst, Spektakel und Revolution No. 9.

  • Maya Indira Ganesh

    AUTO-CORRECT. The Fantasies and Failures of AI, Ethics, and…

  • Jessica Backsell

    Provoking the Freeport Magic: Art Assemblage in Late…

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    Henriette Waal, Clemens Driessen (Hg)

    Water Works. Eco-Social Design

  • Josephine Berry

    Planetary Realism. Art Against Apocalypse

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    Nils C. Kumkar

    Polarisierung. Die Ordnung der Politik

  • Clément Gilles, Coloco, Civic City (Hg)

    Planetary Gardener

  • Philipp Rhensius, Janina Neustupny,…

    Home is Where the Heart Strives

  • Nick Axel, Silvia Franceschini,…

    Chronograms of Architecture

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    Nick Axel, Javier Peña Ibáñez (eds.)

    Concéntrico. Urban Innovation Laboratory

  • Jamie-Scott Baxter / Anna Juliane…

    Spacetimes Matter. A Collection of Mapping Methodologies

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    Anamarija Batista, Julia Siedle

    Rethinking Obsolete Typologies. Transformation Potentials…

  • Moisés Puente (Hg)

    2G 94. b+ Arno Brandlhuber, Olaf Grawert, Jonas Janke,…

  • Yasmin Masri

    Near 2,143 McDonald’s via Google Street View: Looking…

  • Jairus Banaji

    Wanting Something Completely Different: 111 Vignettes of…

  • Rosa Barotsi

    Time and the Everyday in Slow Cinema

  • Dominik Mattes, Janina Kehr, Julia…

    Radical Health. Cache 04

  • Janina Kriszio

    Keep your City real! Stadtfilme zwischen dokumentarischer…

  • Marek Poliks & Roberto Alonso…

    Exocapitalism. Economies with absolutely no limits

  • Birgit Wiens

    Bühne. Perspektiven der Szenografie und Performance Design…

  • Marcel Bächtiger

    Kino-Obsessionen - Le Corbusier, die Architektur und der…

  • Matas Petrikas

    The Joy of Electronic Music

  • S.E. Eisterer (Ed.)

    In the Daylight of Our Existence. Architectural History and…

  • Rachel Pafe, Mimi Howard (eds.)

    Reading Roses in Constellation

  • Annette Krauss

    Unlearning Routines of the Impossible Casco

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    Holly Dicker

    Dance Or Die: A History of Hardcore

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    Stevphen Shukaitis, Joanna Figiel

    The Wages of Dreamwork.

  • Brian Massumi

    Toward a Theory of Fascism for Anti-Fascist Life. A Process…

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    Rasheedah Phillips

    Dismantling the Master's Clock: On Race, Space, and…

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    Andy Crysell

    Selling The Night: When Club Culture Meets Brands,…

  • Paul Gilroy

    Schwarzer Atlantik Moderne und doppeltes Bewusstsein

  • Susanne Heiter, Dörte Schmidt (Hg.),…

    Ereignis und Geschichte. Die Internationalen Ferienkurse…

  • dérive

    dérive N° 100 Zeit – Planung und Alltag (Juli - Sept 2025)…

  • Milan Ther, Martin Karcher (Hg)…

    The Educational Web: Reader

  • Redaktion Protocol

    Protocol 15. R.I.P. – remember me

  • Rui Pedro Dâmaso, Alexander Pehlemann,…

    Unearthing the Music

  • Eva Franch i Gilabert, Mireia Luzárraga…

    100 Words for Water. A Projective Ecosocial Vocabulary

  • Jaleh Mansoor

    Universal Prostitution and Modernist Abstraction. A…

  • Martino Tattara, Federico Zanfi (eds.)

    What's Next for Mom and Dad's House?

  • Transforming Solidarities (Hg.)

    Solidaritäten transformieren. Praktiken und Infrastrukturen…

  • Jenny Schlenzka, Julia Grosse

    Vaginal Davis. On Dangerous Ground

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    Anthony Dunne, Fiona Raby

    Not Here, Not Now. Speculative Thought, Impossibility, and…

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    Stephanie Loveless (Ed.)

    A Year of Deep Listening. 365 Text Scores for Pauline…

  • Hal Foster

    Fail Better. Reckonings with Artists and Critics

  • Charlotte Malterre-Barthes (Hg)

    On Architecture and Work. The Political Economy of Space…

  • Mario Asef, Golo Föllmer, Georg Klein,…

    Errant Sound Reader. Thoughts and Practies from the Berlin…

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    Katía Truijen and Brandon LaBelle (Eds)

    Epistemic Imaginaries. Learning as Festivity

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    Brandon LaBelle

    Poetics of Listening: Inner Life, Social Transformation,…

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    Torsten Andreasen, Emma Sofie Brogaard…

    Finance Aesthetics. A Critical Glossary

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    IDEA Magazine

    Idea 410. Shaping Fear: Visualizing Terror and Unease in…

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    IDEA Magazine

    Idea 409. In Search of Beautiful Books: Manuscripts from…

  • Spike

    Spike Art Magazine ISSUE 84 Vulgarity

  • gestalten & Ricardo Bofill

    Ricardo Bofill. Visions of Architecture

  • Ben Murphy

    Ears to the Ground. Adventures in Field Recording &…

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    Justin Patrick Moore

    The Radio Phonics Laboratory. Telecommunications, Speech…

  • Miriam Oesterreich

    Branching Out. Botanical Metaphors and Worlding Art History…

  • Initiative Haus Marlene Poelzig, Hannah…

    Haus Marlene Poelzig, Berlin. Abriss und Aufbruch

  • Frederik Schulze, Philipp Wolfesberger

    Dekoloniale Theorien zur Einführung

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    Epistemologien zur Einführung

  • Anne Carson

    The Gender of Sound

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    Esther Buss

    Aus der ersten Person. Filmische Autobiografien/Autofiktion

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    Max Turnheim

    The Use of Space

  • Pascale Obolo, Michalis Pichler,…

    Reading Ecologies: Transforming Publishing in Africa

  • Forty five degrees

    Radical Rituals – 45°N 1°W to 45°N 7°E

  • Matrijaršija

    Optically Suspicious

  • Luc Merx

    Cairo’s Plaster Casts

  • Beatrice Leanza

    The New Design Museum. Co-creating the Present, Prototyping…

  • Hito Steyerl

    Medium Hot. Images in the Age of Heat

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    Martina Angelotti, Matteo Lucchetti,…

    Visible. Art as Policies for Care. Socially Engaged Art (…

  • Pierre Hourquet, Christophe Daviet-…

    Ken Isaacs. How to Build your Own Living Structures

  • Christa Blümlinger (Hg.)

    Teri Wehn Damisch: Transatlantic Crossings Between the Arts

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    Pauline Oliveros

    Pauline Oliveros. Quantum Listening

  • Zasha Colah (Hg)

    Passing the fugitive on / das flüchtge weitergeben. 13.…

  • Christian Nirvana Damato

    Multiplication of Organs. Body, Technology, Identity, Desire

  • Akshar Gajjar, Sonal Mithal

    Living Together. More-Than-Human Ecologies for…

  • Klittern (aesopica)

  • Françoise Fromonot

    The House of Dr Koolhaas

  • Adria Daraban, Frédéric Schnee (Hg.)

    New Tools Vol. 1. Architectural Discourses on the…

  • Mark Webber (Hg.)

    The Afterimage Reader

  • Jack Self (Ed.)

    Real Review #16

  • Aleksandr Delev (Ed.)

    Silicity Protocols. Issue #5. Imagine

Our Kind of Movie. The Films of Andy Warhol

“We didn’t think of our movies as underground or commercial or art or porn; they were a little of all of those, but ultimately they were just ‘our kind of movie.’”
-Andy Warhol
Andy Warhol was a remarkably prolific filmmaker, creating more than 100 movies and nearly 500 of the film portraits known as Screen Tests. And yet relatively little has been written about this body of work. Warhol withdrew his films from circulation in the early 1970s and it was only after his death in 1987 that they began to be restored and shown again. With “Our Kind of Movie” Douglas Crimp offers the first single-authored book about the full range of Andy Warhol’s films in forty years--and the first since the films were put back into circulation.
In six essays, Crimp examines individual films, including Blow Job, Screen Test No. 2, and Warhol’s cinematic masterpiece The Chelsea Girls (perhaps the most commercially successful avant-garde film of all time), as well as groups of films related thematically or otherwise--films of seductions in confined places, films with scenarios by Ridiculous Theater playwright Ronald Tavel. Crimp argues that Warhol’s films make visible new, queer forms of sociality. Crimp does not view these films as cinéma-vérité documents of Warhol’s milieu, or as camera-abetted voyeurism, but rather as exemplifying Warhol’s inventive cinema techniques, his collaborative working methods, and his superstars’ unique capabilities. Thus, if Warhol makes visible new social relations, Crimp writes, that visibility is inextricable from his making a new kind of cinema.
In “Our Kind of Movie” Crimp shows how Warhol’s films allow us to see against the grain--to see differently and to see a different world, a world of difference.


Douglas Crimp
Our Kind of Movie. The Films of Andy Warhol
MIT Press, 2012, 9780262017299
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