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    Interviews Volume 2

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    Al Manakh 2. Gulf Continued

  • Luc Boltanski

    Soziologie und Sozialkritik

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    Urbane Klänge. Popmusik und Imagination der Stadt

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    An invention of Allan Kaprow for the moment

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    Perpetual Inventory

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    Total Design - Die Inflation moderner Gestaltung

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

  • Peter Roehr

    Film-Montagen DVD

  • 2G No. 52

    Sauerbruch Hutton

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    A Companion to Marx's Capital

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    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

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    A Brief History of Curating New Media Art

  • L. Lees, T. Slater, E. Wyly (Hg.)

    The Gentrification Reader

  • Julia Bryan-Wilson

    Art Workers. Radical Practice in the Vietnam War Era

  • Falke Pisano

    Figures of Speech

  • Kirsi Peltomäki

    Situation Aesthetics. The Work of Michael Asher

  • Gæoudjiparl Van Den Dobbelsteen

    Mort Aux Vaches Ekstra Extra

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    For the blind man in the dark room

  • Studio Blanco

    Recession Recessione - A Nonexistent Exhibition

  • Jaron Lanier

    You Are Not a Gadget. A Manifesto

  • Sasa 44 (Hg.)

    Heavy Metal (News) Around the World

  • Cedric Price, Hans-Ulrich Obrist

    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

  • Juergen Teller

    The Master II

  • Dieter Daniels, Gunther Reisinger (Hg.)

    Net Pioneers 1.0. Contextualizing Early Net-Based Art

  • D.N. Rodowick

    Afterimages of Gilles Deleuze's Film Philosophy

  • Harun Farocki

    Rote Berta Geht Ohne Liebe Wandern

  • Wang Shaoqiang

    Span. Span the Boundary between Space and Graphics

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  • Adam Phillips, Barbara Taylor

    On Kindness

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    Total Trattoria

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    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

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    Ursula Bogner. Pluto hat einen Mond

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    -arium. Weather and Architecture

  • Anneloes van Gaalen

    Never Use White Type on a Black Background

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    The Situationists and the City

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    Echo of Space / Space of Echo

  • Kengo Kuma & Associates

    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

  • Antje Ehmann, Kodwo Eshun (Hg)

    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

  • Kölnischer Kunstverein, Museum of…

    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Van der Zijpp, Harms, Granata (Hg.)

    Bernhard Willhelm & Jutta Kraus

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    Iaspis Forum on Design and Critical Practice

  • Storm Thorgerson, Aubrey Powell

    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

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    Graphic Europe. An Alternative Guide to 31 European Cities

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    Krautrock. Cosmic Rock and its Legacy

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    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

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    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

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    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

  • Nadine Scharfenort

    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

  • Wouter Davidts, Kim Paice (Hg.)

    The Fall of the Studio. Artists at Work

  • Eva Egerman, Anna Pritz (Hg.)

    Class Works. Weitere Beiträge zu vermittelnder,…

  • S. Komossa, K. Rouw, J. Hillen (Hg.)

    Colour in Contemporary Architecture

  • Jonathan Monk

    Blue Peter. Sixth Book

  • Jean-Luc Nancy

    Wahrheit der Demokratie

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    Everywhere and All at Once. Performa 07

  • Pascal Gielen, Paul De Bruyne (Hg.)

    Being an Artist in Post-Fordist Times. Arts in Society

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5