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  • Sonja Hnilica

    Der Glaube an das Grosse in der Architektur der Moderne:…

  • Alison Hugill (Ed.)

    Co-machines. The Mobile Disruptive Architecture

  • Jeffrey Lieber

    Flintstone Modernism. Or the Crisis in Postwar American…

  • Tithi Bhattacharya (Ed.)

    Social Reproduction Theory. Remapping Class, Recentering…

  • Dominik Landwehr

    Machines and Robots (Edition Digital Culture 5)

  • Alexi Kukuljevic

    Liquidation World: On the Art of Living Absently

  • Barbara Wittmann

    Werkzeuge des Entwerfens

  • B. Groß, H. Bohnacker, J. Laub

    Generative Gestaltung: Creative Coding im Web Entwerfen,…

  • Salomon Frausto

    Necessarily Eurometropolitan

  • Brandon LaBelle

    Sonic Agency. Sound and Emergent Forms of Resistance

  • Nicolas Wackerbarth, Marcus Seibert (Hg…

    Filmfunke. 50 Jahre DFFB / Film Sparks. 50 Years of DFFB

  • KW KunstWerke, Anna Gritz (Hg)

    Judith Hopf. A Reader

  • Kenny Cupers, Markus Miessen (Hg)

    Spaces of Uncertainty - Berlin revisited: Potenziale…

  • Katja Aßmann, Markus Bader, Fiona…

    Explorations in Urban Practice. Urban School Ruhr Series.…

  • Kathleen James-Chakraborty

    Modernism as Memory: Building Identity in the Federal…

  • Christoph Metzger

    Neuroarchitektur

  • Rainer Hehl, Ludwig Engel (Hg)

    Transtopia: Wie wir städtische Transformation gestalten

  • Isabell Lorey

    Immer Ärger mit dem Subjekt. Theoretische und politische…

  • Jan de Heer, Kees Tazelaar

    From Harmony to Chaos - Le Corbusier, Varese, Xenakis. and…

  • a+t 49

    Complex Buildings. Dwelling Mixers

  • Glenn Phillips, Phillip Kaiser, Doris…

    Harald Szeemann. Museum der Obsessionen

  • Fred Moten

    Black and Blur (Consent Not to Be a Single Being)

  • Philipp Oswalt (Ed.)

    Flying Plaza. Work Journal. The artist practice of Studio…

  • Holger Schulze

    The Sonic Persona. An Anthropology of Sound

  • Maurizio Lazzarato

    Experimental Politics: Work, Welfare, and Creativity in the…

  • Anitra Nelson

    Small is Necessary. Shared Living on a Shared Planet

  • Lorenzo Ciccarelli

    Renzo Piano Before Renzo Piano

  • Diane Barbé, Anne-Katrin Fenk, Rachel…

    Things Don’t Really Exist Until You Give Them a Name:…

  • Jennifer Liese (Ed.)

    Social Medium: Artists Writing, 2000 - 2015

  • P. Brugellis, G. Pettena, A. Salvadori…

    Radical Utopias - Archizoom, Buti, 9999, Pettena,…

  • MoneyLab

    Reader 2: Overcoming the Hype

  • Museum Marta Herford (Hg.)

    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

  • Diane Barbé, Anne-Katrin Fenk, Rachel…

    Talking Cities. Urban narratives from Dar es Salaam and…

  • M. Rebecchi, E. Vogman

    Sergei Eisenstein and the Anthropology of Rhythm

  • Alexander Kluge

    Gärten der Kooperation / Gardens of Cooperation

  • Krystian Woznicki

    Fugitive Belonging

  • Casa da Arquitetura

    Power/Architecture

  • Andreas Rumpfhuber (Ed.)

    Into the Great Wide Open

  • Molly Wright Steenson

    Architectural Intelligence

  • P. Gadanho, J. Laia, S. Ventura (Eds.)

    Utopia/Dystopia. A Paradigm Shift in Art and Architecture

  • Bettina Allamoda

    Spandex Studies

  • Paul Kuimet, Gregor Taul

    Notes on Space. Monumental Painting in Estonia 1947-2012

  • Romana Schmalisch

    Mobile Cinema

  • Bell Hooks,‎ Stuart Hall

    Uncut Funk. A Contemplative Dialogue

  • Michael Roy (Ed.)

    Jean Prouvé. Architect for Better Days

  • J. Höner, K. Schankweiler (Hg.)

    Affect Me. Social Media Images in Art

  • Lucie Kolb

    Studium, nicht Kritik

  • Raluca Betea, Beate Wild (Hg.)

    Brave New World. Romanian Migrants Dream' Houses

  • Terry Farrell, Adam Nathaniel Furman

    Revisiting Postmodernism

  • Daniel Drognitz,‎ Sarah Eschenmoser,…

    Ökologien der Sorge

  • Lori Waxman

    Keep Walking Intently. The Ambulatory Art of the…

  • Verena Hartbaum

    Disko 27. Retrospektiv Bauen in Berlin

  • Peter Osborne

    The Postconceptual Condition

  • Anne Magnien

    Sur les pavés la pub

  • David Hamers, Jessica Schoffelen et al…

    Trading Places: Practices of Public Participation in Art…

  • Boris Groys

    In the Flow

  • Allan Sekula

    Photography Against the Grain: Essays and Photo Works, 1973…

  • Stefan Moritsch (Hg)

    Craft-Based Design: Von Handwerkern und Gestaltern

  • F. Duque, M. Mauracher (Eds.)

    Entkunstung I

  • Jonas Mekas

    Ich hatte keinen Ort: Tagebücher 1944-1955

  • Kerstin Stakemeier

    Entgrenzter Formalismus. Verfahren einer antimodernen…

  • Cloe Pitiot (Ed.)

    Eileen Gray. Intimate Architecture. Une Architecture de l…

  • Issue 0

    Klassensprachen. Written Praxis

  • Witte de With, Defne Ayas, Adam Kleinman

    WdW Review. Arts, Culture, and Journalism in Revolt, Vol. 1…

  • Kerstin Ergenzinger

    Navigating Noise

  • Todd Gannon

    Reyner Banham and the Paradoxes of High Tech

  • Stephen Duncombe

    Notes from Underground: Zines and the Politics of…

  • Olga Blumhardt , Antje Drinkuth (Hg.)

    Traces: Fashion & Migration

  • Jacques Derrida, Catherine Malabou

    Die Seitenallee

  • Kirill Gluschenko

    Venets Welcome to the Ideal. (Venets Hotel)

  • Witte de With, Defne Ayas, Adam Kleinman

    WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1…

  • Rachel Stella

    E.1027 Maison en bord de mer - House by the sea (E1027)

  • Budde, Pepchinski, Schmal , Voigt (Hg.)

    Frau Architekt: Seit mehr als 100 Jahren: Frauen im…

  • Jesse Lerner

    L.A. collects L.A.: Latin America in Southern California…

  • E-Flux / J. Aranda, B. Kuan Wood, A.…

    Supercommunity. Diabolical Togetherness Beyond Contemporary…

  • M. Mancini, G. Perrella, B. Reichenbach…

    Pasolini's Bodies and Places

  • Research Center for Proxy Politics (Hg)

    Proxy Politics. Power and Subversion in a Networked Age

  • Isabelle Graw

    Die Liebe zur Malerei. Genealogie einer Sonderstellung

  • Georges Perec

    Das Leben Gebrauchsanweisung

  • Merlin Carpenter

    Militant

  • Merlin Carpenter

    Heroes

  • Christian Kravagna

    Transmoderne: Eine Kunstgeschichte des Kontakts

  • Fredrik Liew (Ed.)

    Öyvind Fahlström. Manipulate the World: Connecting Öyvind…

  • Josef H. Reichholf

    Haustiere. Unsere nahen und doch so fremden Begleiter

  • Guillaume Paoli

    Die lange Nacht der Metamorphose: Über die Gentrifizierung…

  • Marion von Osten

    Once We Were Artists

  • Mario Carpo

    The Second Digital Turn: Design Beyond Intelligence

  • N. Gribat, P. Misselwitz, M. Görlich (…

    Vergessene Schulen. Architekturlehre zwischen Reform und…

  • Terry Burrows, Daniel Miller

    Mute. Die Geschichte eines Labels: 1978 bis morgen

  • Anna-Lisa Dieter, Silvia Tiedtke (Hg)

    Radikales Denken. Zur Aktualität Susan Sontags

  • Florian Urban

    The New Tenement: Residences in the Inner City Since 1970

  • Bik Van der Pol (Ed.)

    School of Missing Studies

  • Elena Filipovic

    David Hammons: Bliz-aard Ball Sale

  • Maria Cristina Didero

    SuperDesign: Italian Radical Design 1965-75

  • Geraint Franklin, Elain Harwood

    Post-Modern Buildings in Britain

  • Eames Demetrios, Carla Hartman (Eds.)

    Essential Eames. Words & Pictures

  • Roger Keil

    Suburban Planet: Making the World Urban from the Outside In

  • Chris van Uffelen

    Massive, Expressive, Sculptural: Brutalism Now and Then

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5
gerade nicht auf Lager