Direkt zum Inhalt

Warenkorb

  • Hans Ulrich Obrist

    Kuratieren!

  • Steven Shaviro

    The Universe of Things. On Speculative Realism

  • Florian Böhm, Annahita Kamali

    Everything is Connected. Home Collection (Vitra)

  • Eva Diaz

    The Experimenters. Chance and Design at Black Mountain…

  • Berlin Projects

    Startup Berlin Guide

  • David Ostrowski

    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

  • Marc Fischer

    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

  • S AM 12

    Translations

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    INAESTHETICS #4 Philosophy!

  • Marc Bedarida (Ed.)

    Le Corbusier. Aventures Photographiques

  • Markus Weisbeck, Mathias Schmitt,…

    Space for Visual Research

  • Gina Glover, Geof Rayner, Jessica Rayner

    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

  • Mark Leckey

    On Pleasure Bent

  • Axel Wieder, Florian Zeyfang (Eds.)

    Open Form. Space, Interaction, and the Tradition of Oskar…

  • Maria Zinfert (Hg.)

    Sigfried Kracauer. Photographic Archive

  • Clog

    World Trade Center

  • Marta Herford (Ed.)

    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

  • Hubertus Butin (Hg.)

    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

  • Michiel van Raaij

    Building as Ornament

  • Reinhard Seiss

    Harry Glück: Wohnbauten

  • Cristina Bechtler (Ed.)

    Museum of the Future

  • Felix Ensslin, Charlotte Klink (Eds.)

    Aesthetics of the Flesh

  • Matthew Gandy

    The Fabric of Space. Water, Modernity, and the Urban…

  • Catherine De Zegher

    Women's Work. Is Never Done

  • Sophie Berrebi

    The Shape of Evidence. Contemporary Art and the Document (…

  • Simon Denny

    New Management

  • Henning Schmidgen

    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

  • Paul O'Neill & Mick Wilson (Ed…

    Curating Research

  • Hans-Jürgen Hafner, Gunter Reski (Hg.)

    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

  • Chris Kraus

    Torpor (Roman)

  • Gerald Raunig

    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

  • Marc James Léger (Ed.)

    The Idea of the Avant Garde And What It Means Today

  • Jean-Luc Godard

    Jean-Luc Godard/JLG: Selbstporträt im Dezember

  • Dombois, Fliescher, Mersch, Rintz (Hg.)

    Ästhetisches Denken. Nicht-Propositionalität, Episteme,…

  • Megan Francis Sullivan

    Zipper Keeper 2015

  • Emily Pugh

    Architecture, Politics, and Identity in Divided Berlin

  • Markus Grob

    Dächerstreit: Flachdach/Steildach

  • Klingan, Sepahvand, Rosol, Scherer (Eds…

    Textures of The Anthropocene. Grain Vapor Ray

  • Siegfried Kracauer

    The Past's Threshold. Essays on Photography

  • Philip Jodidio

    Cabins. Hütten. Cabanes

  • Space Caviar (Eds.)

    SQM. The Quantified Home: An exploration of the evolving…

  • testcard #24

    Bug Report. Digital war besser

  • T'ai Smith

    Bauhaus Weaving Theory. From Feminine Craft to Mode of…

  • Klaus Dömer, Hans Drexler, Joachim…

    Affordable Living. Housing for Everyone

  • Slavoj Zizek

    Trouble in Paradise. From the End of History to the End of…

  • Renée Green

    Other Planes of There

  • Stephen Grabow, Kent Spreckelmeyer

    The Architecture of Use. Aesthetics and Function in…

  • Pedro Gadanho (Ed.)

    Uneven Growth. Tactical Urbanisms for Expanding Megacities

  • Seth Price

    Folklore U.S.

  • Manfred Hermes

    Hystericizing Germany

  • Peter von Bagh (Hg.)

    Aki Kaurismäki über Kaurismäki

  • Werkleitz Gesellschaft e.V. (Ed.)

    Utopien vermeiden. Avoiding Utopias

  • Metahaven

    Can Jokes Bring Down Governments? Memes, Design and…

  • Amy Brandt

    Interplay. Neoconceptual Art of the 1980s

  • Francesca Hughes

    The Architecture of Error. Matter, Measure, and the…

  • Spyros Papapetros, Julian Rose (Eds.)

    Retracing the Expanded Field

  • Felix Denk, Sven von Thülen

    Der Klang der Familie: Berlin, Techno and the Fall of the…

  • Joachim Fischer, Dierk Spreen

    Soziologie der Weltraumfahrt

  • Sächsische Akademie der Künste, Dresden…

    Labor der Moderne. Nachkriegsarchitektur in Europa.…

  • Tim Stüttgen

    IN A QU*A*RE TIME AND PLACE

  • Byung-Chul Han

    Psychopolitik. Neoliberalismus und die neuen Machttechniken

  • Francesco Garutti (Ed.)

    Fairland. Explorations, Insights and Outlooks on the Future…

  • Scott McFarland

    Shacks, Snow, Streets, Shrubs

  • Dante Bini

    Building with Air

  • Birgit Mennel, Stefan Nowotny (Hg.)

    Die Sprachen der Banlieues

  • Precarias a la Deriva

    Was ist dein Streik? Militante Streifzüge durch die…

  • Nora Schultz

    Portikus Printing Plant and Portikus Sounds

  • Joseph Becker, Jennifer Dunlop Fletcher…

    Lebbeus Woods, Architect

  • Binna Choi, Maiko Tanaka (Hg)

    The Grand Domestic Revolution Handbook

  • Boris Kralj

    My Belgrade (2nd Edition)

  • Frances Stracey

    Constructed Situations. A New History of the Situationist…

  • Latek, Paviol, Simond, Very (Eds.)

    In situ – de visu – in motu. Architecture, cinéma et arts…

  • Neil Spiller, Nic Clear (Eds.)

    Educating Architects. How Tomorrow's Practitioners…

  • Jacques Rancière

    The Intervals of Cinema

  • Josiah McElheny, Christine Burgin

    Glass! Love!! Perpetual Motion!!! A Paul Scheerbart Reader

  • Tsitsi Ella Jaji

    Africa in Stereo. Modernism, Music, And Pan-African…

  • Daniel Josefsohn

    OK DJ

  • Rem Koolhaas

    Preservation Is Overtaking Us (Gsapp Transcripts)

  • Stephen Barber

    Performance Projections. Film and The Body in Action

  • AndresLepik, Very Simone Bader (Hg)

    Lina Bo Bardi 100. Brasiliens alternativer Weg in die…

  • Rüdiger Esch

    ElectriCity. Elektronische Musik aus Düsseldorf

  • Thomas Thiel (Ed.)

    Museum Off Museum

  • Cornelai Butler, Luis Perez-Oramas

    Lygia Clark. The Abandonment of Art

  • Catriona Gray

    Fifties House. House & Garden

  • Jenn Joy

    The Choreographic

  • Robert Hamelijnck, Nienke Terpsma (Eds.)

    It's Playtime

  • Mark Leckey

    The Universal Addressability of Dumb Things

  • Nicolas Bruno Jacquet

    Le Langage Hypermoderne de l'Architecture

  • Gertrud Lehnert, Alicia Kühl, Katja…

    Modetheorie. Klassische Texte aus vier Jahrhunderten

  • Katharina Eck, Astrid Silvia Schänhagen

    Interieur und Bildtapete. Narrative des Wohnens um 1800

  • Boelen / Z33, Sacchetti (Eds.)

    Designing Everyday Life

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5