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  • Neil Brenner (Ed.)

    Implosions / Explosions. Towards a Study of Planetary…

  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Sven Völker (Ed.)

    Some Book. Graphic Expressions between Design and Art

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens II. Siegfried…

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Philipp Misselwitz, Eui Young Chun,…

    Gwangju Folly II

  • Aleksandra Mir

    The Space Age. Poster Book

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Yael Bartana

    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

  • Julia Czerniak (Ed.)

    Formerly Urban. Projecting Rust Belt Futures

  • Stefan Römer

    The ups and downs of Stan Back

  • Robert Lippok

    Steady Unsteady

  • Deborah Ligorio

    Survival Kits

  • Barbara Vinken

    Angezogen. Das Geheimnis der Mode

  • Heimo Lattner

    A Voice That Once Was In One's Mouth

  • Martha Buskirk

    Creative Enterprise. Contemporary Art Between Museum and…

  • Hans-Christian Dany

    Morgen werde ich Idiot. Kybernetik und Kontrollgesellschaft

  • Turit Fröbe

    Die Kunst der Bausünde

  • IFA (Ed.)

    Future Perfect. Contemporary Art from Germany

  • Wilfried Wang, Dan Sylvester (Hg.)

    Hans Scharoun. Philharmonie

  • Chair of Prof. Dr. Josep Lluís Mateo…

    Middle East. Landscape City Architecture

  • Volko Kamensky, Julian Rohrhuber (Hg.)

    Ton. Texte zur Akustik im Dokumentarfilm

  • Anna Schober

    The Cinema Makers. Public Life and the Exhibition of…

  • von Borries, Ahlert, Fischer (Hrsg.)

    Die Berliner Weltverbesserungsmaschine. Die Rekonstruktion…

  • Friedrich von Borries, Jens-Uwe Fischer

    Die Berliner Weltverbesserungsmaschine. Die Geschichte (…

  • Sven Lütticken

    History in Motion. Time in the Age of the Moving Image

  • Kevin C. Smith

    Recombo DNA. The Story of Devo, or How the 60s Became the…

  • Bastian Lange, Gottfried Prasenc,…

    Ortsentwürfe. Urbanität im 21. Jahrhundert

  • E. Beyer, A. Hagemann, M. Zinganel (Eds…

    Seaside Architecture and Urbanism in Bulgaria and Croatia.…

  • Claudia Mareis, Matthias Held, Gesche…

    Wer gestaltet die Gestaltung? Praxis, Theorie und…

  • Jean-Luc Nancy

    Äquivalenz der Katastrophen (Nach Fukushima)

  • Rem Koolhaas, Hal Foster

    Junkspace with Running Room

  • Hilke Wagner, Axel Wieder (Eds.)

    Susanne Kriemann

  • Alison Knowles

    The Big Book

  • Lionel Bovier

    Paulina Olowska. Book

  • Anri Sala

    Ravel Ravel Unravel

  • Anne Huffschmid, Kathrin Wildner (Hg.)

    Stadtforschung aus Lateinamerika: Neue urbane Szenarien.…

  • Jonathan Crary

    24/7. Late Capitalism and the Ends of Sleep

  • Thomas Keenan, Tirdad Zolghadr (Eds.)

    The Human Snapshot

  • Between Artists

    Thom Andersen / William E. Jones

  • Heidrun Holzfeind

    Strictly Private

  • Doreen Mende, Estelle Blaschke, Armin…

    Doppelte Ökonomien / Double Bound Economies

  • Bernadette Corporation

    Reena Spaulings. A Novel by Bernadette Corporation

  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

  • Richard Shone, John-Paul Stonard (Ed.)

    The Books that Shaped Art History. From Gombrich and…

  • Flora Samuel, Inge Linder-Gaillard

    Sacred Concrete. The Churches of le Corbusier

  • Unit Editions (Ed.)

    Jurriaan Schrofer (1926-90). Restless typographer

  • Kerstin Faber, Philipp Oswalt (Hg.)

    Raumpioniere in ländlichen Regionen. Neue Wege der…

  • Michael Hensel

    Performance-Oriented Architecture. Rethinking Architectural…

  • Christoph Menke

    Die Kraft der Kunst

  • T. J. Demos

    Return to the Postcolony

  • IDEA Magazine

    IDEA 357. Architecture in Print: The Development of…

  • Ronan & Erwan Bouroullec

    Drawing

  • Klaus Zwerger

    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

  • Wolfgang Müller

    Subkultur Westberlin 1979–1989 - Freizeit

  • Abäke, Bernadette Corporation, Laurenz…

    Sonderedition Zwölf Taschen für Pro qm

  • Ja, Panik

    Schriften. Erster Band

  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

  • Dietmar Kammerer (Hg)

    Vom Publicum. Das Öffentliche in der Kunst

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

  • Studienhefte Problemorientiertes Design…

    Horst Rittel. Die Denkweise von Designern

  • Blind Gallery (Hg.)

    Wim Crouwel

  • Tacet #01

    Who is John Cage?

  • Enqvist, Masucci, Rosendahl, Widenheim…

    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

  • Marijke Steedman (Hg.)

    Gallery as Community. Art, Education, Politics

  • Afterall Books (Hg.)

    From Conceptualism to Feminism: Lucy Lippard's Numbers…

  • Claire Bishop

    Artificial Hells. Participatory Art and the Politics of…

  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

  • Elke Krasny (Hg.)

    Hands-On Urbanism 1850 - 2012

  • Jost Hochuli

    Das ABC eines Typografen

  • M. Ziehl, S. Oßwald, O. Hasemann, D.…

    Second Hand Spaces. Recycling Sites Undergoing Urban…

  • Okwui Enwezor (Hg.)

    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

  • Institut Mathildenhöhe Darmstadt (Hg.)

    A House Full of Music. Strategien in Musik und Kunst

  • Sophie Elisabeth Hochhäusl

    Otto Neurath - City Planning. Proposing a socio-political…

  • Susan Morgan (Hg.)

    Piecing Together Los Angeles. An Esther McCoy Reader

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5