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  • Krystina Castella

    Designing for Kids. Creating for Playing, Learning and…

  • Santiago Bogani, Igo Kommers Wender,…

    SHIFT. Architecture in Times of Radical Change

  • Michelle Christensen, Florian Conradi,…

    Re/Embodied Data. Ambiguities of Knowing

  • Tobias Allers

    Freiräume. Berliner Clubkultur. Berlin’s Club Culture…

  • Samantha Parsley

    Minor Keys. Gender, Inequality and Work In Electronic Music

  • Olga Goriunova

    Ideal Subjects. The Abstract People of AI

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    Knowing as Moving. Perception, Memory, and Place.

  • Joshua Comaroff

    Spectropolis. The Enchantment of Capital in Singapore

  • Olga Touloumi

    Assembly by Design. The United Nations and Its Global…

  • Lisa Lagova, Manon Fraser (eds.)

    Pure Fiction

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    Zeitschrift für Ideengeschichte Heft XX/1 Frühjahr 2026.…

  • Alexander Eisenschmidt

    At Home with the Collective. A Report from the Future of…

  • Heike Grebin (Ed.)

    Play the System. Parametric Approaches in Graphic Design

  • Uta Brandes, Tom Bieling, Michelle…

    Nutzen statt Besitzen. Michael Erlhoff Revisited

  • Sarah Horn

    Trans*Werden. Queere Zeitlichkeiten und Transitionen in…

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    Andrew Santa Lucia, Daniel Jonas Roche

    Antifascist Architecture. A Genealogy of Antifascist…

  • Freek Persyn, Seppe De Blust, Ilka Ruby

    51N4E. Negotiating Infrastructure

  • Jamie Taylor

    Studio Electrophonique. The Sheffield Space Age, from the…

  • Bruno Munari

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  • Irénée Scalbert

    Totems: Selected Essays on Architecture

  • Katja Klaus (Hg.)

    Experiment: Learning Communities. (Schools of Departure No…

  • Regina Bittner, Katja Klaus, Philipp…

    Pedagogies of Machine Learning. (Schools of Departure No 4)

  • Anna-Verena Nosthoff

    Kybernetik und Kritik. Eine Theorie digitaler…

  • Quinn Slobodian, Ben Tarnoff

    Muskismus. Aufstieg und Herrschaft eines Technoking

  • Marc Siegel (Hrsg.), Jack Smith

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    Leida Reader No. 1. Fifteen Selected Articles

  • Luis Manovel Mariño, Alberto Nicolau…

    Penshirubiru. Collective housing in Japan taken to its…

  • Baukunst

    In a way, it is also more primitive. Baukunst on technology…

  • Pier Vittorio Aureli

    Weniger ist genug. Architektur und Askese

  • Philipp Goll (Ed.), Oleksiy Radynski,…

    Leak. The Other Side of the Pipeline

  • Leander Nowack (Ed.)

    Territorial Control. Case Studies on European Borders

  • Edward W. Said

    Representations of the Intellectual

  • Geert Lovink

    Die Brutalität der Plattform. Von der radikalen Kritik zum…

  • Sung Hong Kim

    Seoul Urban Architecture. Rising from the Crushing Bowl

  • Paul Virilio

    Paul Virilio. Bunker Archaeology

  • Fatima-Zahra Lakrissa

    Turning Frozen Yesterdays into Fluid Now... Or how to…

  • Spike

    Spike Art Magazine Issue 86 Salad Days

  • Benze De Ream

    The Blue Flower Syndrome. Multithread 01. Benze de Ream

  • Nora O'Murchú, Janez Fakin Janša

    Are You a Software Update? Reader with Wassim Z. Alsindi,…

  • Kenneth Hujer

    »All das passierte in diesem irrsinnigen Milieu Frankfurt…

  • Marius Babias (Hg.)

    Portrait Mode. Moyra Davey

  • Valentina Tanni

    Exit Reality. Vaporwave, Backrooms, Weirdcore, and Other…

  • Alexander Schröder, Dominic Eichler,…

    MD72. Door Slamming Festival (2007 - 2018)

  • Marek Poliks & Roberto Alonso…

    Exocapitalism. Economies with absolutely no limits

  • Diedrich Diederichsen, hg. von Carolin…

    Ästhetik im Planetarischen Zeitalter

  • Christoph Liepach (Hg)

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  • Eline Benjaminsen, Dayna Casey

    Collapsed Mythologies. A Geofinancial Atlas

  • Christoph Liepach, Irina Schultheiß (Hg)

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  • Elena Malzew, Lisa Klosterkötter (Ed.)

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  • Birgitta Heid

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  • dérive

    dérive N° 102, Spekulation (Jan - Mar 2026)

  • Michael Klipphahn-Karge

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    Versammlung der Mikropolitiken

  • Jiyoung Yoon, Kirenia Martinez Acosta

    Invisible Tapestry Vol. 2.

  • TAT.

    TAT.1 - Wand / Wall

  • Ita Dreyfus

    Niche Design. A Magazine exploring where design flourishes…

  • Christoph Liepach (Hg)

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    Melissa Bruntlett, Chris Bruntlett

    Women Changing Cities. Global stories of urban…

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    Caspar Henderson

    A Book of Noises. Notes on the Auraculous

  • Louis Möckel

    Sonic Footprints. Ecology of Technophony

  • Sarah Robinson

    Architecture of Resonance. From Objects to Interactions

  • Anna Pollmann, Christopher Möllmann (Hg)

    Schlüsselbegriffe gesellschaftlichen Zusammenhalts. Ein…

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    Nick Newman

    Protest Architecture. Structures of civil resistance

  • Bailey Bestul

    Reuse of Architectural Components

  • Florian Urban, Barnabas Calder

    Form Follows Fuel. 14 Buildings from Antiquity to the Oil…

  • Market Cafe

    Market Cafe Magazine Issue 9 Invisible Data

  • “Bizhan Jazani”, Parham Ghalamdar

    SIAHKAL 2.0: An A.I. resurrected discourse on Marxism…

  • Mario Mainetti (Hg)

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  • Chris Kraus

    The Four Spent the Day Together

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    Nick Srnicek

    Silicon Empires. The Fight for the Future of AI

  • Palais Sinclaire, Achim Szepanski (Hg)

    Ultrablack of Music. Volume 2

  • Christian Dehli, Andrea Grolimund (Eds.)

    Kazuo Shinohara. Residential Architecture

  • Sofia Lemos (Hg)

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  • Britt Müller, Winnes Rademächers

    Don't Sleep. The Graphic Language of Vinyl Labels

  • Judith Siegmund

    Künstlerisches Handeln in digitalen und postkolonialen…

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    EURO—VISION. Undergrounding the Critical Mineral

  • Michaela Büsse (Hg)

    Granular Configurations. Sand, Materiality, and Planetary…

  • Arch+

    ARCH+ 262. African Spatial Thinking / Denkraum Afrika

  • Matthias Sauerbruch, Louisa Hutton, mit…

    Draw Love Build. Sauerbruch Hutton Tracing Modernities

  • Mark Griffiths

    Checkpoint 300. Colonial Space in Palestine

  • Katharina Weinstock

    Post-Readymade

  • Philip Ursprung

    Values and Surfaces. Art, Economy, Architecture

  • Hg. von Benedikt Boucsein, Matthias…

    Raumpilot*in. Gendergerechter Städtebau. Handbuch für…

  • Ott Kagovere, Hanan Mahbouba, Jaroslav…

    A Week On An Island With Trojan Horse. The Summer School…

  • IDEA Magazine

    Idea 412. Tomoyuki Arima: Design Evolving from Relationships

  • Barbara Herschel, Kaspar Jamme, Felix…

    Troubled! Architecture of Ruinous Landscapes

  • David Wojnarowicz

    Waterfront Journals

  • Heike Baranowsky

    At the Still Point

  • Anaïs Auprêtre de Lagenest, Andreas…

    Wohnen fürs Wohnen. Schweizer Wohnbaugenossenschaften als…

  • Ayoung Kim

    Synthetic Storyteller

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    Magda Danysz

    Street Art. An Anthology

  • Karen van den Berg

    Große Kunst. Hyperwachstum in der Studiopraxis

  • Chris Hables Gray

    Virus is a Language. AI, QAnon, COVID-19 and the New…

  • Jan Schwochow

    InGraphics 2026 Edition

  • David Reinfurt

    A *Co-* Program for Graphic Design

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    Felix Torkar

    Brutalist Berlin. An Architect's Guide to Brutalist…

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    Patrik Hübner

    The Generative Mind. A New Approach to Creative Thinking

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    Charlie Singer-Fischer

    Between the Lines. KI - schöne neue Zukunft?

In Place

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.
Based upon paying close attention to his surroundings, In Place documents the artist's sonorous engagement with specific locations. Spending hours at a given place within various cities, Kahn would do nothing else but listen, watch, and observe the daily life. Through such an elongated duration, sometimes up to 12 hours, a deeper and richer sense of place emerges. In Place is an elegant and thoughtful reflection on these experiences, capturing those small details that ultimately compose the world around us. Turning his ear to the daily life around him, Kahn's diaristic accounts capture an extremely tenacious form of attention—a bare listening.
Jason Kahn (born 1960 in New York, lives and works in Zürich) is a musician and artist who grew up in Los Angeles, and relocated to Europe in 1990. His work includes sound installation, performance and experimental composition. Kahn has been exhibiting his sound and visual works since the late 1990s, and has had solo and group exhibitions internationally, including Townhouse Gallery of Contemporary Art, Cairo, Diapason Gallery, New York, and Centre d'Art Neuchatel, Switzerland. Originally a percussionist, Kahn later began integrating live electronics into his playing. As a composer, his work draws on electronic and acoustic sound sources to create slowly developing compositions imbued with a sense of timelessness. His work addresses the entity of sound as both a physical and psychological factor shaping our consciousness. Kahn's sound installations seek to enhance spatial awareness through sonic intervention, focusing on expanding our perception to other dimensions of seeing, hearing and feeling a space. Kahn has given concerts at various festivals, art spaces and clubs throughout the world, traveling and presenting extensively in Europe, North and South America, as well as Asia.


Jason Kahn
In Place
Errant Bodies Press, 2015, 978-0-9889375-4-3
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