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    A Little-Known Story about a Movement

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    Tomás Maldonado in Conversation with María Amalia García

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    Design as Politics

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    Game Urbanism. Manual for Cultural Spatial Planning

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    Last Seen Entering the Biltmore. Plays, Short Fiction,…

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    Film as a Subversive Art

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    Closing Down — All Stock Reduced — The Role of Design in…

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    Civic City Cahier 2. Design and Democracy

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    Web Design Index by Content 5

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    Rich Texts. Selected Writing for Art

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    Tokyo Metabolizing

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    Art Society Feedback

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    Katalog. Desire in Represention

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    Das Potosí-Prinzip

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    A Conversation with Frei Otto

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    Web Aesthetics. How Digital Media Affect Culture and…

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    Low Cost Design

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    Distance and Engagement

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    Fashion Illustration, 1930 to 1970. From Harper's…

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    The Nightmare of Participation

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    Atlas of Transformation

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    High Society. Mind Altering Drugs in History and Culture

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    Not in Fashion. Photography and Fashion in the 90s

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    A Story of Deception

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    Baumschule. Kultivierung des Stadtdschungels

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    The Just City

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    Fanzines

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    Tell Me What You Want, What You Really, Really Want

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    History Becomes Form. Moscow Conceptualism

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    Selected Maria Lind Writing

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    Judgment and Contemporary Art Criticism

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    From Hieroglyphics to Isotype. A Visual Autobiography

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    Understanding Stadtforschung

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    Shadowplayers. The Rise and Fall of Factory Records

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    Nacktheiten

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    Small Scale, Big Change

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    The Biennial Reader

Experience: Culture, Cognition, and the Common Sense

Experience offers a reading experience like no other. A heat-sensitive cover by Olafur Eliasson reveals words, colors, and a drawing when touched by human hands. Endpapers designed by Carsten Holler are printed in ink containing carefully calibrated quantities of the synthesized human pheromones estratetraenol and androstadienone, evoking the suggestibility of human desire. The margins and edges of the book are designed by Tauba Auerbach in complementary colors that create a dynamically shifting effect when the book is shifted or closed. When the book is opened, bookmarks cascade from the center, emerging from spider web prints by Tomas Saraceno. Experience produces experience while bringing the concept itself into relief as an object of contemplation. The sensory experience of the book as a physical object resonates with the intellectual experience of the book as a container of ideas.
Experience convenes a conversation with artists, musicians, philosophers, anthropologists, historians, and neuroscientists, each of whom explores aspects of sensorial and cultural realms of experience. The texts include new essays written for this volume and classic texts by such figures as William James and Michel Foucault. The first publication from MIT's Center for Art, Science, & Technology, Experience approaches its subject through multiple modes.
Publication design by Kimberly Varella with Becca Lofchie, Content Object Design Studio.
ContributorsTauba Auerbach, Bevil Conway, John Dewey, Olafur Eliasson, Michel Foucault, Adam Frank, Vittorio Gallese, Renee Green, Stefan Helmreich, Carsten Holler, Edmund Husserl, William James, Caroline A. Jones, Douglas Kahn, Brian Kane, Leah Kelly, Bruno Latour, Alvin Lucier, David Mather, Mara Mills, Alva Noe, Jacques Ranciere, Michael Rossi, Tomas Saraceno, Natasha Schull, Joan W.Scott, Tino Sehgal, Alma Steingart, Josh Tenenbaum, Rebecca Uchill


Caroline A. Jones, David Mather, Rebecca Uchill
Experience: Culture, Cognition, and the Common Sense
MIT Press, 2016, 978-0-262-03514-9