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  • Gerald Raunig, Ulf Wuggenig

    Kritik der Kreativität

  • Walter Scheiffele

    Das leichte Haus. Utopie und Realität der Membranarchitektur

  • Nora Amin

    Migrating the Feminine

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 10

  • An Architektur

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    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

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  • Stuart Walton

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  • Felicity D. Scott (Autor), Nikolaus…

    Disorientation: Bernard Rudofsky in the Empire of Signs.…

  • Markus Krajewski, Christian Werner

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  • Stefano Harney, Fred Moten

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  • Marc Kushner

    Die Zukunft der Architektur in 100 Bauwerken

  • Siegfried Zielinski (Hg.)

    Flusseriana: An Intellectual Toolbox

  • Owen Hatherley

    The Ministry of Nostalgia. Consuming Austerity

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  • Jörg Heiser

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  • John Roberts

    Die Notwendigkeit von Irrtümern

  • C. Thun-Hohenstein (Ed.)

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    Baggersee. Frühe Schriften aus dem Nachlass

  • Liz Farrelly, Joanna Weddell

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  • Leigh Phillips

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  • Armen Avanessian, Suhail Malik

    Genealogies of Speculation. Materialism and Subjectivity…

  • Duncan McLaren, Julian Agyeman

    Sharing Cities. A Case for Truly Smart and Sustainable…

  • Danny Aldred, Emmanuelle Waeckerle (Eds…

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  • Alexandra Manske

    Kapitalistische Geister in der Kultur- und…

  • Wolfgang, Zerwas, Ansheim (Hg.)

    Transformation Design. Perspectives on a New Design Attitude

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    DADA total. Manifeste, Aktionen, Texte, Bilder

  • Luca Molinari (Ed.)

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  • Franco "Bifo" Berardi

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  • Lauren Cornell, Ed Halter (Eds.)

    Mass Effect. Art and the Internet in the Twenty-First…

  • Helmut Schmid, Seibundo Shinkosha

    Typography Today. Revised Edition

  • Hartmut Geerken, Chris Trent

    Omniverse – Sun Ra

  • Angela McRobbie

    Be Creative. Making a Living in the New Culture Industries

  • Thomas Großbölting, Rüdiger Schmidt

    Gedachte Stadt - Gebaute Stadt: Urbanität in der deutsch-…

  • Graham Harman

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  • Carsten Ruhl, Chris Dähne (Hg)

    Architektur ausstellen. Zur mobilen Anordnung des Immobilen

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    Rob Pruitt. Rob Pruitt's Ebay Flea Market. Year 1

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    Hot Modernism. Queensland Architecture 1945 - 1975

  • J. M. Warmburg, C. Shmidt (Eds.)

    The Construction of Climate in Modern Architectural Culture…

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    Pink Labor on Golden Streets: Queer Art Practices

  • James Graham (Ed.)

    2000+: The Urgencies of Architectural Theory

  • Susanne Pietsch, Andreas Mueller (Eds.)

    Walls That Teach. On the Architecture of Youth Centers

  • Ken Tadashi Oshima (Ed.)

    Kiyonori Kikutake: Between Land and Sea

  • Christopher Herwig

    Soviet Bus Stops

  • Friedrich Achleitner

    Wie entwirft man einen Architekten? Porträts von Aalto bis…

  • Bernhard Cella, Leo Findeisen, Agnes…

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  • Giovanna Borasi (Ed.)

    The Other Architect. Exhibition: Canadian Centre for…

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    Spaces for Criticism: Shifts in Contemporary Art Discourses

  • Seth Price

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  • Nick Srnicek, Alex Williams

    Inventing the Future. Postcapitalism and a World Without…

  • Alexander Vasudevan

    Metropolitan Preoccupations. The Spatial Politics of…

  • Enrico Gualini, João Morais Mourato,…

    Conflict in the City. Contested Urban Spaces and Local…

  • Matthias Michalk (Ed.)

    Künstlerische Praktiken um 1990. to expose, to show, to…

  • Jeannette Merker, Riklef Rambow (Hg.)

    Architektur als Exponat. Gespräche über das Ausstellen

  • Mark Wigley

    Buckminster Fuller Inc. Architecture in the Age of Radio

  • Martin und Werner Feiersinger

    Italomodern 2. Architektur in Oberitalien 1946–1976

  • Rainer Hehl, Ludwig Engel

    Berlin Transfer. Hybrid Modernities

  • Rainer Hehl, Ludwig Engel

    Berlin Transfer. Learning from the Global South

  • Ivanisin, Thaler, Blagojevic (Hg.)

    Dobrovic in Dubrovnik. A Venture in Modern Architecture

  • Fezer, Hiller, Hirsch, Kuehn, Peleg (Hg…

    Kollektiv für sozialistisches Bauen. Proletarische…

  • Nicolas Hausdorf, Alexander Goller

    Superstructural Berlin. A Superstructural Tourist Guide to…

  • Herman Hertzberger

    Architecture and Structuralism. The Ordering of Space

  • Maria Hlavajova, Ranjit Hoskote (Eds.)

    Future Publics (the Rest Can and Should Be Done by the…

  • Tobias Engelschall

    Zustände. Eine Topografie architektonischer…

  • Nina Power

    Das kollektive politische Subjekt. Aufsätze zur kritischen…

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  • Daniel Falb, Ulrike Gerhardt,…

    Post-Studio Tales

  • Anri Sala

    Why is colour better than grey?

  • Peter Weibel (Ed.)

    Global Activism: Art and Conflict in the 21st Century

  • Markus Kutter, Lucius Burckhardt

    Wir selber bauen unsere Stadt: Ein Hinweis auf die…

  • Hal Foster

    Bad New Days. Art, Criticism, Emergency

  • Clog

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  • Moderna Museet Stockholm (Ed.)

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  • Rahul Mehrotra, Felipe Vera (Eds.)

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  • Metahaven

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  • Kenneth Frampton

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  • Thomas Köhler, Ursula Müller (Eds.)

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  • Hans-Christian Dany

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  • John Dixon Hunt

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  • Eeva Liisa Pekonen

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  • M. Danielsen Jolbo, N. L. Markhus (Eds.)

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  • Keller Easterling

    Die Infrastrukturelle Matrix

  • Zach Klein

    Cabin Porn. Inspiration for Your Quiet Place Somewhere

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  • Andreas Rost

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  • Anne Van Der Zwaag

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  • Omar Kholeif (Ed.)

    Moving Image (Whitechapel: Documents of Contemporary Art)

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    The Freedom Principle. Experiments in Art and Music, 1965…

  • Anne Lacaton, Jean-Philippe Vassal

    Freedom of Use

Practicable. From Participation to Interaction in Contemporary Art

How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.
The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians as Claire Bishop, Thomas Hirschhorn, Matt Adams of Blast Theory, Seiko Mikami and Bruno Latour. Numerous illustrations of artists and their works accompany the text.
ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valérie Châtelet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Glória Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Véronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frédérik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Françoise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sánchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David Zerbib
Edited by Samuel Bianchini and Erik Verhagen with the collaboration of Nathalie Delbard and Larisa Dryansky.


Samuel Bianchini, Erik Verhagen (eds.)
Practicable. From Participation to Interaction in Contemporary Art
MIT Press , 2016, 978-0262034753