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  • Arundhati Roy

    Listening to Grasshoppers. Field Notes on Democracy

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    Edith Bouvier Beale of Grey Gardens. A Life in Pictures

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    The Architecture of Variation (Research & Design)

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    An Atlas of Fabrication

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    Aesthetics and Its Discontents

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    The England's Dreaming Tapes

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    Inside the Photograph. Writings on Twentieth-Century…

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  • Ian Wilson

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    Cinephilia in the Age of Digital Reproduction. Film,…

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    Solution 11-167. The Book of Scotlands

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    Cosmic Wonder Light Source 3. Light Streams

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    Design Activism. Beautiful Strangeness for a Sustainable…

  • Oliviero Toscani, Olivier Saillard

    Workwear. Work Fashion Seduction

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    Obey. Supply & Demand. The Art of Shepard Fairey.

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

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    Grey Gardens (with DVD)

  • Samuel Charters

    A Language of Song. Journeys in the Musical World of the…

  • Tobias Huber, Marcus Steinweg (Hg.)

    Inaesthetik Nr.1. Politics of Art

  • Claire Fontaine

    Vivre, vaincre

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    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

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    The BLDG BLOG Book

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    Depesha. Russian Lifestyle Magazine

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    Guerilla Gardening. Ein botanisches Manifest

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    Bau der Gesellschaft. Architekturvortäge der ETH Zürich

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    Im Detail. Ausstellen und Präsentieren. Museumskonzepte,…

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    20 Japanese Architects. Interviews and Photos

  • Robert and Brenda Vale

    Time to Eat the Dog. The Real Guide to Sustainable Living

  • Matthias Noell

    Das Haus und sein Buch

  • Tim Waterman

    The Fundamentals of Landscape Architecture

  • Maia Francisco

    Atlas of Graphic Designers

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    Henri Lefebvre. State, Space, World. Selected Essays

  • Jean Burgess, Joshua Green

    YouTube. Online Video and Participatory Culture

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    Prepare for Pictopia. Katalog zur Ausstellung im Haus der…

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    Meaning Liam Gillick

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    Der Fremde und die Ordnung der Räume

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  • Louis Althusser, Etienne Balibar

    Reading Capital

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    Annette Kelm

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    The 3rd Person Archive

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    School Works. Beiträge zu vermittelnder, künstlerischer und…

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  • Francesca Gavin

    Creative Space. Urban Homes of Artists and Innovators

  • Alison Oddey, Christine White

    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

  • Alain De Botton

    The Pleasures and Sorrows of Work

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    Tom Burr

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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    Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der…

  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

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    Journal of Lesbian and Gay Studies. Intersex and After.…

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    Leonhard Euler. Die Geburt der Graphentheorie

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    Behind Straight Curtains. Towards a Queer Feminist Theory…

  • Mark Borthwick

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  • Jonas Mekas

    To Petrarca

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    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

  • Catherine David, Georges Khalil, Bernd…

    Di/Visions. Kultur und Politik des Nahen Ostens

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    Curating Architecture and the City

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    Nothing in My Pockets

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    Film Curatorship. Archives, Museums, and the Digital…

  • Emilio Prini

    Fermi in Dogana, Ancienne Douane 4.11.1995 - 14.1.1996

  • J. Armleder, G. Metzger, P. Pirotte, u.…

    Voids. A Retrospective

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    Kunstausbildung. Aneignung und Vermittlung künstlerischer…

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    Logo a Lot

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    Neon Addict. The Fluorescent Color Book

  • Claude Schnaidt

    Anders gesagt. Schriften 1950-2001

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    Gayatri Chakravorty Spivak. In Other Words

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    Multiple City. Stadtkonzepte 1908 I 2008

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    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

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    Architecture Oriented Otherwise

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    Becoming Bucky Fuller

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    Grid Index

Practicable. From Participation to Interaction in Contemporary Art

How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.
The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians as Claire Bishop, Thomas Hirschhorn, Matt Adams of Blast Theory, Seiko Mikami and Bruno Latour. Numerous illustrations of artists and their works accompany the text.
ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valérie Châtelet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Glória Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Véronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frédérik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Françoise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sánchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David Zerbib
Edited by Samuel Bianchini and Erik Verhagen with the collaboration of Nathalie Delbard and Larisa Dryansky.


Samuel Bianchini, Erik Verhagen (eds.)
Practicable. From Participation to Interaction in Contemporary Art
MIT Press , 2016, 978-0262034753