Direkt zum Inhalt

Warenkorb

  • G. Basilico, A. Video

    Incompiuto. The Birth of a Style / La Nascita di uno Style

  • Niels Lehmann, Christoph Rauhaut (Hg)

    Fragments of Metropolis - East | Osten. Poland, Slovakia,…

  • Sandra Hofmeister (Hg)

    Wohnungsbau. Kostengünstige Modelle für die Zukunft

  • Hintergrund 56

    Your Guide to Downtown Denise Scott Brown

  • Martin Kippenberger

    Window Shopping

  • Nynke Tromp, Paul Hekkert

    Designing for Society. Products and Services for a Better…

  • Zvi Efrat

    The Object of Zionism. The Architecture of Israel

  • Margaret van Eyck

    Renaming an Institution, a Case Study (Volume One: Research…

  • Simon Phipps

    Concrete Poetry. Post-War Modernist Public Art

  • Lea Ouardi

    Everyday Urban Design 3. Zwölf Apfelbäume. Selbstbau in der…

  • Gago, Aguilar, Draper, Diaz (Hg.)

    8M - Der große feministische Streik: Konstellationen des 8…

  • Christoph Rodatz / Pierre Smolarski (Hg…

    Was ist Public Interest Design? Beiträge zur Gestaltung…

  • Alla Carta 9

    The Palermo Issue

  • Khurana, Quadflieg, Raimondi,…

    Negativität: Kunst, Recht, Politik

  • Anne-Marie Willis (Hg.)

    The Design Philosophy Reader

  • Paul Stella

    Red. Architecture in Monochrome

  • Koch, Tribble, Siegmand, Rost, Werner (…

    New Urban Professions: A Journey through Practice and Theory

  • Martin Kohout

    Night Shifter

  • B. Brown, N. Atkinson, J. Solomon

    Dimensions of Citizenship

  • Chris Kraus

    Social Practices

  • Ina Wudtke

    The Fine Art of Living

  • Gianni Pettena

    The Curious Mr. Pettena: Rambling around the USA 1971-73

  • Johannes Binotto

    Film / Architektur. Perspektiven des Kinos auf den Raum

  • Kurt W. Forster

    Aby Warburgs Kulturwissenschaft: Ein Blick in die Abgründe…

  • Gianni Pettena

    Non-Conscious Architecture

  • Barbara Preisig

    Mobil, autonom, vernetzt. Kritik und ökonomische Innovation…

  • Avanessian, Bauwens, De Raeve, Haddad,…

    Perhaps It Is High Time for a Xeno-architecture to Match

  • Lucie Kolb

    Study, Not Critique

  • Jordan Kauffman

    Drawing on Architecture: The Object of Lines, 1970-1990

  • Brian Massumi

    99 Theses on the Revaluation of Value: A Postcapitalist…

  • Stefan Sagmeister, Jesica Walsh

    Sagmeister & Walsh: Beauty. Schönheit = Wahrheit /…

  • Cathleen Chaffee (Hg.)

    Introducing Tony Conrad: A Retrospective

  • Jordan H. Carver

    Spaces of Disappearance: The Architecture of Extraordinary…

  • Bruno Carvalho, Mariana Cavalcanti and…

    Occupy All Streets: Olympic Urbanism and Contested Futures…

  • Tom Angotti, Sylvia Morse

    Zoned Out! Race, Displacement, and City Planning in New…

  • Terreform (Hg.)

    Letters to the Leaders of China: Kongjian Yu and the Future…

  • Deen Sharp, Claire Panetta (Eds.)

    Beyond the Square: Urbanism and the Arab Uprisings

  • Jennifer Corby

    Adventures in Modernism: Thinking with Marshall Berman

  • Flypaper #4:

    Nicole Eisenman: Conscious Razing

  • Lynette A. Jones

    Haptics (Mit Press Essential Knowledge)

  • A. Janevski, R. Marcoci, K. Nouril (Hg)

    Art and Theory of Post-1989 Central and Eastern Europe: A…

  • M. Kries, A. Klein, A. Clarke (Hg)

    Victor Papanek. The Politics of Design

  • Merve Emre (Ed.)

    Once and Future Feminist

  • Andreas Brandolini

    Gestaltung

  • Jacek Slaski

    Gespräche mit Genialen Dilletanten

  • M. Bruet, E. King, S. Shabahzi, F. Sigg

    Color Library. Research into Color Reproduction and Printing

  • Monika Grubbauer, Kate Shaw (Eds.)

    Across Theory and Practice: Thinking Through Urban Research

  • Ursula Block, Michael Glasmeier

    Broken Music: Artists' Recordworks

  • A. Mircev (Ed.)

    O Plesu I Iz(a) Plesa

  • IDEA Magazine

    IDEA 383. YELLOW PAGES: Mapping Graphic Design Project in…

  • 2G n. 77

    Arrhov Frick

  • B. Groys, A. Vidokle (Hg.)

    Kosmismus

  • Museum für Gestaltung Zürich (Hg.)

    Social Design. Partizipation und Empowerment

  • Lydia Kallipoliti

    The Architecture of Closed Worlds, or, What is the Power of…

  • B. Wittner, S. Thoma, T. Hartmann (Hg.)

    Bi-Scriptual: Typography and Graphic Design with Multiple…

  • John Byrne

    The Constituent Museum: Constellations of Knowledge,…

  • Chimurenga, Edjabe, Pieterse (Hg)

    African Cities Reader (III)

  • Annette Hauschild

    Last Days of Disco

  • Lisa Vollmer

    Strategien gegen Gentrifizierung

  • Kollektiv Orangotango+

    This Is Not an Atlas: A Global Collection of Counter-…

  • Martina Löw

    Vom Raum aus die Stadt denken: Grundlagen einer…

  • Bettina Allamoda (Hg.)

    Model Map - zur Kartographie einer Architektur am Beispiel…

  • Mark Miodownik

    Liquid: The Delightful and Dangerous Substances That Flow…

  • C. Alfaro, P. Rowe, C. Cardinal

    Form and Pedagogy: The Design of the University City in…

  • Rem Koolhaas, Irma Boom

    Elements of Architecture

  • Max Haiven

    Art after Money, Money after Art: Creative Strategies…

  • Hiba Bou Akar

    For the War yet to Come. Planning Beirut's Frontiers

  • Omar Sosa, Nacho Alegre, Marco Velardi

    The World of Apartamento. Ten Years of Everyday Life…

  • Claudia Kromrei

    Postmodern Berlin. Wohnbauten der 80er Jahre. Residential…

  • Catwalk To History - A Sourcebook.…

    Bettina Allamoda

  • Kunsthalle Wien (Ed.)

    I'm Isa Genzken, the Only Female Fool

  • Omar Kholeif

    The Artists Who Will Change the World

  • F. Campagna, T. Morton

    Technic and Magic: The Reconstruction of Reality

  • Murmurae (Paula Cobo-Guevarra, Manuela…

    Situating Ourselves in Displacement: Conditions,…

  • Philipp Ekardt

    Toward Fewer Images. The Work of Alexander Kluge

  • Damon Murray (Ed.)

    Brutal Bloc. Post Cards

  • Donald Niebyl

    Spomenik Monument Database

  • Fred Moten

    The Universal Machine

  • Fred Moten

    Stolen Life

  • Axel, Colomina, Hirsch, Lee, Wigley, (…

    Superhumanity: Post-Labor, Psychopathology, Plasticity

  • Cornelia Sollfrank (Hg)

    Die schönen Kriegerinnen. Technofeministische Praxis im 21…

  • Raimund Minichbauer

    Facebook entkommen

  • Javier Tapia

    Monte Carlo Club

  • A+U 429

    Housing Currents

  • Michal Siarek

    Alexander

  • A+U 428

    Implementing Architecture. Cornell and the Education of…

  • Dominic Bradbury

    The Iconic House: Architectural Masterworks Since 1900

  • Christian Wassmann

    Sun Path House and Other Cosmic Architectures

  • Paper Monument

    Draw it with your Eyes Closed. The art of the art…

  • Femke de Vries

    Fashioning Value - Undressing Ornament: A critical study of…

  • Giovanna Borasi (Hg.)

    Besides, History: Go Hasegawa, Kersten Geers, David Van…

  • Alice Rawsthorn

    Design as an Attitude

  • Karl-Magnus Johansson (Ed.)

    Inscription

  • Armen Avanessian, Mohan Moalemi (Hg.)

    Ethnofuturismen

  • Owen Hatherley

    Trans-Europe Express: Tours of a Lost Continent

  • Markus Breitschmid

    Nicht-Referenzielle Architektur: Gedacht von Valerio Olgiati

  • David Stubbs

    Mars by 1980. The Story of Electronic Music

  • James Hoff, Marian Kaiser

    "" #2 James Hoff / Marian Kaiser

The Long Front of Culture. The Independent Group and Exhibition Design

In 1950s London, a cadre of young artists, theorists, and popular culture aficionados known as the Independent Group (IG) came together for a series of pressing meetings. Their humble goal: to reimagine the structure of postwar culture by situating art in the midst of military-industrial technologies and pop pleasures. In this book, Kevin Lotery argues that the IG turned to the cross-disciplinary form of exhibition design as the only medium capable of getting the measure of these forces, the only technique that could integrate high and low, aesthetic and scientific, and redesign them in turn. At the heart of this story are the IG's most unruly members, including artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; and critics Lawrence Alloway and Reyner Banham. To these upstarts, art was no more privileged an activity than the streamlining of a helicopter blade or the screening of the latest cinema spectacle. In place of the old cultural hierarchies, they saw a continuum that Alloway termed “the long front of culture.” Only exhibition making could redirect this “long front” toward something genuinely, startlingly new.
Lotery shows that the IG's exhibitions sought out temporary interfaces with technological invention and scientific research in a search for the form of the new itself. The IG exhibitions he examines drew on biological morphogenesis, anthropology and photography, human-machine prosthetics, American pop, abstraction, and theories of play. The IG is often described as the precursor to the pop art of the 1960s. Lotery shows that it was much more, as entangled with the histories of science, technology, and design as with the dialectics of modern art and mass culture


Kevin Lotery
The Long Front of Culture. The Independent Group and Exhibition Design
MIT Press, 2020, 9780262043892
43,50 €