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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    The Rest is Noise. Das 20. Jahrhundert hören

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    Krautrock. Cosmic Rock and its Legacy

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    Yes is More. An Archicomic on Architectural Evolution

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    Archivologie. Exterioritäten des Wissens in Philosophie,…

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    Aesthetics and Its Discontents

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    The BLDG BLOG Book

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Reading Capital

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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    A Brief History of Curating

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    IDEA 332. How does graphic design CHANGE?

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    Archäologie des Kinos, Gedächtnis des Jahrhunderts

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    Ryan McGinness

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    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

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    Beyond Archigram. The Structure of Circulation

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    The Porcelain Workshop. For a New Grammar of Politics

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    Architecture or Techno-Utopia. Politics after Modernism

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    Ulrike Ottinger. Eine Autobiografie

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    Words to Be Looked at. Language in 1960s Art

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    Comments on the Society of the Spectacle

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    Kunst des Handelns

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    Ist Kunst widerständig?

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    Wofür steht der Name Sarkozy?

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    When Species Meet

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    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

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    Writings on Cities

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    The Production of Space

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    Rogue Economics. Capitalism's New Reality

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The Participant. A Century of Participation in Four Stories

Participation is everywhere today. It has been formalized, measured, standardized, scaled up, network-enabled, and sent around the world. Platforms, algorithms, and software offer to make participation easier, but new technologies have had the opposite effect. We find ourselves suspicious of how participation extracts our data or monetizes our emotions, and the more procedural participation becomes, the more it seems to recede from our grasp.
In this book, Christopher M. Kelty traces four stories of participation across the twentieth century, showing how they are part of a much longer-term problem in relation to the individual and collective experience of representative democracy. Kelty argues that in the last century or so, the power of participation has dwindled; over time, it has been formatted in ways that cramp and dwarf it, even as the drive to participate has spread to nearly every kind of human endeavor, all around the world. The Participant is a historical ethnography of the concept of participation, investigating how the concept has evolved into the form it takes today. It is a book that asks, “Why do we participate?” And sometimes, “Why do we refuse?”


Christopher M. Kelty
The Participant. A Century of Participation in Four Stories
The University of Chicago Press, 2020, 9780226666761