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  • Aaron Betsky

    The Monster Leviathan. Anarchitecture

  • Jason McBride

    Eat Your Mind. The Radical Life and Work of Kathy Acker

  • Nóra Ó Murchú, Janez Fakin Janša (Eds.)

    A Short Incomplete History of Technologies That Scale

  • Ingo Niermann

    The Monadic Age. Notes on the Coming Social Order

  • Dennis Pohl

    Building Carbon Europe

  • Julieta Aranda, Kaye Cain-Nielsen,…

    Wonderflux - A Decade of e-flux Journal

  • Regine Ehleiter, Clio Nicastro, titre…

    HaFI 020: Erika Runge: Überlegungen beim Abschied von der…

  • Natascha Sadr Haghighian, Tom Holert

    HaFI 019: Natascha Sadr Haghighian: Was ich noch nicht…

  • Sónia Vaz Borges, Madeleine Bernstorff…

    HaFI 018: Skip Norman: On Africa

  • Clémentine Deliss

    Skin in the Game

  • Peter G. Rowe, Yoeun Chung

    Design Thinking and Storytelling in Architecture

  • Richard Weller

    To the Ends of the Earth. A Grand Tour for the 21st Century

  • François J. Bonnet, Bartolomé Sanson (…

    Spectres IV. A Thousand Voices / Mille Voix

  • Edited by Jolanthe Kugler and Scott…

    Keep it Flat. A little history on flat earth

  • Edited by Jolanthe Kugler and Scott…

    Objective: Earth - Designing our Planet

  • Daniel Martin Feige, Sandra Meireis (Hg…

    Ästhetik und Architektur

  • Luis Manuel Garcia-Mispireta

    Together, Somehow. Music, Affect, and Intimacy on the…

  • Arnold Aronson

    Fifty Key Theatre Designers

  • Quentin Stevens, Kim Dovey

    Temporary and Tactical Urbanism: (Re)assembling Urban Space

  • Flavien Menu (Ed.)

    Proto-Habitat

  • Matteo Pasquinelli

    The Eye of the Master. A Social History of Artificial…

  • Angelika Burtscher, Daniele Lupo

    AS IF - 16 Dialogues about Sheep, Black Holes, and Movement…

  • Anna Unterstab

    Design intersektional unter die Lupe nehmen. Gestaltung als…

  • Silvio Lorusso

    What Design Can't Do. Essays on Design and Disillusion

  • OASE Journal for Architecture #116

  • Lena Enne

    Everyday Urban Design 8. Anmeldung not possible. Das…

  • Ruth Duma-Coman

    Everyday Urban Design 7. Der translokale Gebrauch des…

  • Andrew Berardini

    Colors

  • Heinz Hirdina, Achim Trebeß, Stiftung…

    Theorie und Geschichte des Designs 2. Reaktionen auf die…

  • Heinz Hirdina, Achim Trebeß, Stiftung…

    Theorie und Geschichte des Designs 1 Einführung / Italien…

  • Lukas Feireiss, Florian Hadler (Hg)

    Weak Signals. New Narratives in Art and Technology

  • dérive

    dérive N° 94, Wohnungslosigkeit beenden (Jan-Mär 2024).…

  • raumlaborberlin

    Polylemma. raumlaborberlin

  • IDEA Magazine

    IDEA 404. Co-creation between AI and US

  • Johanna Mehl, Carolin Höfler (Eds)

    Attending [to] Futures. Matters of Politics in Design…

  • Talja Blokland

    Gemeinschaft als urbane Praxis

  • Deirdre Loughridge

    Sounding Human. Music and Machines, 1740/2020

  • Claudia Hummel, Valeria Fahrenkrog,…

    Berliner Hefte zu Geschichte und Gegenwart der Stadt #10.…

  • Lukas Brecheler, Lionel Esche

    Wohnhochhaus

  • Gianpaolo Tucci

    Aesthetics Imperfections. How AI is Changing the Landscape…

  • Gary Zhexi Zhang

    Catastrophe Time!

  • Pier Vittorio Aureli

    Architecture and Abstraction

  • Ina Wudtke

    Black Studium. A Tribute to Fasia Jansen, Hilarius Gilges…

  • Małgorzata Bartosik

    Bronisław Zelek. In the letter wonderland

  • Lorraine Daston

    Regeln. Eine kurze Geschichte

  • Bernadette Krejs

    Instagram Wohnen

  • Myria Georgiou

    Being Human in Digital Cities

  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

    Styrohaus

  • Loretta Lees, Tom Slater, Elvin Wyly (…

    The Planetary Gentrification Reader

  • Penny Lewis, Lorens Holm, Sandra Costa…

    Architecture and Collective Life

  • Anthony Brand

    Touching Architecture. Affective Atmospheres and Embodied…

  • Sarah Pink, Vaike Fors, Debora Lanzeni…

    Design Ethnography: Research, Responsibilities and Futures

  • Marcelo López-Dinardi

    Architecture from Public to Commons

  • Edna Bonhomme, Alice Spawls (Eds)

    After Sex

  • Philipp Oswalt

    Bauen am nationalen Haus. Architektur als Identitätspolitik

  • Samuel Clowes Huneke

    A Queer Theory of the State

  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

    Bruno Munari. Fantasia. Erfindung, Kreativität und…

  • Simone Jung, Steffi Hobuß, Sven Kramer

    Öffentlichkeiten zwischen Fakt und Fiktion.

  • Ben Schwartz (ed)

    UNLICENSED. Bootlegging As a Creative Practice

  • Rick Poynor

    Why Graphic Culture Matters

  • Katharina Sussek, Jens Müller

    PUMA - The Graphic Heritage

  • Jens Müller (Hg)

    ZDF TV+Design. Sechs Jahrzehnte Fernseh- und Corporate…

  • Roger Behrens, Jonas Engelmann, Frank…

    testcard #27. Rechtspop

  • Jonathan Cary

    Tricks of the Light. Essays on Art and Spectacle

  • Monica Ponce De Leon (Ed.)

    Lina Bo Bardi. Material Ideologies

  • Ghislaine Leung

    Bosses

  • Samia Henni (Hg)

    Deserts Are Not Empty

  • Rizvana Bradley

    Anteaesthetics. Black Aesthesis and the Critique of Form

  • Nerea Calvillo

    Aeropolis. Queering Air in Toxicpolluted Worlds

  • George Papam, David Bergé (Eds.)

    Islands After Tourism. Escaping the Monocultures of Leisure

  • Sofia Grigoriadou, Eliana Otta, David…

    Urban Lament. Collective Expressions of Pain, Rage, and…

  • Mark Manders

    Mark Manders. House With All Existings Words

  • Peter Mörtenböck, Helge Mooshammer

    In/formal Marketplaces. Experiments with Urban…

  • Jakob Claus, Petra Löffler (Eds.)

    Records of Disaster. Media Infrastructures and Climate…

  • George Brugmans

    Down To Earth. Designing For The Endgame

  • Eric Frijters, Matthijs Ponte (Eds.)

    The City as a System. Metabolic Design for New Urban Forms…

  • Hans-Christian Dany, Valérie Knoll

    No Dandy, No Fun. Looking Good as Things Fall Apart

  • Hemma Schmutz (Hg.)

    Haus-Rucker-Co. Atemzonen

  • McKenzie Wark

    Love and Money, Sex and Death. A Memoir

  • Cordula Daus & Charlotta Ruth

    Questionology – Are you here? Research Practices No 1

  • Maurin Dietrich, Fiona Alison Duncan

    Pippa Garner. Act Like You Know Me

  • Marieke Behne, Justus Griesenberg,…

    Kooperative Standards

  • Stefan Wellgraf, Christine Hentschel (…

    Rechtspopulismen der Gegenwart. Kulturwissenschaftliche…

  • Behnaz Farahi, Nail Leach (eds.)

    Interactive Design. Towards a Responsive Environment

  • Natasha Stagg

    Artless. Stories 2019-2023

  • Alison Place (Ed)

    Feminist Designer. On the Personal and the Political in…

  • Slanted

    Slanted 42. Books

  • Graeme Thomson & Silvia Maglioni

    b for the birds by Graeme Thomson & Silvia Maglioni

  • Gabriela Burkhalter (Hg)

    The Playground Project

  • LIQUIFER Systems Group, Jennifer…

    Liquifer. Living beyond Earth. Architecture for Extreme…

  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

  • Simon Baier, Markus Klammer (Hg.)

    Aesthetics of Equivalence. Art in Capitalism

  • Anke Haarmann, Alice Lagaay, Tom…

    Specology. Zu einer ästhetischen Forschung

  • bell hooks

    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

    Decolonising Design Education

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739