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  • Diamond Schmitt Architects

    Set Pieces. Architecture for the Performing Arts in Fifteen…

  • Roberto Gargiani, ed.

    Simple Architecture: Villa Baizeau in Carthage by Le…

  • Leonhard Laupichler, Sophia Brinkgerd (…

    New Aesthetic 1. A Collection of Experimental and…

  • Martin Mosch

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    Are You a Model? On an Architectural Medium of Spatial…

  • Gilbert Simondon, Emmanuel Alloa (Hg.)

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    The Temptation of Non-Being: Negativity in Aesthetics

  • Nicolas Uphaus

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  • Sabine Nuss

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  • Legacy Russell

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  • Benjamin H. D. Buchloh, Hal Foster

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  • Gabriel Catren

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  • Johann Braun

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  • Domitilla Dardi

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  • e-flux

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  • Kim Förster

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  • Michael Marder

    The Phoenix Complex. A Philosophy of Nature

  • Florian Heilmeyer, Sandra Hofmeister

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  • Paul Wood (ed.)

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  • Sezgin Boynik, Taneli Viitahuhta (eds.)

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  • Slavoj Žižek, Rastko Močnik, Zoja Skušek

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    The Virtual Sentence: A Book of Exercises

  • Exhibition Politics. Die documenta und die DDR

  • Karsten Krampitz

    Pogrom im Scheunenviertel. Antisemitismus in der Weimarer…

  • Thomas Irmer

    René Pollesch – Arbeit. Brecht. Cinema. Interviews und…

  • Işil Eğrikavuk

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  • Felix Sommer, SB5ÜNF

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  • Julia Schulz-Dornburg

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  • Judith Hopf

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    Studies on Assemblies: Mass Made Units.

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  • ECCHR

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  • Jeanne Gang

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  • Adam Gibbons, Eva Wilson

    Abbas Zahedi in conversation with Eva Wilson "" #7

  • Kevin Yuen Kit Lo

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  • Timon Beyes

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  • Eric Drott

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  • Francois Laruelle

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  • Mohammad Salemy (ed.)

    Model Is the Message. Incredible Machines Conference 2022

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  • Achim Szepanski

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  • Markus Miessen (Ed.)

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  • Christoph Ramisch (Ed)

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  • Hella Gerlach

    Gelenkstellen - Loose Joints

  • Grant H. Kester

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  • Jana Müller

    Jana Müller. Falscher Hase / Mock Rabbit

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    Anarcho-Indigenism. Conversations on Land and Freedom

  • Editors for this issue: Ariane Müller,…

    Starship 20

Show and Tell. A Chronicle of Group Material

The first monograph on the New York based artists’ collaborative known for its socio-political art practice. Organised by former group members in keeping with the methods and aims Group Material employed, the book charts the origins, processes, developments, projects and contexts of the group’s activities, and draws heavily from Group Material’s archive, including original documents, photographs, drawings, correspondence, artefacts, anecdotal information and texts.
Group Material created 45 projects during its period of activities (1979–1996), each represented though installation photography and information from original proposals, exhibition statements, press releases, responses, etc. One emblematic exhibition project, AIDS Timeline, is examined in detail, from collected material and newly conducted interviews. Essays by Doug Ashford, Julie Ault, Sabrina Locks and Tim Rollins further illuminate the methods and principles of Group Material’s practice.
In 1979, the artist collective Group Material opened a storefront at East 13th Street on New York's Lower East Side, from which they launched exhibitions-45 in all-that radically overhauled curatorial thought, setting art alongside artifacts, documentary material and storebought objects, within exhibitions that were oriented around topical social concerns. Group Material's original members-Julie Ault, Patrick Brennan, Beth Jaker, Mundy McLaughlin, Marybeth Nelson, Tim Rollins and Peter Szypula-came from backgrounds in feminism, Marxist theory, design and popular culture, and curated classic exhibits reflecting this eclecticism, such as It's a Gender Show, AIDS Timeline and The People's Choice-a collection of everyday objects (wedding photos, dolls, even a cigarette-pack collage) gathered from people living on their block. Show & Tell is the first monograph on Group Material, and charts the group's activities, with essays by original members, plus original documents, photographs, drawings, correspondence and interviews.
http://www.fourcornersbooks.co.uk/showandtell.html


Julie Ault (Hg.)
Show and Tell. A Chronicle of Group Material
Four Corners Books, 2010, 978-0-9561928-1-3