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  • Matthias Messmer, Hsin-Mei Chuang

    China's Vanishing Worlds. Countryside, Traditions, and…

  • Pier Vittorio Aureli, Martino Tattara

    Dogma. 11 Projects

  • Laura Pavia, Mario Ferrari

    Mies Van Der Rohe. Neue Nationalgalerie in Berlin 1962-1968

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

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    For Example. New Polish House. A Book

  • Alain de Botton, John Armstrong

    Art as Therapy

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    Curiosity. Art and the Pleasures of Knowing

  • Tod Williams, Billie Tsien

    Wunderkammer

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Angus Carlyle, Cathy Lane (Eds.)

    On Listening

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    A Second Modernism. MIT, Architecture, and the 'Techno…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • Daniel Lopez-Perez

    R. Buckminster Fuller. World Man

  • Michael Asgaard Andersen

    Jorn Utzon. Drawings and Buildings

  • Shaun McNiff (Ed.)

    Art as Research

  • Melissa Gordon, Marina Vishmidt (Eds.)

    Persona Issue 2

  • Jürgen Teipel

    Mehr als laut - DJs erzählen

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    Use Matters. An Alternative History of Architecture

  • Collection du Frac Centre

    Architectures Experimentales 1950-2012

  • Archilab

    Naturaliser l'architecture. Naturalizing architecture

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Elmar Kossel

    Hermann Henselmann und die Moderne

  • Rogério Duarte

    Marginália 1

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Deorte Kuhlmann, Dorte Kuhlmann

    Gender Studies in Architecture. Space, Power and Difference

  • Cerith Wyn Evans

    The What If?... Scenario (after LG)

  • Wouter Davidts, Guy Châtel, Stefaan…

    Luc Deleu. Orban Space

  • Tiqqun

    Alles ist gescheitert, es lebe der Kommunismus

  • Annie Pedret

    Team 10. An Archival History

  • Ana Jeinić, Anselm Wagner (Eds.)

    Is There (Anti-)Neoliberal Architecture?

  • Studio Manuel Raeder

    The Letter E is Everywhere. La Letra E esta por Doquier.

  • Oliver Marchart

    Das unmögliche Objekt. Eine postfundamentalistische Theorie…

  • Max Hollein, Martina Weinhart (Hg.)

    Brasiliana. Installationen 1960 bis heute. Installations…

  • Bradley L. Garrett

    Explore Everything. Place-Hacking the City

  • Sylvia Lavin, Kimberli Meyer (Eds.)

    Everything Loose Will Land. 1970s Art and Architecture in…

  • Claire Bishop

    Radical Museology or, What's Contemporary in Museums…

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Robert Kronenburg

    Architecture in Motion. The History and Development of…

  • Charlotte Bundgaard

    Montage Revisited. Rethinking Industrialised Architecture

  • Ralph Rugoff (Ed.)

    The Alternative Guide to the Universe

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Eve Meltzer

    Systems We Have Loved. Conceptual Art, Affect, and the…

  • Nicholas Alfrey

    Uncommon Ground. Land Art in Britain 1966-1979

  • Margitta Buchert, Laura Kienbaum (Eds.)

    Einfach entwerfen. Simply Design

  • Jeffrey Kipnis

    A Question of Qualities. Essays in Architecture

  • Susanne Lehmann-Reupert

    Von New York lernen. Mit Stuhl, Tisch und Sonnenschirm

  • Petrit Halilaj

    Poisoned by men in need of some love

  • ARGE Schnittpunkt (Hg.)

    Handbuch Ausstellungstheorie und -praxis

  • Riki Kalbe, Wolfgang Kil

    Gelände. Terrain.

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    Kunst - Begriffe der Gegenwart. Von Allegorie bis Zip

  • AV 157-158

    Herzog & De Meuron 2005-2013

  • Freek Lomme (Ed.)

    Who Told You so? The Collective Story vs. The Individual…

  • Uta Meta Bauer, Thomas D. Trummer (Eds.)

    AR - Artistic Research

  • Yvonne P. Doderer

    Räume des Politischen. Dimensionen des Städtischen

  • PIN-UP

    PIN-UP Interviews

  • Mark Ledbury (Ed.)

    Fictions of Art History

  • Christopher Dell

    Ware: Wohnen. Politik. Ökonomie. Städtebau

  • Yael Bartana

    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

  • Gerhard Senft (Hg.)

    Land und Freiheit. Zum Diskurs über das Eigentum von Grund…

  • Nils Ballhausen (Ed.)

    Wo Architekten arbeiten / Where Architects Work

  • Wade Guyton

    Zeichnungen für lange Bilder. Kunsthalle Zürich

  • Bruno Latour

    An Inquiry Into Modes of Existence. An Anthropology of the…

  • David Wagner

    Mauer Park

  • Stefanie Seidl, Wolfgang Farkas, Heiko…

    Nachtleben Berlin.1974 bis heute

  • Saim Demircan (Ed.)

    Simon Denny. All You Need Is Data

  • Julia Czerniak (Ed.)

    Formerly Urban. Projecting Rust Belt Futures

  • Julia Bryan-Wilson (Ed.)

    Robert Morris (October Files)

  • Lisa Lee, Hal Foster (Eds.)

    Critical Laboratory. The Writings of Thomas Hirschhorn

  • Barry Schwabsky

    Words for Art. Criticism, History, Theory, Practice

  • Anthony Iles, Tom Roberts

    All Knees and Elbows of Susceptibility and Refusal. Reading…

  • Irénée Scalbert

    Never Modern

  • Sylvie Estrada (Ed.)

    Bestiary. Inspiring animals by inspired artists

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    John Smith

  • Stefan Römer

    The ups and downs of Stan Back

  • Irene Meissner

    Sep Ruf 1908 - 1982. Leben und Werk

  • Jacques Rancière

    Geschichtsbilder. Kino, Kunst, Widerstand

  • Karen van den Berg, Ursula Pasero (Eds.)

    Art Production beyond the Art Market?

  • Jesko Fezer

    Civic City Cahier 6. Design in and Against the Neoliberal…

  • Fabien Danesi, Fabrice Flahutez,…

    La fabrique du cinema de Guy Debord

  • Philipp Meuser (Hg.)

    Architektur für die russische Raumfahrt. Vom…

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    Brandlhuber+. Von der Stadt der Teile zur Stadt der…

  • Charlotte Malterre Barthes (Ed.)

    The School, The Book, The Town Logbook – Ethiopia in a…

  • Joshua Johnson (Ed.)

    Dark Trajectories. Politics of the Outside

  • Robert Lippok

    Steady Unsteady

  • Jan Kedves

    Talking Fashion. Von Helmut Lang bis Raf Simons: Gespräche…

  • Leopold Lambert

    Weaponized Architecture. The Impossibility of Innocence

  • Elian Stefa, Gyler Mydyti

    Concrete Mushrooms. Reusing Albania's 750,000…

  • Lynne Tillman (Ed.)

    The Happy Hypocrite – Freedom. Issue 6

  • Deborah Ligorio

    Survival Kits

  • Andres Lepik (Ed.)

    Afritecture. Bauen mit der Gemeinschaft

  • Martin Seel

    Die Künste des Kinos

  • Nina Möntmann (Ed.)

    Scandalous. A Reader on Art and Ethics

  • Valerio Olgiati

    The Images of Architects

  • Anaël Lejeune, Olivier Mignon, Raphaël…

    French Theory and American Art

Shadowplayers. The Rise and Fall of Factory Records

In 1978, a Factory for Sale' sign gave Alan Erasmus and Tony Wilson a name for their fledgling Manchester club night. Though they couldn't have known it at the time, this was the launch of one of the most significant musical and cultural legacies of the late twentieth century. The club's electrifying live scene soon translated to vinyl, and Factory Records went on to become the most innovative and celebrated record label of the next thirty years. Always breaking new musical ground, Factory introduced the listening public to bands such as Joy Division, whose Unknown Pleasures was the label's first album release, New Order, Durutti Column and Happy Mondays. Propelled onwards by the inspirational cultural entrepreneur, Tony Wilson, Factory always sought new ways to energise the popular consciousness, such as the infamous Hacienda nightclub, which enjoyed a chequered 15-year history after opening in 1982. Factory's reputation as a cultural hub was also bolstered by its fierce commitment to its own visual identity, achieved through the iconic sleeve designs and campaigning artwork of Peter Saville. However, the lofty reputation of Factory's musical and artistic ventures were only sporadically converted into commercial success, and when London Records pulled out of a takeover bid in 1992 because of the absence of contracts, the fate of Factory Communications Ltd was sealed. But the label's downfall has done nothing to quell interest in the Factory legend, as films such as 24-Hour Party People and Control attest. Yet despite this perennial interest, the definitive, authentic story of Factory Records has never been told until now. Shadowplayers is the most complete, authoritative and thoroughly researched account of how a group of provincial anarchists and entrepreneurs saw off bankers, journalists and gun-toting gangsters to create the most influential record label of modern times. Based on both archive and contemporary sources, the book tells the full story of Factory's heroic struggles, its complex web of inventive, idiosyncratic and tragic personalities, and ultimately, the acclaimed and much-loved music it produced. James Nice is an author, journalist and record-label owner. He once worked for Factory Benelux and now administers much of the former Factory catalogue.
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James Nice
Shadowplayers. The Rise and Fall of Factory Records
Aurum, 2010, 978-1845135409