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Warenkorb

  • Jean-Luc Nancy

    Wahrheit der Demokratie

  • RoseLee Goldberg (Hg.)

    Everywhere and All at Once. Performa 07

  • Pascal Gielen, Paul De Bruyne (Hg.)

    Being an Artist in Post-Fordist Times. Arts in Society

  • Tim Rieniets, Jennifer Sigler, Kees…

    Open City. Designing Coexistence

  • Fredric Jameson

    Valences of the Dialectic

  • C. Parnet, P.-A. Boutang

    ABÉCÉDAIRE – Gilles Deleuze von A bis Z (3 DVD)

  • Johan Kugelberg (Hg.)

    The Velvet Underground. New York Art

  • Elisabeth Bronfen

    Crossmappings. Essays zur visuellen Kultur

  • Stephen Willats

    Doppelgänger

  • N. Grob, B. Kiefer, R. Mauer, J.…

    Kino des Minimalismus

  • Lars Müller (Hg.)

    Der Wind, das Licht ECM und das Bild

  • Ulrike Felsing

    Dynamische Erscheinungsbilder im kulturellen und…

  • Michael Hardt, Antonio Negri

    Commonwealth

  • Buckminster R. Fuller

    Education Automation: Comprehensive Learning for Emergent…

  • Buckminster R. Fuller

    Ideas and Integrities. A Spontaneous Autobiographical…

  • Steven Henry Madoff (Hg.)

    Art School. Propositions for the 21st Century

  • Simon Lamunière (Hg.)

    Utopics. Systems and Landmarks

  • Gerald Raunig, Gene Ray (Hg.)

    Art and Contemporary Critical Practice

  • Knut Ebeling, Stephan Günzel (Hg.)

    Archivologie. Exterioritäten des Wissens in Philosophie,…

  • Gui Bonsiepe

    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

  • Franziska Morlok, Till Beckmann

    Extra. Enzyklopädie der experimentellen Druckveredelung

  • Architectural Association (Hg.)

    AA Book. Projects Review 2009

  • Florian Idenburg (Hg.)

    The SANAA Studios 2006-2008. Learning from Japan

  • Simon Reynolds

    Totally Wired. Postpunk Interviews and Overviews

  • Paul Stiff (Hg.)

    Modern Typography in Britain. Graphic Design, Politics and…

  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Scott MacDonald

    Adventures of Perception. Cinema as Exploration. Essays/…

  • Radical Philosophy

    157 - September/October 2009

  • Nina Chakrabarti

    My Wonderful World of Fashion. A Book for Drawing, Creating…

  • Claudia Basrawi

    Mittelmeer Anämie - Damaskus, Beirut, Kairo

  • Rob Young (Hg.)

    The Wire Primers. A Guide to Modern Music

  • Charlotte Klonk

    Spaces of Experience. Art Gallery Interiors from 1800 to…

  • R. Klanten, S. Ehmann, B. Meyer (Hg.)

    Papercraft. Design and Art with Paper

  • abc - art berlin contemporary

    def - drafts establishing future

  • Vince Aletti

    The Disco Files 1973-78. New York's Underground, Week…

  • Open 17

    A Precarious Existence. Vulnerability in the Public Domain

  • El Croquis 145

    Christian Kerez 2000-2009

  • Lutz Hieber, Stephan Moebius (Hg.)

    Avantgarden und Politik. Künstlerischer Aktivismus von Dada…

  • Wilfried Kuehn, Doreen Mende, Stephan…

    Displayer 03

  • Lutz Bacher

    Smoke Gets in Your Eyes

  • Design2context (Hg.)

    Des-/Orientierung, Dis-/Orientation, Dés-/Orientation 2

  • Petra Schmidt, Nicola Stattmann

    Unfolded. Papier in Design, Kunst, Architektur und Industrie

  • Mona Vatamanu, Florin Tudor

    Dissolving Absolute Structures

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

  • Blätter für deutsche und internationale…

    Das Ende des Kasino-Kapitalismus? Globalisierung und Krise

  • N. Schüller, P. Wollenberg, K.…

    Urban Reports. Urban strategies and visions in mid-sized…

  • Arundhati Roy

    Listening to Grasshoppers. Field Notes on Democracy

  • Anne Verlhac (Hg.)

    Edith Bouvier Beale of Grey Gardens. A Life in Pictures

  • Lars Spuybroek (Hg.)

    The Architecture of Variation (Research & Design)

  • Gerrit Terstiege (Hg.)

    The Making of Design. Vom Modell zum fertigen Produkt

  • Alexandra Gerstein (Hg.)

    Beyond Bloomsbury. Designs of the Omega Workshops 1913-19

  • Della Chuang

    Kyoteau. Bottled Memories

  • Wolfgang Kil (Hg.)

    Wolfgang Hänsch. Architekt der Dresdner Moderne

  • Ken Hillis

    Online a Lot of the Time. Ritual, Fetish, Sign

  • Stephan Trüby (Hg.)

    Hertzianismus. Elektromagnetismus in Architektur, Design…

  • Barkow Leibinger

    An Atlas of Fabrication

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • Stiftung Bauhaus Dessau (Hg.)

    Bauhaus Streit. 1919-2009. Kontroversen und Kontrahenten.

  • Jon Savage

    The England's Dreaming Tapes

  • Peter C. Bunnell

    Inside the Photograph. Writings on Twentieth-Century…

  • Kelly Coyne, Erik Knutzen

    The Urban Homestead. Your Guide to Self-sufficient Living…

  • Ian Wilson

    The Discussions

  • Jason Sperb, Scott Balcerzak

    Cinephilia in the Age of Digital Reproduction. Film,…

  • Momus

    Solution 11-167. The Book of Scotlands

  • Barbican Art Gallery (Hg.)

    Radical Nature. Art and Architecture for a Changing Planet…

  • Verein 100 Beste Plakate

    100 Beste Plakate 08. Deutschland - Österreich - Schweiz

  • Liam Gillick

    All Books

  • Cosmic Wonder Free Press

    Cosmic Wonder Light Source 3. Light Streams

  • Alastair Fuad-Luke

    Design Activism. Beautiful Strangeness for a Sustainable…

  • Oliviero Toscani, Olivier Saillard

    Workwear. Work Fashion Seduction

  • Shepard Fairey

    Obey. Supply & Demand. The Art of Shepard Fairey.

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Dominik Landwehr, Verena Kuni (Hg.)

    Home made electronic arts. Do-it-yourself Piratensender,…

  • Sara Maysles, Rebekah Maysles (Hg.)

    Grey Gardens (with DVD)

  • Samuel Charters

    A Language of Song. Journeys in the Musical World of the…

  • Tobias Huber, Marcus Steinweg (Hg.)

    Inaesthetik Nr.1. Politics of Art

  • Claire Fontaine

    Vivre, vaincre

  • Wolfram Pichler, Ralph Ubl (Hg.)

    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

  • Geoff Manaugh

    The BLDG BLOG Book

  • Stephan Rabimov (Hg.)

    Depesha. Russian Lifestyle Magazine

  • Richard Reynolds

    Guerilla Gardening. Ein botanisches Manifest

  • Luigi Snozzi, Andrew Frear, Richard…

    Bau der Gesellschaft. Architekturvortäge der ETH Zürich

  • Christian Schittich (Hg.)

    Im Detail. Ausstellen und Präsentieren. Museumskonzepte,…

  • Roland Hagenberg (Hg.)

    20 Japanese Architects. Interviews and Photos

  • Robert and Brenda Vale

    Time to Eat the Dog. The Real Guide to Sustainable Living

  • Matthias Noell

    Das Haus und sein Buch

  • Tim Waterman

    The Fundamentals of Landscape Architecture

  • Maia Francisco

    Atlas of Graphic Designers

  • Neil Brenner, Stuart Elden (Hg.)

    Henri Lefebvre. State, Space, World. Selected Essays

  • Jean Burgess, Joshua Green

    YouTube. Online Video and Participatory Culture

  • Lars Denicke, Peter Thaler (Hg.)

    Prepare for Pictopia. Katalog zur Ausstellung im Haus der…

  • Monika Szewczyk (Hg.)

    Meaning Liam Gillick

  • Nato Thompson (Hg.)

    A Guide to Democracy in America

  • Jan Wehrheim

    Der Fremde und die Ordnung der Räume

  • Robert Castel

    Negative Diskriminierung. Jugendrevolten in den Pariser…

  • Louis Althusser, Etienne Balibar

    Reading Capital

  • Susanne Pfeffer, Beatrix Ruf, Nicolaus…

    Annette Kelm

  • John Stezaker

    The 3rd Person Archive

Judgment and Contemporary Art Criticism

Over the course of the past decade, we have seen unrelenting levels of market speculation in contemporary and historical art at the same moment that global conflict and war has escalated and world economies have begun to crumble. Concurrent to these developments, there has been a new wave of interest directed toward the efficacy and function of art criticism. Judgment and Contemporary Art Criticism will engage with many of the key issues coming out of these conversations, specifically returning to the role of judgment and valuation in contemporary art writing.
Described by Joseph Koerner and Lisbet Rausing as the “troubled objects of criticism,” value and judgment are—and have always been—at the forefront of debates about the social function of the art critic. For many, the end of the twentieth century saw the mitigation of the importance of critical valuation established within high modernist discourses. Instead, many critics argued for a more open dialogue between texts and objects, pursuing modes of critique that allowed for the exploration of ambiguity and interpretation, thus detaching art writing from questions of quality.
With the start of the new millennium, a growing chorus of critics began to suggest that a return to judgment was a remedy to the cauterized state of contemporary art criticism. Yet can judgment operate within new modalities of writing that hold open a reflexive space for ambiguity and dialogue? How would these new forms read? If, as Boris Groys has claimed, critical discourse today is an attempt to “bridge the divide” between the “inherited older public office” of the critic who judged art “in the name of the public” and the “avant-garde’s betrayal of this office,” can new forms of criticism remake judgment anew, without explicit determinations of quality?
Participants
* Jo-Anne Birnie Danzker, Vancouver
* Jeff Derksen, Vancouver
* Diedrich Diederichsen, Berlin
* Maria Fusco, London
* Markus Miessen, Berlin
* Tom Morton, London
* John O’Brian, Vancouver
* Kristina Lee Podesva, Vancouver
* Jordan Strom, Vancouver
* William Wood, Vancouver
* Tirdad Zolghadr, Berlin


Artspeak / Fillip Editions
Judgment and Contemporary Art Criticism
Folio Series, 2010, 978-0-9738133-6-4