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  • Barbagallo, Beuret, Harvie (Hg.)

    Commoning with George Caffentzis and Silvia Federici

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    The Research Issue

  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

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    The Middle Matter. Sound as Interstice

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    The Withdrawal of the Red Army

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    Transboundary Design. Perspective of Yoshihisa Tanaka

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    Access for All. São Paulo's Architectural…

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    The Value of Critique: Exploring the Interrelations of…

  • Bernhard Denkinger

    Die vergessenen Alternativen. Strukturalismus und…

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    Frederick Kiesler: Face to Face with the Avant-Garde:…

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    The Architecture of Ruins: Designs on the Past, Present and…

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    Museums at the Post-Digital Turn

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    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

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    Mischa Kuball. res.o.nant

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    The New Populism: Democracy Stares into the Abyss

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    Aisthesis: Scenes from the Aesthetic Regime of Art

  • Gean Moreno

    In the Mind but Not from There. Real Abstraction and…

  • Saskia de Wit

    Hidden Landscapes. The metropolitan garden as a multi-…

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    Deutsche Filmarchitektur 1918–1933 – German Film…

  • Natascha Süder Happelmann

    Ankersentrum (surviving in the ruinous ruin)

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    Entangled Realities: Living with Artificial Intelligence /…

  • Alain Ehrenberg

    Die Mechanik der Leidenschaften: Gehirn, Verhalten,…

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    Posthuman Knowledge

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    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

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    We Are Many. Art, the Political and Multiple Truths

  • Fitz, Krasny, Architekturzentrum Wien (…

    Critical Care. Architecture and Urbanism for a Broken Planet

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    Productive Universals. Specific Situations: Clinical…

  • Elke Neumann

    Palast der Republik. Utopie, Inspiration, Politikum

  • A+U 441

    Metal Skins

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    Totalization: Speculative Practice in Architectural…

  • F. Serapiao, G. Wisnik

    Infinite Span. 90 Years of Brazilian Architecture

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    Producing Futures: A Book on Post-Cyber-Feminisms

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

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    Design for the Real World

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    Wohnen für Alle: Bautenkatalog

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    The Social Design Reader

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    DEBRISPHERE - Landscape as an Extension of the Military…

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    Jill Johnston. The Disintegration of a Critic

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    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

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    Archive Species: Bodies, Habits, Practices

  • Ted Hyunhak Yoon

    Decoding Dictatorial Statues

  • Sophie Cure, Aurelien Farina

    Graphic Design Play Book: An Exploration of Visual Thinking

  • Danielle Child

    Working Aesthetics: Labour, Art and Capitalism

  • Katya Garcia-Anton

    Sovereign Words. Indigenous Art, Curation and Criticism

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    Champagner für die Pferde

  • Lorraine Daston

    Against Nature

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    Boden behalten - Stadt gestalten

  • Civic City Cahier 4

    Afterlives of Neoliberalism

  • Camila Marambio, Cecilia Vicuña

    Slow Down Fast, A Toda Raja

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    Virtual Reality: Edition Digital Culture 6

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    Sonic Writing: Technologies of Material, Symbolic, and…

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    Architekturpädagogiken: Ein Glossar

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    Uncanny Interfaces

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    Pop und Populismus: Über Verantwortung in der Musik

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    Tiny Interiors: Compact Living Spaces

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    Seeing Science: How Photography Reveals the Universe

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    XYZT

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    Comradeship: Curating, Art, and Politics in Post-Socialist…

  • Juan Serra Lluch

    Color for Architects

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    Junya Ishigami

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    Schools & Teachers

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    Sad by Design: On Platform Nihilism

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    Klare, lichte Zukunft: Eine radikale Verteidigung des…

  • M. F. Gage (Ed.)

    Aesthetics Equals Politics: New Discourses Across Art,…

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    The Smart Enough City: Putting Technology in Its Place to…

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    Make City. Stadt anders machen. A Compendium of Urban…

  • Lizzie O'Shea

    Future Histories: What Ada Lovelace, Tom Paine, and the…

  • Alex Bykov, Ievgeniia Gubkina

    Soviet Modernism. Brutalism. Post-Modernism

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    Recursivity and Contingency

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    Questions? Looking for answers in the middle of somewhere

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    In welcher Welt leben?: Ein Versuch über die Angst vor dem…

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    Unsorcery

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    AUDINT. Unsound : Undead

  • Tabea Nixdorff.

    Fehler lesen. Korrektur als Textproduktion

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    Re-enchanting the World: Feminism and the Politics of the…

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    Artist, Authorship & Legacy. A Reader

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    Almost Nothing. 100 Artists Comment on the Work of Mies van…

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    Geschichte einer Arbeit/ Unordnung herstellen

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    Entwürfe und Gefüge. William Forsythes choreographische…

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    New Dark Age: Technology and the End of the Future

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    Nightingales in Berlin: Searching for the Perfect Sound

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    Das akustische Argument. Wissenschaft und Hörerfahrung in…

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    Gestaltungsproben: Gespräche zum Bauhausunterricht

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    Die Photos der "Magical Misery Tour" mit Martin…

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    Stadtwirte. Von Sozialraumfarmern und Inklusionswirten

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    Censored Realities / Changing New York

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    The Social Photo: On Photography and Social Media

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    Superusers: Design Technology Specialists and the Future of…

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    John Latham. The N-U Niddrie Heart

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    IDEA 385. Focusing on Locality in Design Practices of the…

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    Artists in the City. SPACE in '68 and beyond

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    Ways of Hearing (SFX: Needle Drop)

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    Die Stadt als Architektur

  • Heinz Peter Knes

    Der weltrevolutionäre Prozess seit Karl Marx und Friedrich…

Judgment and Contemporary Art Criticism

Over the course of the past decade, we have seen unrelenting levels of market speculation in contemporary and historical art at the same moment that global conflict and war has escalated and world economies have begun to crumble. Concurrent to these developments, there has been a new wave of interest directed toward the efficacy and function of art criticism. Judgment and Contemporary Art Criticism will engage with many of the key issues coming out of these conversations, specifically returning to the role of judgment and valuation in contemporary art writing.
Described by Joseph Koerner and Lisbet Rausing as the “troubled objects of criticism,” value and judgment are—and have always been—at the forefront of debates about the social function of the art critic. For many, the end of the twentieth century saw the mitigation of the importance of critical valuation established within high modernist discourses. Instead, many critics argued for a more open dialogue between texts and objects, pursuing modes of critique that allowed for the exploration of ambiguity and interpretation, thus detaching art writing from questions of quality.
With the start of the new millennium, a growing chorus of critics began to suggest that a return to judgment was a remedy to the cauterized state of contemporary art criticism. Yet can judgment operate within new modalities of writing that hold open a reflexive space for ambiguity and dialogue? How would these new forms read? If, as Boris Groys has claimed, critical discourse today is an attempt to “bridge the divide” between the “inherited older public office” of the critic who judged art “in the name of the public” and the “avant-garde’s betrayal of this office,” can new forms of criticism remake judgment anew, without explicit determinations of quality?
Participants
* Jo-Anne Birnie Danzker, Vancouver
* Jeff Derksen, Vancouver
* Diedrich Diederichsen, Berlin
* Maria Fusco, London
* Markus Miessen, Berlin
* Tom Morton, London
* John O’Brian, Vancouver
* Kristina Lee Podesva, Vancouver
* Jordan Strom, Vancouver
* William Wood, Vancouver
* Tirdad Zolghadr, Berlin


Artspeak / Fillip Editions
Judgment and Contemporary Art Criticism
Folio Series, 2010, 978-0-9738133-6-4