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  • Berlin Projects

    Startup Berlin Guide

  • David Ostrowski

    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

  • Marc Fischer

    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

  • S AM 12

    Translations

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    INAESTHETICS #4 Philosophy!

  • Marc Bedarida (Ed.)

    Le Corbusier. Aventures Photographiques

  • Markus Weisbeck, Mathias Schmitt,…

    Space for Visual Research

  • Gina Glover, Geof Rayner, Jessica Rayner

    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

  • Mark Leckey

    On Pleasure Bent

  • Axel Wieder, Florian Zeyfang (Eds.)

    Open Form. Space, Interaction, and the Tradition of Oskar…

  • Maria Zinfert (Hg.)

    Sigfried Kracauer. Photographic Archive

  • Clog

    World Trade Center

  • Marta Herford (Ed.)

    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

  • Hubertus Butin (Hg.)

    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

  • Michiel van Raaij

    Building as Ornament

  • Reinhard Seiss

    Harry Glück: Wohnbauten

  • Cristina Bechtler (Ed.)

    Museum of the Future

  • Felix Ensslin, Charlotte Klink (Eds.)

    Aesthetics of the Flesh

  • Matthew Gandy

    The Fabric of Space. Water, Modernity, and the Urban…

  • Catherine De Zegher

    Women's Work. Is Never Done

  • Sophie Berrebi

    The Shape of Evidence. Contemporary Art and the Document (…

  • Simon Denny

    New Management

  • Henning Schmidgen

    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

  • Paul O'Neill & Mick Wilson (Ed…

    Curating Research

  • Hans-Jürgen Hafner, Gunter Reski (Hg.)

    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

  • Chris Kraus

    Torpor (Roman)

  • Gerald Raunig

    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

  • Marc James Léger (Ed.)

    The Idea of the Avant Garde And What It Means Today

  • Jean-Luc Godard

    Jean-Luc Godard/JLG: Selbstporträt im Dezember

  • Dombois, Fliescher, Mersch, Rintz (Hg.)

    Ästhetisches Denken. Nicht-Propositionalität, Episteme,…

  • Megan Francis Sullivan

    Zipper Keeper 2015

  • Emily Pugh

    Architecture, Politics, and Identity in Divided Berlin

  • Markus Grob

    Dächerstreit: Flachdach/Steildach

  • Klingan, Sepahvand, Rosol, Scherer (Eds…

    Textures of The Anthropocene. Grain Vapor Ray

  • Siegfried Kracauer

    The Past's Threshold. Essays on Photography

  • Philip Jodidio

    Cabins. Hütten. Cabanes

  • Space Caviar (Eds.)

    SQM. The Quantified Home: An exploration of the evolving…

  • testcard #24

    Bug Report. Digital war besser

  • T'ai Smith

    Bauhaus Weaving Theory. From Feminine Craft to Mode of…

  • Klaus Dömer, Hans Drexler, Joachim…

    Affordable Living. Housing for Everyone

  • Slavoj Zizek

    Trouble in Paradise. From the End of History to the End of…

  • Renée Green

    Other Planes of There

  • Stephen Grabow, Kent Spreckelmeyer

    The Architecture of Use. Aesthetics and Function in…

  • Pedro Gadanho (Ed.)

    Uneven Growth. Tactical Urbanisms for Expanding Megacities

  • Seth Price

    Folklore U.S.

  • Manfred Hermes

    Hystericizing Germany

  • Peter von Bagh (Hg.)

    Aki Kaurismäki über Kaurismäki

  • Werkleitz Gesellschaft e.V. (Ed.)

    Utopien vermeiden. Avoiding Utopias

  • Metahaven

    Can Jokes Bring Down Governments? Memes, Design and…

  • Amy Brandt

    Interplay. Neoconceptual Art of the 1980s

  • Francesca Hughes

    The Architecture of Error. Matter, Measure, and the…

  • Spyros Papapetros, Julian Rose (Eds.)

    Retracing the Expanded Field

  • Felix Denk, Sven von Thülen

    Der Klang der Familie: Berlin, Techno and the Fall of the…

  • Joachim Fischer, Dierk Spreen

    Soziologie der Weltraumfahrt

  • Sächsische Akademie der Künste, Dresden…

    Labor der Moderne. Nachkriegsarchitektur in Europa.…

  • Tim Stüttgen

    IN A QU*A*RE TIME AND PLACE

  • Byung-Chul Han

    Psychopolitik. Neoliberalismus und die neuen Machttechniken

  • Francesco Garutti (Ed.)

    Fairland. Explorations, Insights and Outlooks on the Future…

  • Scott McFarland

    Shacks, Snow, Streets, Shrubs

  • Dante Bini

    Building with Air

  • Birgit Mennel, Stefan Nowotny (Hg.)

    Die Sprachen der Banlieues

  • Precarias a la Deriva

    Was ist dein Streik? Militante Streifzüge durch die…

  • Nora Schultz

    Portikus Printing Plant and Portikus Sounds

  • Joseph Becker, Jennifer Dunlop Fletcher…

    Lebbeus Woods, Architect

  • Binna Choi, Maiko Tanaka (Hg)

    The Grand Domestic Revolution Handbook

  • Boris Kralj

    My Belgrade (2nd Edition)

  • Frances Stracey

    Constructed Situations. A New History of the Situationist…

  • Latek, Paviol, Simond, Very (Eds.)

    In situ – de visu – in motu. Architecture, cinéma et arts…

  • Neil Spiller, Nic Clear (Eds.)

    Educating Architects. How Tomorrow's Practitioners…

  • Jacques Rancière

    The Intervals of Cinema

  • Josiah McElheny, Christine Burgin

    Glass! Love!! Perpetual Motion!!! A Paul Scheerbart Reader

  • Tsitsi Ella Jaji

    Africa in Stereo. Modernism, Music, And Pan-African…

  • Daniel Josefsohn

    OK DJ

  • Rem Koolhaas

    Preservation Is Overtaking Us (Gsapp Transcripts)

  • Stephen Barber

    Performance Projections. Film and The Body in Action

  • AndresLepik, Very Simone Bader (Hg)

    Lina Bo Bardi 100. Brasiliens alternativer Weg in die…

  • Rüdiger Esch

    ElectriCity. Elektronische Musik aus Düsseldorf

  • Thomas Thiel (Ed.)

    Museum Off Museum

  • Cornelai Butler, Luis Perez-Oramas

    Lygia Clark. The Abandonment of Art

  • Catriona Gray

    Fifties House. House & Garden

  • Jenn Joy

    The Choreographic

  • Robert Hamelijnck, Nienke Terpsma (Eds.)

    It's Playtime

  • Mark Leckey

    The Universal Addressability of Dumb Things

  • Nicolas Bruno Jacquet

    Le Langage Hypermoderne de l'Architecture

  • Gertrud Lehnert, Alicia Kühl, Katja…

    Modetheorie. Klassische Texte aus vier Jahrhunderten

  • Katharina Eck, Astrid Silvia Schänhagen

    Interieur und Bildtapete. Narrative des Wohnens um 1800

  • Boelen / Z33, Sacchetti (Eds.)

    Designing Everyday Life

  • Stefan Gandl

    Neubau Forst Catalogue

  • Anthony Downey

    Art and Politics Now

  • Jörg H. Gleiter (Hg.)

    Symptom Design. Vom Zeigen und Sich-Zeigen der Dinge

  • Negative (Ed.)

    Auto - Self-representation and Digital Photography

Selected Maria Lind Writing

Selections and responses by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr
Working in a number of contexts and capacities has shown Maria Lind to be a curator who, over time, has engaged in a rethinking of the art institution and the formats and methodologies connected with it, taking art itself as a starting point. Following on the various endgames outlined by institutional critique, Lind has forged paths out of hegemonic institutional regimes precisely by identifying other ways of working through them, from both inside and outside.
For Lind, writing is integral to her curatorial work. It is where she accounts for her decisions, explains her intention, justifies her interest, toys with new possibilities and develops new ideas, and recognizes historical precedents. It is where the craft of curating, already pointed out towards a public, finds another channel of articulation.
Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.
The collection of essays spanning from 1997 to 2010 forms a tapestry of Lind's own interweaving interests, but also of those of a panel of readers invited by Lind to project their own concerns onto her corpus of writing. Essays on individual artists, monographic and group exhibitions, funding structures, new contexts and spatial paradigms, together comprise a rare opportunity to swivel a spotlight on its axis back towards a figure who always tries to aim it at what really matters.
Maria Lind is a curator and writer based in Stockholm. She was the director of the graduate program at the Center for Curatorial Studies, Bard College, 2008 to 2010. She was director of Iaspis in Stockholm 2005 to 2007 and from 2002 to 2004 was the director of Kunstverein München. From 1997 to 2001, Lind was curator at Moderna Museet in Stockholm, where she was responsible for Moderna Museet Projekt. She was co-curator of Manifesta 2 in 1998. Lind has contributed widely to magazines and other publications, as well as to numerous exhibition catalogues. She was the 2009 recipient of the Walter Hopps Award for Curatorial Achievement.
Design by Liam Gillick


Brian Kuan Wood (Hg.)
Selected Maria Lind Writing
Sternberg Press, 2010, 978-1-934105-18-4