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  • Hans Ulrich Obrist

    Kuratieren!

  • Steven Shaviro

    The Universe of Things. On Speculative Realism

  • Florian Böhm, Annahita Kamali

    Everything is Connected. Home Collection (Vitra)

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    The Experimenters. Chance and Design at Black Mountain…

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    Startup Berlin Guide

  • David Ostrowski

    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

  • Marc Fischer

    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

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    Translations

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    INAESTHETICS #4 Philosophy!

  • Marc Bedarida (Ed.)

    Le Corbusier. Aventures Photographiques

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    Space for Visual Research

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    The Metabolic Landscape. Perception, Practice and the…

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    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

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    On Pleasure Bent

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    Open Form. Space, Interaction, and the Tradition of Oskar…

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    Sigfried Kracauer. Photographic Archive

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    World Trade Center

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    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

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    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

  • Michiel van Raaij

    Building as Ornament

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    Harry Glück: Wohnbauten

  • Cristina Bechtler (Ed.)

    Museum of the Future

  • Felix Ensslin, Charlotte Klink (Eds.)

    Aesthetics of the Flesh

  • Matthew Gandy

    The Fabric of Space. Water, Modernity, and the Urban…

  • Catherine De Zegher

    Women's Work. Is Never Done

  • Sophie Berrebi

    The Shape of Evidence. Contemporary Art and the Document (…

  • Simon Denny

    New Management

  • Henning Schmidgen

    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

  • Paul O'Neill & Mick Wilson (Ed…

    Curating Research

  • Hans-Jürgen Hafner, Gunter Reski (Hg.)

    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

  • Chris Kraus

    Torpor (Roman)

  • Gerald Raunig

    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

  • Marc James Léger (Ed.)

    The Idea of the Avant Garde And What It Means Today

  • Jean-Luc Godard

    Jean-Luc Godard/JLG: Selbstporträt im Dezember

  • Dombois, Fliescher, Mersch, Rintz (Hg.)

    Ästhetisches Denken. Nicht-Propositionalität, Episteme,…

  • Megan Francis Sullivan

    Zipper Keeper 2015

  • Emily Pugh

    Architecture, Politics, and Identity in Divided Berlin

  • Markus Grob

    Dächerstreit: Flachdach/Steildach

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    Textures of The Anthropocene. Grain Vapor Ray

  • Siegfried Kracauer

    The Past's Threshold. Essays on Photography

  • Philip Jodidio

    Cabins. Hütten. Cabanes

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    SQM. The Quantified Home: An exploration of the evolving…

  • testcard #24

    Bug Report. Digital war besser

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    Bauhaus Weaving Theory. From Feminine Craft to Mode of…

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    Affordable Living. Housing for Everyone

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    Trouble in Paradise. From the End of History to the End of…

  • Renée Green

    Other Planes of There

  • Stephen Grabow, Kent Spreckelmeyer

    The Architecture of Use. Aesthetics and Function in…

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    Uneven Growth. Tactical Urbanisms for Expanding Megacities

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    Folklore U.S.

  • Manfred Hermes

    Hystericizing Germany

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    Aki Kaurismäki über Kaurismäki

  • Werkleitz Gesellschaft e.V. (Ed.)

    Utopien vermeiden. Avoiding Utopias

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    Can Jokes Bring Down Governments? Memes, Design and…

  • Amy Brandt

    Interplay. Neoconceptual Art of the 1980s

  • Francesca Hughes

    The Architecture of Error. Matter, Measure, and the…

  • Spyros Papapetros, Julian Rose (Eds.)

    Retracing the Expanded Field

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    Der Klang der Familie: Berlin, Techno and the Fall of the…

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    Soziologie der Weltraumfahrt

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    Labor der Moderne. Nachkriegsarchitektur in Europa.…

  • Tim Stüttgen

    IN A QU*A*RE TIME AND PLACE

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    Psychopolitik. Neoliberalismus und die neuen Machttechniken

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    Fairland. Explorations, Insights and Outlooks on the Future…

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    Shacks, Snow, Streets, Shrubs

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    Building with Air

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    Die Sprachen der Banlieues

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    Was ist dein Streik? Militante Streifzüge durch die…

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    Portikus Printing Plant and Portikus Sounds

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    Lebbeus Woods, Architect

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    The Grand Domestic Revolution Handbook

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    My Belgrade (2nd Edition)

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    Constructed Situations. A New History of the Situationist…

  • Latek, Paviol, Simond, Very (Eds.)

    In situ – de visu – in motu. Architecture, cinéma et arts…

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    Educating Architects. How Tomorrow's Practitioners…

  • Jacques Rancière

    The Intervals of Cinema

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    Glass! Love!! Perpetual Motion!!! A Paul Scheerbart Reader

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    Africa in Stereo. Modernism, Music, And Pan-African…

  • Daniel Josefsohn

    OK DJ

  • Rem Koolhaas

    Preservation Is Overtaking Us (Gsapp Transcripts)

  • Stephen Barber

    Performance Projections. Film and The Body in Action

  • AndresLepik, Very Simone Bader (Hg)

    Lina Bo Bardi 100. Brasiliens alternativer Weg in die…

  • Rüdiger Esch

    ElectriCity. Elektronische Musik aus Düsseldorf

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    Museum Off Museum

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    Lygia Clark. The Abandonment of Art

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    Fifties House. House & Garden

  • Jenn Joy

    The Choreographic

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    It's Playtime

  • Mark Leckey

    The Universal Addressability of Dumb Things

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    Le Langage Hypermoderne de l'Architecture

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    Modetheorie. Klassische Texte aus vier Jahrhunderten

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    Interieur und Bildtapete. Narrative des Wohnens um 1800

  • Boelen / Z33, Sacchetti (Eds.)

    Designing Everyday Life

A Little-Known Story about a Movement

A Little-Known Story about a Movement, a Magazine, and the Computer’s Arrival in Art
New Tendencies and Bit International, 1961–1973
This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place: the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of “art as visual research"” the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture.
With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb—already one of the most vibrant artistic centers in Yugoslavia—into an international meeting place where artists, engineers, and scientists from both sides of the Iron Curtain gathered around the then-new technology. For a brief moment in time, Zagreb was the epicenter of explorations of the aesthetic, scientific, and political potential of the computer.
This volume documents that exhilarating period. It includes new essays by Jerko Denegri, Darko Fritz, Margit Rosen, and Peter Weibel; many texts that were first published in New Tendencies exhibition catalogs and Bit International magazine; and historic documents. More than 650 black-and-white and color illustrations testify to the astonishing diversity of the exhibited artworks and introduce the movement’s protagonists. Many of the historic photographs, translations, and documents are published here for the first time. Taken together, the images and texts offer the long overdue history of the New Tendencies experiment and its impact on the art of the twentieth century.
About the Editor
Margit Rosen is a Researcher and Curator for ZKM | Center for Art and Media Technology.


Margit Rosen (Hg.)
A Little-Known Story about a Movement
MIT Press, 2011, 978-0-262-51581-8