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  • Megan Francis Sullivan

    Zipper Keeper 2015

  • Emily Pugh

    Architecture, Politics, and Identity in Divided Berlin

  • Markus Grob

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  • Slavoj Zizek

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  • Renée Green

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  • Stephen Grabow, Kent Spreckelmeyer

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  • Pedro Gadanho (Ed.)

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  • Seth Price

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  • Manfred Hermes

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  • Peter von Bagh (Hg.)

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  • Werkleitz Gesellschaft e.V. (Ed.)

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  • Amy Brandt

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  • Francesca Hughes

    The Architecture of Error. Matter, Measure, and the…

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  • Felix Denk, Sven von Thülen

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  • Joachim Fischer, Dierk Spreen

    Soziologie der Weltraumfahrt

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  • Tim Stüttgen

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  • Byung-Chul Han

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  • Francesco Garutti (Ed.)

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  • Scott McFarland

    Shacks, Snow, Streets, Shrubs

  • Dante Bini

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  • Birgit Mennel, Stefan Nowotny (Hg.)

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    Was ist dein Streik? Militante Streifzüge durch die…

  • Nora Schultz

    Portikus Printing Plant and Portikus Sounds

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  • Binna Choi, Maiko Tanaka (Hg)

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  • Boris Kralj

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  • Frances Stracey

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  • Neil Spiller, Nic Clear (Eds.)

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  • Jacques Rancière

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  • Josiah McElheny, Christine Burgin

    Glass! Love!! Perpetual Motion!!! A Paul Scheerbart Reader

  • Tsitsi Ella Jaji

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  • Daniel Josefsohn

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  • Rem Koolhaas

    Preservation Is Overtaking Us (Gsapp Transcripts)

  • Stephen Barber

    Performance Projections. Film and The Body in Action

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  • Rüdiger Esch

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  • Thomas Thiel (Ed.)

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  • Cornelai Butler, Luis Perez-Oramas

    Lygia Clark. The Abandonment of Art

  • Catriona Gray

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  • Jenn Joy

    The Choreographic

  • Robert Hamelijnck, Nienke Terpsma (Eds.)

    It's Playtime

  • Mark Leckey

    The Universal Addressability of Dumb Things

  • Nicolas Bruno Jacquet

    Le Langage Hypermoderne de l'Architecture

  • Gertrud Lehnert, Alicia Kühl, Katja…

    Modetheorie. Klassische Texte aus vier Jahrhunderten

  • Katharina Eck, Astrid Silvia Schänhagen

    Interieur und Bildtapete. Narrative des Wohnens um 1800

  • Boelen / Z33, Sacchetti (Eds.)

    Designing Everyday Life

  • Stefan Gandl

    Neubau Forst Catalogue

  • Anthony Downey

    Art and Politics Now

  • Jörg H. Gleiter (Hg.)

    Symptom Design. Vom Zeigen und Sich-Zeigen der Dinge

  • Negative (Ed.)

    Auto - Self-representation and Digital Photography

  • Andrea Branzi

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  • Alessandra Mauro (Ed.)

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  • Chloé Griffin (Ed.)

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  • Maria Lind, What, How & for Whom/…

    Art and the F Word. Reflections on the Browning of Europe

  • Teresa Calonje (Ed.)

    Live Forever. Collecting Live Art

  • Mary Christian (Ed.)

    Shigeru Ban. Humanitarian Architecture

  • Raphaëlle Saint-Pierre

    Villas 60-70 en France

  • Claire Zimmerman

    Photographic Architecture in the Twentieth Century

  • Olesya Turkina

    Soviet Space Dogs

  • Nicholas Thomas

    Body Art

  • Stiftung Buchkunst

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  • Susanne Witzgall, Kerstin Stakemeier (…

    Macht des Materials / Politik der Materialität

  • Jörg H. Gleiter

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  • Julia Robinson, Christian Xatrec (Ed.)

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  • Mladen Dolar

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  • Natasha Sandmeier (Ed.)

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  • Jonathan Crary

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  • Fulcrum (Ed.)

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  • Uta Hassler (Hg.)

    Felsengärten, Gartengrotten, Kunstberge. Motive der Natur…

  • Sylvie Estrada

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  • Andrew Feenberg

    The Philosophy Of Praxis: Marx, Lukács And The Frankfurt…

  • Mark von Schlegell

    Ickles, Etc. Critical Spatial Practice 5

  • François Laruelle

    Non-Photographie / Photo-Fiktion

  • Adolph Stiller

    Spätmoderne Slowakei. Gebaute Ideologie

  • Simon Starling

    Metamorphology

  • Thomas Ruff

    Zeitungsfotos / Newspaper Photographs

  • Denna Jones

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  • L. Feireiss, R. Klanten

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  • Fred Dewey

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  • Ronald Rietveld, Erik Rietveld

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  • Jacques Rancière

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  • Liss C. Werner

    [En]Coding Architecture - The Book

  • Andrea Kroksnes (Ed.)

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  • Bruno Latour

    Existenzweisen. Eine Anthropologie der Modernen

Book Worm

The spirits of books are fascinating, they spread their fragrance far and wide, and good contents are like words singing and dancing in the books.It s hard differentiate books with good qualities in front of voluminous of books. However, graphic designers have more concern about books than readers do: they pay close attention to the design of books, to paper selection, to binding craftsmanship, to the printing technique, to the packaging etc., they are even concerned with procedures like folding, stacking, cropping, cutting, pressing, gilding, framing, extending and tearing. Sometimes they forget the original idea of a good book when they focused too much on these techniques. A good content is necessary for a good book, while a good design reinforces the contents of the book, however no matter how good the design is it s not possible to improve the quality of bad contents and save the book. Book Worm has seek for 56 graphic designers all around the world introducing their innovative and fine book designs. Through their extraordinary works they showed their individual understanding of books : not letting design to overwhelm the features behind the contents; it also proves the designers understandings and confidences to printing skills; fine selections to the textures of paper, warmth and color; their concerns with binding details. The dimension of Book Worm is 17x28cm, experimentally folded with 6 holes-pierced and manual binding with thread, took a long time with quality hand craftsmanships. Book Worm is eventually on shelf for all readers.
The Designers are: 2xgoldstein (Germany), 3group (Poland), Abbasi, Majid (Iran), Ahn, Sang-Soo (Korea), Andersen M Studio (UK), Atelier Poisson (Switzerland), Atelier Reinhard Gassner (Austria), Au, Benny (Kong Kong), Balius, Andreu (Spain), Bouvet, Michel (France), Brechbühl, Erich (Switzerland), Chan, Alan (Hong Kong), Chen, Bob (China), Change is good (France), Cheong, Kuokwai (Macau,China), Chihara, Kuoh (Japan), Choi, Sandy (Hong Kong), CoDesign Ltd (Hong Kong), COUP (Netherlands), de designpolitie (Netherlends), dogdesign (Finland), Faydherbe/De Vringer (Netherlands), Ferrer, Isidro (Spain), Föllmer, Christina (Germany), Fons Hickman m23 (Germany), General Working Group (USA), Guang, Yu (China), hesign (Germany/China), Hi (Switzerland), Huang, Yang (China), John Morgan Studio (UK), Kakinokihara, Masahiro (Japan), Kan, Tai-Keung (Hong Kong), Meshki, Saed (Iran), Milkxhake (Hong Kong), Mirko Illic Corp (USA), Müller, Lars (Switzerland), Park, Kum-jun (Korea), Pixelgarten (Germany), Sagmeister, Stefan (USA), Sakamoto, Siho (Japan), Sonnabend, Catrin (Germany), Sonner Vallée & Partner (Germany), Studio Alfalfa (USA), Studio Boot (Netherlands), St. Pierre et Miquellon (UK), Stripe SF (USA), Sugisaki,Shinnoske (Japan), Superbüro (Switzerland), Tommy Li Design (Hong Kong), Tsukamoto, Akihiko (Japan), Xiao Mage & Chengzi (China), Wang, Xu (China), Wang, Zhi Hong (Taiwan), Welcome to.as (Switzerland)


Jianping He (Hg.)
Book Worm
Hesign, 2011, 978-3981054491