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  • Dirk Baecker

    4.0 oder Die Lücke die der Rechner lässt

  • Ekim Tan

    Play the City: Games Informing the Urban Development

  • Wulf Herzogenrath

    Das bauhaus gibt es nicht

  • Cours de Poetique

    The Listening Reader

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    As Radical, As Mother, As Salad, As Shelter: What Should…

  • Annette Menting, Walter Prigge (Hg)

    Modernes Sachsen. Gestaltung in der experimentellen…

  • Friedrich von Borries

    Politics of Design. Design of Politics

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    Reading Room. Re-Lektüren des Innenraums

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    Modus: A Platform for Expanded Fashion Practice

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    Artificial Intelligence

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    Wait - Smoke - Sleep

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    En Plein Air: Enthnographies of the Digital

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    Hannes Meyers neue Bauhauslehre. Von Dessau bis Mexiko. (…

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    North Drive Press. NDP Nr. 2

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    Farbe räumlich denken: Positionen, Projekte, Potenziale

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    Grand Hotel. Redesigning Modern Life

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    The Photography Reader: History and Theory (2nd Ed.)

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    Artists' Books Revisited

  • Zheng Guogu

    Jumping out of Three Dimensions, Staying outside Five…

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    Giovanni Anselmo

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    The Black City. Glosses

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    Anne, Aki i Déu

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    Architecture & Resilience. Interdisciplinary Dialogues

  • Kader Attia

    Architektur der Erinnerung / Architecture of Memory

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    Organisation Faust (LP)

  • Gem Barton

    Don't Get Job ... Make a Job: How to make it as a…

  • Marc Angélil, Cary Siress

    Mirroring Effects. Tales of Territory

  • Hito Steyerl

    Duty Free Art: Kunst in Zeiten des globalen Bürgerkriegs

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    Ländliche Verheissung. Arbeits- und Lebensprojekte rund um…

  • Julian Raxworthy

    Overgrown: practices between landscape architecture and…

  • Irenee Scalbert

    A Real Living Contact with the Thing Themselves

  • Jesko Fezer, Martin Schmitz

    Lucius Burckhardt: Wer plant die Planung? Architektur,…

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    The Future Is Unwritten: Position und Politik…

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    Palladio, der Bildermacher

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    The Work of Wind: Land

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    Wiedersehen in TUNIX!

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    Pollerforschung

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    The Form Of Knowledge, The Prototype Of Architectural…

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    PSYOP. An Anthology

  • Boris Buden, Lina Dokuzovic (Eds.)

    They'll Never Walk Alone. The Life and Afterlife of…

  • G. Basilico, A. Video

    Incompiuto. The Birth of a Style / La Nascita di uno Style

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    Fragments of Metropolis - East | Osten. Poland, Slovakia,…

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    Wohnungsbau. Kostengünstige Modelle für die Zukunft

  • Hintergrund 56

    Your Guide to Downtown Denise Scott Brown

  • Martin Kippenberger

    Window Shopping

  • Nynke Tromp, Paul Hekkert

    Designing for Society. Products and Services for a Better…

  • Zvi Efrat

    The Object of Zionism. The Architecture of Israel

  • Margaret van Eyck

    Renaming an Institution, a Case Study (Volume One: Research…

  • Simon Phipps

    Concrete Poetry. Post-War Modernist Public Art

  • Lea Ouardi

    Everyday Urban Design 3. Zwölf Apfelbäume. Selbstbau in der…

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    8M - Der große feministische Streik: Konstellationen des 8…

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    Was ist Public Interest Design? Beiträge zur Gestaltung…

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    Negativität: Kunst, Recht, Politik

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    The Design Philosophy Reader

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    Red. Architecture in Monochrome

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    New Urban Professions: A Journey through Practice and Theory

  • Martin Kohout

    Night Shifter

  • B. Brown, N. Atkinson, J. Solomon

    Dimensions of Citizenship

  • Chris Kraus

    Social Practices

  • Ina Wudtke

    The Fine Art of Living

  • Gianni Pettena

    The Curious Mr. Pettena: Rambling around the USA 1971-73

  • Johannes Binotto

    Film / Architektur. Perspektiven des Kinos auf den Raum

  • Kurt W. Forster

    Aby Warburgs Kulturwissenschaft: Ein Blick in die Abgründe…

  • Gianni Pettena

    Non-Conscious Architecture

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    Mobil, autonom, vernetzt. Kritik und ökonomische Innovation…

  • Avanessian, Bauwens, De Raeve, Haddad,…

    Perhaps It Is High Time for a Xeno-architecture to Match

  • Lucie Kolb

    Study, Not Critique

  • Jordan Kauffman

    Drawing on Architecture: The Object of Lines, 1970-1990

  • Brian Massumi

    99 Theses on the Revaluation of Value: A Postcapitalist…

  • Stefan Sagmeister, Jesica Walsh

    Sagmeister & Walsh: Beauty. Schönheit = Wahrheit /…

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    Introducing Tony Conrad: A Retrospective

  • Jordan H. Carver

    Spaces of Disappearance: The Architecture of Extraordinary…

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    Occupy All Streets: Olympic Urbanism and Contested Futures…

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    Zoned Out! Race, Displacement, and City Planning in New…

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    Letters to the Leaders of China: Kongjian Yu and the Future…

  • Deen Sharp, Claire Panetta (Eds.)

    Beyond the Square: Urbanism and the Arab Uprisings

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    Adventures in Modernism: Thinking with Marshall Berman

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    Nicole Eisenman: Conscious Razing

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    Haptics (Mit Press Essential Knowledge)

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    Art and Theory of Post-1989 Central and Eastern Europe: A…

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    Victor Papanek. The Politics of Design

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    Once and Future Feminist

  • Andreas Brandolini

    Gestaltung

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    Gespräche mit Genialen Dilletanten

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    Color Library. Research into Color Reproduction and Printing

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    Across Theory and Practice: Thinking Through Urban Research

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    Broken Music: Artists' Recordworks

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    O Plesu I Iz(a) Plesa

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    IDEA 383. YELLOW PAGES: Mapping Graphic Design Project in…

  • 2G n. 77

    Arrhov Frick

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    Kosmismus

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    Social Design. Partizipation und Empowerment

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    The Architecture of Closed Worlds, or, What is the Power of…

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    Bi-Scriptual: Typography and Graphic Design with Multiple…

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    The Constituent Museum: Constellations of Knowledge,…

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    African Cities Reader (III)

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    Last Days of Disco

The Sympathy of Things

The Sympathy of Things. Ruskin and the Ecology of Design
‘We have to find our way back to beauty,’ writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must ‘undo’ the twentieth century – the age of minimalism, abstraction and genocides. This leads him to the aesthetical insight of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time.
In Ruskin’s work, Lars Spuybroek has discovered a treasure trove of concepts in which the beauty of things is determined by a combination of variation, imperfection and fragility. Through these qualities, things once again earn our sympathy and friendship. A sympathy, Spuybroek argues, that not only occurs between human beings and things but also between things themselves: “Sympathy is what things feel when they shape each other.” Like Ruskin, Spuybroek seeks a world that is dedicated to composition and beauty, where things are governed by what Ruskin called the “law of help.”
Step by step, Spuybroek addresses Ruskin’s five central dual themes: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, and ecology and design. He wrests these concepts from the Victorian context and compares them with ideas of later aestheticians and philosophers. The Sympathy of Things is the log of an exploratory journey into beauty. Spuybroek writes in a clear, accessible language that is by turns precise, elegant and moving, zooming in on the fascinating details of Gothic architecture, complex African textile patterns and the wallpaper designs of William Morris. The Sympathy of Things will leave no one unaffected. The book is not a mere critique but rather the first fully thought-out, positive aesthetics of a new generation who face the task of sustainably designing the 21st century.
Lars Spuybroek is Professor of Architectural Design and holder of the Thomas Ventulett Distinguished Chair of Architecture at the Georgia Institute of Technology in Atlanta. He is the author of The Architecture of Continuity (2008) and Research & Design: Textile Tectonics (2011).
"We are living through a change in paradigm, in the age of the flexible machine, where the concepts of matter, spirituality and design are under re-negotiation and we need such fearless thought to jolt complacency. If Spuybroek, like Ruskin, does not shake your design and aesthetic concepts, you haven’t understood him.” - Charles Jencks, author of The Language of Post-Modern Architecture
“The Sympathy of Things is a stirring call to action; an amazing reconstruction of the ideas of the Victorian sage John Ruskin; and, above all, a visionary look at the inner life of things. Lars Spuybroek makes the case that aesthetics is first philosophy, and proposes a radical new aesthetics for the digital age .” - Steven Shaviro, DeRoy Professor of English, Wayne State University, Detroit and author of Without Criteria


Lars Spuybroek
The Sympathy of Things
NAi, 2011, 978-90-5662-827-7