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  • Julia Eckhardt (Ed.)

    Grounds for Possible Music

  • Wita Noack

    Mies van der Rohe. Schlicht und ergreifend. Landhaus Lemke

  • Donna Stonecipher

    Prose Poetry and the City

  • Jörg Petruschat

    Ungehorsam der Probleme

  • Sophie Wolfrum

    Porous City: From Metaphor to Urban Agenda

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    Raumproduktionen II. Theoretische Kontroversen und…

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    Open Architecture: Migration, Citizenship and the Urban…

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    This is Not Fashion: Streetwear Past, Present and Future

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    IDEA 381. Transboundary Design. Perspective of Yoshihisa…

  • William Davies (Ed.)

    Economic Science Fictions

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    How to Love Brutalism

  • H. Doudova, St. Jacobs, P. Rössler (Hg)

    Image Factories: Infographics 1920-1945. Fritz Kahn, Otto…

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    On Accident. Episodes in Architecture and Landscape

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    Das Design Thinking Playbook: Mit traditionellen, aktuellen…

  • Oxana Timofeeva

    The History of Animals. An Essay On Negativity, Immanence…

  • Roberto Simanowski

    Stumme Medien. Vom Verschwinden der Computer in Bildung und…

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    The Expulsion of the Other: Society, Perception and…

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    Sleeping by the Mississippi

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    Schwierige Formen. Kritische Praktiken im Design und in der…

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    Der Glaube an das Grosse in der Architektur der Moderne:…

  • Alison Hugill (Ed.)

    Co-machines. The Mobile Disruptive Architecture

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    Social Reproduction Theory. Remapping Class, Recentering…

  • Dominik Landwehr

    Machines and Robots (Edition Digital Culture 5)

  • Alexi Kukuljevic

    Liquidation World: On the Art of Living Absently

  • Barbara Wittmann

    Werkzeuge des Entwerfens

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    Generative Gestaltung: Creative Coding im Web Entwerfen,…

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    William Kentridge. Triumphs and Laments

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    Necessarily Eurometropolitan

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    The New Analog: Listening and Reconnecting in a Digital…

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    Sonic Agency. Sound and Emergent Forms of Resistance

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    Filmfunke. 50 Jahre DFFB / Film Sparks. 50 Years of DFFB

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    Judith Hopf. A Reader

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    Spaces of Uncertainty - Berlin revisited: Potenziale…

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    Modernism as Memory: Building Identity in the Federal…

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    Neuroarchitektur

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    Transtopia: Wie wir städtische Transformation gestalten

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    Immer Ärger mit dem Subjekt. Theoretische und politische…

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    From Harmony to Chaos - Le Corbusier, Varese, Xenakis. and…

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    Complex Buildings. Generators, Linkers, Mixers &…

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    Complex Buildings. Dwelling Mixers

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    Harald Szeemann. Museum der Obsessionen

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    Black and Blur (Consent Not to Be a Single Being)

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    Flying Plaza. Work Journal. The artist practice of Studio…

  • Holger Schulze

    The Sonic Persona. An Anthropology of Sound

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    Experimental Politics: Work, Welfare, and Creativity in the…

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    Small is Necessary. Shared Living on a Shared Planet

  • Lorenzo Ciccarelli

    Renzo Piano Before Renzo Piano

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    Things Don’t Really Exist Until You Give Them a Name:…

  • Jennifer Liese (Ed.)

    Social Medium: Artists Writing, 2000 - 2015

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    Radical Utopias - Archizoom, Buti, 9999, Pettena,…

  • Sjoerd van Tuinen

    Speculative Art Histories. Analysis at the Limits

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    Reader 2: Overcoming the Hype

  • Museum Marta Herford (Hg.)

    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

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    Talking Cities. Urban narratives from Dar es Salaam and…

  • M. Rebecchi, E. Vogman

    Sergei Eisenstein and the Anthropology of Rhythm

  • Alexander Kluge

    Gärten der Kooperation / Gardens of Cooperation

  • Krystian Woznicki

    Fugitive Belonging

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    Into the Great Wide Open

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    Architectural Intelligence

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    Utopia/Dystopia. A Paradigm Shift in Art and Architecture

  • Bettina Allamoda

    Spandex Studies

  • Paul Kuimet, Gregor Taul

    Notes on Space. Monumental Painting in Estonia 1947-2012

  • Romana Schmalisch

    Mobile Cinema

  • Bell Hooks,‎ Stuart Hall

    Uncut Funk. A Contemplative Dialogue

  • Joanna Boehnert

    Design Ecology Politics. Towards the Ecocene

  • Michael Roy (Ed.)

    Jean Prouvé. Architect for Better Days

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    Affect Me. Social Media Images in Art

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    Studium, nicht Kritik

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    Brave New World. Romanian Migrants Dream' Houses

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    Sundry Modernism . Materials for a Study of Palestinian…

  • Terry Farrell, Adam Nathaniel Furman

    Revisiting Postmodernism

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    Beyond the New on the Agency of Things

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    Ökologien der Sorge

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    Keep Walking Intently. The Ambulatory Art of the…

  • Verena Hartbaum

    Disko 27. Retrospektiv Bauen in Berlin

  • Peter Osborne

    The Postconceptual Condition

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    Terms of Appropriation: Modern Architecture and Global…

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    Sur les pavés la pub

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    In the Flow

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    Photography Against the Grain: Essays and Photo Works, 1973…

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    Entkunstung I

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    Ich hatte keinen Ort: Tagebücher 1944-1955

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    Bruno Munari. Total Artist

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    Entgrenzter Formalismus. Verfahren einer antimodernen…

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    Klassensprachen. Written Praxis

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    WdW Review. Arts, Culture, and Journalism in Revolt, Vol. 1…

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    Stoffwechsel. Materialverwandlung in der Architektur

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    Navigating Noise

The Sympathy of Things

The Sympathy of Things. Ruskin and the Ecology of Design
‘We have to find our way back to beauty,’ writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must ‘undo’ the twentieth century – the age of minimalism, abstraction and genocides. This leads him to the aesthetical insight of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time.
In Ruskin’s work, Lars Spuybroek has discovered a treasure trove of concepts in which the beauty of things is determined by a combination of variation, imperfection and fragility. Through these qualities, things once again earn our sympathy and friendship. A sympathy, Spuybroek argues, that not only occurs between human beings and things but also between things themselves: “Sympathy is what things feel when they shape each other.” Like Ruskin, Spuybroek seeks a world that is dedicated to composition and beauty, where things are governed by what Ruskin called the “law of help.”
Step by step, Spuybroek addresses Ruskin’s five central dual themes: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, and ecology and design. He wrests these concepts from the Victorian context and compares them with ideas of later aestheticians and philosophers. The Sympathy of Things is the log of an exploratory journey into beauty. Spuybroek writes in a clear, accessible language that is by turns precise, elegant and moving, zooming in on the fascinating details of Gothic architecture, complex African textile patterns and the wallpaper designs of William Morris. The Sympathy of Things will leave no one unaffected. The book is not a mere critique but rather the first fully thought-out, positive aesthetics of a new generation who face the task of sustainably designing the 21st century.
Lars Spuybroek is Professor of Architectural Design and holder of the Thomas Ventulett Distinguished Chair of Architecture at the Georgia Institute of Technology in Atlanta. He is the author of The Architecture of Continuity (2008) and Research & Design: Textile Tectonics (2011).
"We are living through a change in paradigm, in the age of the flexible machine, where the concepts of matter, spirituality and design are under re-negotiation and we need such fearless thought to jolt complacency. If Spuybroek, like Ruskin, does not shake your design and aesthetic concepts, you haven’t understood him.” - Charles Jencks, author of The Language of Post-Modern Architecture
“The Sympathy of Things is a stirring call to action; an amazing reconstruction of the ideas of the Victorian sage John Ruskin; and, above all, a visionary look at the inner life of things. Lars Spuybroek makes the case that aesthetics is first philosophy, and proposes a radical new aesthetics for the digital age .” - Steven Shaviro, DeRoy Professor of English, Wayne State University, Detroit and author of Without Criteria


Lars Spuybroek
The Sympathy of Things
NAi, 2011, 978-90-5662-827-7