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  • Paola Vigano

    The Biopolitical Garden. Space, Life, Transition

  • Ramon Gras, Jeremy Burke

    City Science. Performance follows Form

  • Paul B. Preciado

    Dysphoria Mundi

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    Barrault Pressacco

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  • Olivier Kaeser (Ed.)

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  • Sven Durst

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    Chris Dähne, Martin Mäntele, Helge…

    Programmed for Hope. Architectural Experiments at the HfG…

  • Alexander Kluge

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  • Elizabeth Duval

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    SendPoints

    Creative Book Design

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    Bruno Munari

    Bruno Munari. Fantasy. Invention, Creativity, and…

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    Nick Dyer-Witheford, Alessandra Mularoni

    Cybernetic Circulation Complex. Big Tech and Planetary…

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  • Sico Carlier

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  • Zhiyi Cao

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  • Tal Stadler

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  • Vladimir Safatle

    Zynismus und das Scheitern der Kritik

  • Philippe Lacoue-Labarthe, Jean-Luc Nancy

    Der Nazi-Mythos

  • Boris Groys

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  • Luise Rellensmann, Alexander Stumm (Hg.)

    Die Abrissfrage. Fundamente Ökologisches Bauen No 1

  • Marlon Miguel, Elena Vogman (eds.)

    Psychotherapy and Materialism. Essays by François…

  • Olya Kuzovkina

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  • Nadi Abusaada, Wesam Al Asali (eds.)

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    Luc Boltanski, Arnaud Esquerre

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    Nick Couldry

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    Mark Stoll

    Profit. An Environmental History

  • Guillaume Paoli

    Etwas Besseres als der Optimismus

  • Barragán Foundation

    Barragán Outside Barragán

  • Leila Taylor

    Sick Houses. Haunted Homes and the Architecture of Dread

  • Christina Köchling (Hg.)

    Ästhetik der Technik. Drei Ökohäuser in den 1970-90er Jahre

  • Prof. Dr. Richard Woditsch (Hg.)

    Chronologie einer Ideologie. Architektur-Biografien im…

  • Wenke Seemann

    Wenke Seemann. Utopie auf Platte

  • Stefan Heidenreich

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  • Cornelia Escher, Lars Fischer

    Negotiating Ungers 3. Self Help Housing

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  • Henning Lundkvist

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  • Sabine Bitter, Helmut Weber

    Encounter EDUCATIONAL MODERNISM

  • Joseph Vogl

    Meteor. Versuch über das Schwebende

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    Sezgin Boynik, Tom Holert

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    Derek Jarman

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  • Jean-Pierre Chupin

    Analogical Thinking in Architecture. Connecting Design and…

  • Scott Colman

    Ludwig Hilberseimer. Reanimating Architecture and the City

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    Ammar Azzouz

    Domicide. Architecture, War and the Destruction of Home in…

  • Marko Jobst, Naomi Stead (eds.)

    Queering Architecture. Methods, Practices, Spaces,…

  • Marina Tabassum

    Khudi Bari. A social project by Marina Tabassum Architects…

  • IDEA Magazine

    IDEA 408. Pixels Speak: Worlds of Tiny Dots and Design…

  • IDEA Magazine

    IDEA 407. Towards a Future Bound to Print Media: Those Who…

  • IDEA Magazine

    IDEA 406. Ikki Kobayashi - Life through Design Drawings

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    IDEA 405. Sneaking a Look. Cross Sections, Floor Plans…

  • Ludwig Heimbach (Hg.)

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    Pascal Gielen

    Trust. Building on the Cultural Commons

  • Irene Revell, Sarah Shin (eds.)

    Bodies of Sound. Becoming a Feminist Ear

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    The Uncanny House

  • Enzo Traverso

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  • Irene V. Small

    The Organic Line

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    Sandra Schäfer

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  • Nina Franz

    Militärische Bildtechniken. Von der frühen Neuzeit bis ins…

  • Volker Pantenburg

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    Justin Barton, Steve Goodman, Maya B.…

    Sonic Faction. Audio Essay as Medium and Method

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    Lucas Ferraço Nassif

    Unconscious/Television

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    Terry Farrell, Adam Nathaniel Furman

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    Critical Mapping for Municipalist Mobilization. Housing…

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    Nida Abdullah, Chris Lee, Xinyi Li (…

    Through Witnessing. Threading the critiquing, making,…

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    Cecilia Casabona, Ginevra Petrozzi (Eds…

    Death Design Data

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    Miriam Rasch, Jojanneke Gijsen, Harma…

    hands on research for artists, designers & educators

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    Rosi Braidotti

    Posthuman Knowledge and the Critical Posthumanities

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    Anna Colin

    Alternative Pedagogical Spaces: From Utopia to…

  • Annett Jahn, Ulrike Mönnig (Hg.)

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  • Silvia Franceschini, Nikolaus Hirsch,…

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    David Toop

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    NIcole Schweitzer (Hg.)

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    Michael Schäfer

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    Emmanuele de Donno

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  • Julia Grosse, Jenny Schlenzka

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    Harry Vogt,  Martina Seeber (Hg.)

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  • Claire Bishop

    Merce Cunningham's Events: Key Concepts

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    Viyaleta Zhurava

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  • Diskursiv (Hg.)

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  • dérive

    dérive N° 98, Eigentum (Jan-Mar 2025)

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    Viktoria Schabert

    Eileen Gray's Museum

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    Lydia Kallipoliti

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    Martialische Ästhetik

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    Constructive Disobedience

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    Sofie De Caigny, Hülya Ertas, Bie…

    As Found. Experiments in Preservation

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    !Mediengruppe Bitnik, Janez Fakin Janša

    (un)real data ☁️ – (🧊)real effects

101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216
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