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  • Martin Mosch

    Die typografische Komposition

  • Vera Egbers, Christa Kamleithner, Özge…

    Architectures of Colonialism

  • Anna-Maria Meister, Teresa Fankhänel,…

    Are You a Model? On an Architectural Medium of Spatial…

  • Gilbert Simondon, Emmanuel Alloa (Hg.)

    Imagination und Invention

  • Philipp Schönthaler

    Wie rationale Maschinen romantisch wurden

  • Artemy Magun

    The Temptation of Non-Being: Negativity in Aesthetics

  • Nicolas Uphaus

    Frei. Selbstständig arbeiten als Designer (2. überarb.…

  • Anne Querrien, Brigitta Kuster (Hg.)

    Maschinen | Gefüge | Karten

  • Sabine Nuss

    Wessen Freiheit, welche Gleichheit? Das Versprechen einer…

  • Legacy Russell

    Black Meme. A History of The Images That Make Us

  • Benjamin H. D. Buchloh, Hal Foster

    Exit Interview. Benjamin Buchloh in conversation with Hal…

  • Gabriel Catren

    Pleromatica, or Elsinore's Trance

  • You Can Sit With Us

    You Can Sit With Us - 24/7

  • Rainald Goetz

    wrong

  • Johann Braun

    Stadt von Rechts. Über Brennpunkte und Ordnungsversuche

  • Domitilla Dardi

    Playgrounding. The playground as a symbolic form of society…

  • Paolo Pileri, Christina Renzoni, Paola…

    Piazze Scolastiche / School squares. Reinventing the…

  • e-flux

    e-flux Index 1

  • Kim Förster

    Building Institution. The Institute for Architecture and…

  • Michael Marder

    The Phoenix Complex. A Philosophy of Nature

  • Florian Heilmeyer, Sandra Hofmeister

    Umbau Architektur in Flandern. Architecture of…

  • Andrea Baier, Christa Müller, Karin…

    Unterwegs in die Stadt der Zukunft. Urbane Gärten als Orte…

  • Paul Wood (ed.)

    Biting the Hand. Traces of Resistance in the Art &…

  • Sezgin Boynik, Taneli Viitahuhta (eds.)

    Free Jazz Communism.

  • Slavoj Žižek, Rastko Močnik, Zoja Skušek

    Punk Suprematism. Theoretical Writings on Punk, Nation,…

  • Naomi Keena, Avi Friedman

    Sustainable Housing in a Circular Economy

  • Karel Teige

    The Marketplace of Art. 2 Volumes

  • Lodown Magazine

    Lodown Magazine: Sound

  • Lukas Feireiss (ed.)

    Parasite 2.0: Collective Keywords

  • Riccardo Badano, Tomas Percival, Susan…

    Militant Media. Centre for Research Architecture 2

  • Kyle Booten, D. Graham Burnett, Brian…

    The Virtual Sentence: A Book of Exercises

  • Exhibition Politics. Die documenta und die DDR

  • Karsten Krampitz

    Pogrom im Scheunenviertel. Antisemitismus in der Weimarer…

  • Thomas Irmer

    René Pollesch – Arbeit. Brecht. Cinema. Interviews und…

  • Işil Eğrikavuk

    Global Protests Through Art. collaboration, co-creation,…

  • Felix Sommer, SB5ÜNF

    Beton & Nicht Beton

  • Julia Schulz-Dornburg

    The Complete Guide to Combat City

  • Dorothee Albrecht

    Assemblages of the Future

  • Sam Ashby (ed.)

    Little Joe: A book about queers and cinema, mostly

  • Jürg Graser, Astrid Staufer, Christian…

    Architektur Klima Atlas. Klimabewusst entwerfen in…

  • Charlotte Malterre-Barthes

    On Architecture and Greenwashing. The Political Economy of…

  • Judith Hopf

    Judith Hopf. Énergies

  • Marcus Steinweg, Sonja Dierks

    Kafka

  • Onur Erdur

    Schule des Südens. Die kolonialen Wurzeln der französischen…

  • Michael Marder, Giovanbattista Tusa (…

    Contemporanea. A Glossary for the Twenty-First Century

  • dérive

    dérive N° 95, Sampler (Apr-Jun 2024). Zeitschrift für…

  • Vladimir Guculak, Paul Bourel

    Sh*tscapes. 100 Mistakes in Landscape Architecture

  • Fulya İLBEY

    CONSTRUCTIVE MANIPULATIONS™ FOR STRATEGIC RESILIENCE

  • Alan Smart, Jack Henrie Fisher (ed.)

    Counter-Signals 5. Systems and their Discontents

  • Silke Kapp, Mariana Moura (ed.)

    Sérgio Ferro. Architecture from Below. An Anthology

  • Daniel Loick

    Die Überlegenheit der Unterlegenen. Eine Theorie der…

  • Víctor Aguado, Ramón del Buey, Brandon…

    Party Studies Vol. 2. Underground Clubs, Parallel…

  • Nina Dragičević

    Auditory Poverty and its Discontents – An Essay

  • Iracema Dulley, Özgün Eylül İşcen (eds)

    Displacing Theory through the Global South

  • Karoline Mayer, Katharina Ritter,…

    Über Tourismus

  • Ubani. Tbilisi cityscape research center

    Hollow. A Map of Tbilisi

  • Bernd Stiegler

    Bildpolitiken der Identität. Von Porträtfotografie bis zu…

  • Chris Kraus

    Ehrgeiz, Demut, Glück. Texte zu Kunst und Freundschaft

  • Laboratory EAST

    Studies on Assemblies: Mass Made Units.

  • Tom Holert

    „ca. 1972” Gewalt – Umwelt – Identität – Methode

  • Nadejda Bartels (Hg.)

    Alvar Aalto in Deutschland: Gezeichnete Moderne / Alvar…

  • Tchoban Foundation

    Sauerbruch Hutton. Drawing in Space

  • Derek McCormack

    Judy Blame's Obituary. Writings on Fashion and Death

  • Corinne Cath

    Eaten by the Internet

  • Nike

    After All, there is No Finish Line

  • ECCHR

    Beyond Limitations. Wolfgang Kaleck, Tomas Saraceno

  • ECCHR

    Challenging Corporate Power. Gearoid O Cuinn, Miriam Saage-…

  • Jeanne Gang

    The Art of Architectural Grafting. Usefulness and Desire in…

  • Jochen Eisenbrand

    Transform! Designing the Future of Energy

  • Adam Gibbons, Eva Wilson

    Abbas Zahedi in conversation with Eva Wilson "" #7

  • Kevin Yuen Kit Lo

    Design Against Design. Cause and consequence of a…

  • Timon Beyes

    Organizing Color. Toward a Chromatics of the Social

  • Eric Drott

    Streaming Music, Streaming Capital

  • Francois Laruelle

    Phenomenon & Difference. Essay on the Ontology of…

  • Mohammad Salemy (ed.)

    Model Is the Message. Incredible Machines Conference 2022

  • Joshua Comaroff, Ong Ker-Shing

    Horror in Architecture. The Reanimated Edition

  • Armen Avanessian, Daniel Falb

    Planeten Denken. Hyper-Antizipation und Biografische…

  • Achim Szepanski

    Die Ekstase der Spekulation. Kapitalismus im Zeitalter der…

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 254. Klaus Heinrich - Dahlemer Vorlesungen: Giovanni…

  • Florian Reischauer

    Pieces of Berlin 2019-2023

  • Tim Carpenter

    To Photograph is to Learn How to Die

  • Oxana Timofeeva

    Solarpolitik. Ein philosophischer Essay über die Sonne,…

  • Hans-Christian Dany

    Schuld war mein Hobby. Bilanz einer Familie

  • Andreas Weber

    Indigenialität

  • Achim Szepanski, Force Inc. / Mille…

    In the Delirium of the Simulation: Baudrillard Revisited by…

  • Never Sleep (Ed.)

    Archivio #1 - Records Store Ads & Paper Ephemera From…

  • Diedrich Diederichsen

    Das 21. Jahrhundert. Essays

  • Redaktion Protocol

    Protocol 14. Nonkonforme Architekturpraxis

  • Markus Miessen (Ed.)

    Agonistic Assemblies. On the Spatial Politics of…

  • Christoph Ramisch (Ed)

    Daidalos Nr 22-23

  • Hella Gerlach

    Gelenkstellen - Loose Joints

  • Grant H. Kester

    Beyond the Sovereign Self. Aesthetic Autonomy from the…

  • Jana Müller

    Jana Müller. Falscher Hase / Mock Rabbit

  • Francois Dupuis-Déri, Benjamin Pillet (…

    Anarcho-Indigenism. Conversations on Land and Freedom

  • Editors for this issue: Ariane Müller,…

    Starship 20

  • Moises Puente (Hg.)

    2G 90. Johansen Skovstedt

  • Achille Mbembe

    Brutalism

  • Léa Perraudin, Clemens Winkler, Claudia…

    Material Trajectories. Designing With Care?

The Queer Art of Failure

The Queer Art of Failure is about finding alternativesoto conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that has extensively theorized hegemony but paid little attention to counter-hegemony. Judith Halberstam proposes "low theory" as a means of recovering ways of being and forms of knowledge not legitimized by existing systems and institutions. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one's way. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children's films, contending that new forms of animation, especially CGI, have generated narratives filled with unexpected encounters between the childish, the transformative, and the queer. Dismantling contemporary logics of success, Halberstam demonstrates that failure sometimes offers more creative, cooperative, and surprising ways of being in the world.
"...insightful and intellectually brave in places, and makes a significant intervention in the development of queer theory. The Queer Art of Failure is also utterly charming... For all the humour in its content and in its style, this is a very serious work." Robert Eaglestone, Times Higher Education "A lively and thought-provoking examination of how the homogenizing tendencies of modern society might be resisted through the creative application of failure, forgetting, and passivity, actions generally deemed of little value within today's capitalist models of success... A valiant attempt to find value in positions and attitudes such as negativity that our modern success-oriented society disdains, this study is never less than thrilling." Publishers Weekly "The Queer Art of Failure is a manifesto for cultural studies. It self-consciously risks being dismissed or trashed in order to rescue alternative objects of analysis, methods of knowing, and ways of communicating. Its stakes are clear. It's not attempting to argue for the recovery of its materials from obscurity; it values forgetting and obsolescence. It's not claiming to retool our understanding of major work; it traffics unapologetically in the minor. And it doesn't pretend to comprehensive scholarship; it offers up plot summaries and allegorical readings with glee." Elizabeth Freeman, author of Time Binds: Queer Temporalities, Queer Histories "The Queer Art of Failure is inspired, provocative, and hilarious. More significantly, it is a deft evisceration of the regulative rigidities of disciplinarity and the pretensions of 'high theory.' Judith Halberstam's advocacy of 'silly archives' and 'low theory' is much more than a carnivalesque skewering of the earnest self-seriousness of much academic scholarship; it is a populist clarion call for expansive democratic visions of what it is we are writing about and for whom we think we are writing." Lisa Duggan, author of The Twilight of Equality? Neoliberalism, Cultural Politics, and the Attack on Democracy "Failure abounds all around us: economies collapse, nation-states falter, and malfeasance rules. In the face of our dismal situation Judith Halberstam distils and repurposes the negative for the purpose of thinking outside the tyranny of success. The Queer Art of Failure finds a new vitality in not winning, accumulating, doing or knowing. Both counter intuitive and anti-anticipatable, this compelling book pushes beyond many of the impasses and blockages that limit our critical horizons today." Jose Esteban Munoz, author of Cruising Utopia: The Here and Now of Queer Futurity "All losers are the heirs of those who have lost before them.' The Queer Art of Failure narrates hilarious and swerving outlaw comedies of refusal, absurdity, and exuberant being, acting in solidarity with its resident artists--from SpongeBob SquarePants to Yoko Ono. But the book hums a dark tone, too. The arts of normative style, playing out on sexual, racialized, gendered, and colonial bodies and landscapes, are painful to witness, even here. No artist or critic can repair the damage, erasing history; but Judith Halberstam wields all of the weapons that intelligence (and cartoons) can bring against the harsh work of conventionality." Lauren Berlant, author of Cruel Optimism "Queer Theory using Spongebob Squarepants? Totally there... Underdogs and shoddy queers can take wordy, erudite solace in Halberstam's words." GT "...here is a book well worth the time and attention it takes to read it and to consider its implications. Most especially in that Judith Halberstam writes not only with authority, but also with genuine wit, which leaves the reader laughing out loud from time to time, something quite unknown until now in books of queer theory. Further, Ms. Halberstam presents her case with deep insight into human nature, and into our deepset cultural need to simplify our definition of the word success--and, up until now, our seeming need to ignore the creative implications of failure. " Vinton Rafe McCabe New York Journal of Books "Set against a backdrop of global fincial crisis this is a quirky explanation of the queer possibilities the concept of failure has to offer, opening with a quote from SpongeBob SquarePants." Diva


Judith Halberstam
The Queer Art of Failure
Duke, 2011, 9780822350453