Direkt zum Inhalt

Warenkorb

  • Giorgi Vachnadze

    Christian Eschatology of Artificial Intelligence: Pastoral…

  • 0nty & OnMyComputer (Eds.)

    Dialogues on CoreCore & the Contemporary Online Avant-…

  • Nicholas E. Powers (ed.)

    Where does a body begin? Biology's function in…

  • Alessandro Sbordoni

    Semiotics of the End: Essays on Capitalism and the…

  • Jill Johnston, Clare Croft (ed.)

    The Essential Jill Johnston Reader

  • Anna-Sophie Springer, Raul Walch (eds.)

    Owned by Others: A Map to Possession Island

  • Patrick McGraw, Heavy Traffic

    Heavy Traffic Issue V

  • Canadian Centre for Architecture

    AP 205 Amancio Williams: Readings of the Archive

  • Clothilde Morette, Victoria Aresheva (…

    Science/Fiction. A Non-History of Plants

  • Ulrich Heinke

    Ulrich Heinke. Schlot

  • Franziska Bollerey

    Eselsohren. Journal of Art, Architecture and Urbanism. Vol…

  • Richard Sennett

    Democracy and Urban Form

  • Hilde Strobl, Peter Cachola Schmal,…

    Einfach Grün - Greening the City

  • Niekolaas Johannes Lekkerkerk, Eva…

    Worlding Ecologies. Art, Science and Activism Towards…

  • Yuk Hui

    Post-Europe

  • Cédric Durand

    How Silicon Valley Unleashed Techno-Feudalism

  • Gabu Heindl, Drehli Robnik

    Nonsolution. Zur Politik der aktiven Nichtlösung im Planen…

  • Ignacio Farías, Felix Marlow, Rebecca…

    Zaudern ums Gemeinwohl. Produktive Missverständnisse in der…

  • Editor: Sascha Bauer, Authors: Sascha…

    The Joinery Compendium. Learning from Traditional…

  • Ian Erickson, Tomi Laja

    Disc Journal. Issue 3.0 "Enchantment"

  • Estelle Hoy, edited by Antonia Carrara

    Estelle Hoy. saké blue. Selected Writings

  • Nick Mauss, Edited by Antonia Carrara…

    Nick Mauss. Dispersed Events. Selected Writings

  • Clémence Imbert

    Manifestes 7. Why History Matters to Graphic Design

  • dérive

    dérive N° 97, Energie (Okt-Dez 2024).

  • Christina Landbrecht

    Künstlerische Forschung. Potenziale, Probleme, Perspektiven

  • bell hooks

    Kritisch denken lernen. Erkenntnisse aus der Praxis

  • Raafat Majzoub (ed.)

    Beyond Ruins. Reimagining Modernism

  • Holm-Uwe Burgemann (Hg.)

    Neue Erschöpfungsgeschichten

  • Anne Kockelkorn, Susanne Schindler,…

    Cooperative Conditions. A Primer on Architecture, Finance…

  • Anne Lacaton, Jean-Philippe Vassal

    Lacaton & Vassal. It's Nice Today: On Climate,…

  • Guido Neubeck, Professur für Entwerfen…

    Schulbaukörper

  • Bianca Felcori (Ed.)

    Forgotten Architecture. An Archive of Overshadowed Projects

  • Marouane Bakhti

    How to Leave the World

  • Jan Steinbach, Justine Stella Knuchel (…

    Hold The Sound. Notes On Auditories

  • Ijlal Muzaffar

    Modernism's Magic Hat - Architecture and the Illusion…

  • Paloma Checa-Gismero

    Biennial Boom. Making Contemporary Art Global

  • Sarah Blacker, Emily Brownell, Anindita…

    The Planning Moment. Colonial and Postcolonial Histories

  • Andreas Reckwitz

    Verlust. Ein Grundproblem der Moderne

  • Eva Illouz

    Explosive Moderne

  • ETH-Studio Jan De Vylder (Hg)

    Towards Transformation: The 33.3 % Attitude. Zurich

  • Magdalena Taube, Krystian Woznicki

    kin city. Urbane Ökologien, Infrastrukturen des Lebens und…

  • Guillermo Rubio Boronat, Javier Villar…

    Kengo Kuma. Arquitectura Urbana 2006--2024. TC Cuadernos…

  • Pierre-Héli Monot, David Bebnowski,…

    Activist Writing. History, Politics, Rhetoric (Mono 02)

  • Annie Bourneuf

    Im Rücken des Engels der Geschichte

  • Kathrin Wildner, metroZones

    metroZine #1. Reading the Map. Anleitung zum Kartenlesen

  • Christian Hanussek, metroZones

    metroZine #2. Die Tapete als Parergon – und Methode

  • Anne Huffschmid, metroZones

    metroZine #3. Das Atmen der Bilder. Schwarze Löcher und…

  • Derek Pardue, Ailbhe Kenny, Katie Young…

    Sonic Signatures. Music, Migration and the City at Night

  • Ian Trowell

    Throbbing Gristle. An Endless Discontent

  • Sandra Hofmeister

    Bauen im Bestand. Wohnen / Building in Existing Contexts.…

  • Jon Dowling

    Monogram Logo. Trademarks & Symbols

  • Domen Ograjensek

    Restricting Flight Surreptitious Assembly. The Diagrammatic…

  • Steffen Köhn, Nestor Siré

    Handmade Networks

  • Daphne Dragona, Domenico Quaranta (eds.)

    The Postscriptum Anthology (2010 - 2023). Essays on Art,…

  • Valentina Tanni

    Exit Reality. Vaporwave, Backrooms, Weirdcore, and Other…

  • Rafael Schacter

    Monumental Graffiti. Tracing Public Art and Resistance in…

  • Fernanda Canales

    My House, Your City. Privacy in a Shared World

  • Thomas Durisch

    Peter Zumthor 1985-2013. Bauten und Projekte

  • VOLUPTAS ETHZ, Chair Charbonnet/Heiz (…

    Elegies. Laments for an architectural project

  • Robert Jan van Pelt

    The Barrack. 1572-1914. Chapters in the History of…

  • Aaron Forrest, Yasmin Vobis, Brett…

    Heterogeneous Constructions. Studies in Mixed Material…

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 257. Umbau. Maßstäbe der Transformation

  • Marin Kosut

    Art Monster. On the Possibility of New York

  • Michael Taussig

    And the Garden is You. Essays on Fieldwork, Writingwork,…

  • Gavin Steingo

    Interspecies Communication. Sound and Music beyond Humanity

  • Kehinde Andrews

    The Psychosis of Whiteness. Surviving the Insanity of a…

  • Cache

    Shadow of the Tree. Cache 03

  • Robert Leucht

    Der Ingenieur. Grammatik eines Hoffnungsträgers

  • Eyal Weizman, Ines Weizman

    Vorher und Nachher. Die Architektur der Katastrophe

  • Stefan Wolski

    Die Berliner Reklame Gesellschaft.

  • Steven Shaviro

    Fluid Futures. Science Fiction and Potentiality

  • Franco Berardi

    Quit Everything. Interpreting Depression

  • Deborah Enzmann

    Emojization. Visual Communication with Emojis

  • Adam Kraft

    Key Notes on the Unruly City. Social, Material, and Spatial…

  • Boaz Levin, C/O Berlin Foundation,…

    Träum Weiter - Berlin, die 90er

  • Alison Bashford, Emily M. Kern, Adam…

    New Earth Histories. Geo-Cosmologies and the Making of the…

  • Timothy Morton

    Hell. In Search of a Christian Ecology

  • Rana AlMutawa

    Everyday Life in the Spectacular City. Making Home in Dubai

  • Liliana Doganova

    Discounting the Future: The Ascendancy of a Political…

  • Richard E. Ocejo

    Sixty Miles Upriver. Gentrification and Race in a Small…

  • Jacobin

    Jacobin #17. Künstliche Intelligenz

  • Tom Holert (Hg.)

    Pierre Bourdieu. Fragen zur Kunst für und mit Studierenden…

  • Dahr Jamail, Stan Rushworth

    Wir stehen in der Mitte der Unendlichkeit. Indigene Stimmen…

  • Lauren Wager, Sophia Naureen Ahmad

    Fashion Palettes. Color Inspiration, Meaning & Mood

  • Stavros Stavrides

    The Politics of Urban Potentiality. Spatial Patterns of…

  • Ilya Zdanevich

    Ilya Zdanevich - Iliazd. Berlin Khaltura 1922

  • Larisa Reisner

    The Decembrists

  • Dominique Gauzin-Müller, Anna Heringer

    Anna Heringer. Form Follows Love. Intuitiv bauen - von…

  • Dennis Brzek, Junia Thiede

    In Medias Res #1: Histories Read Across

  • Dennis Brzek, Junia Thiede, Julian…

    In Medias Res #2: Architecture in Motion

  • Dennis Brzek, Junia Thiede

    In Medias Res #3: Postproductions

  • Angela McRobbie (Ed.)

    Ulrike Ottinger. Film, Art and the Ethnographic Imagination

  • Ulysses Voelker, Michael Schmitz

    Was Kommunikationsdesign kann. Prinzipien, Inspirationen,…

  • Ultra Studio

    Landscape Goes Domestic. Ultra Studio

  • e-flux

    e-flux Index #2

  • Matteo Pasquinelli

    Das Auge des Meisters. Eine Sozialgeschichte Künstlicher…

  • Kate Crawford

    Atlas der KI. Die materielle Wahrheit hinter den neuen…

  • Kathryn Yusoff

    Geologic Life. Inhuman Intimacies and the Geophysics of Race

Spangbergianism

Fellow Travelers,
I don’t ask you for anything. I’m not sending you an application. This has nothing to do with asking for permission. This is definitely not an invitation, nothing of the kind. Why be modest, ask politely. Reasonable not at any point, but especially under these circumstances when there are big things going down and the shop might just close in front of our noses. Art ladies and gentlemen don’t ask for authorization. Don’t wait for approval, it goes a head and forgets to look behind.
Artistic practices – except for rock ‘n roll which also has turned into a pale copy of it’s real self – has over the last decade developed into a well-mannered, sympathetic, supportive, subsidy-friendly sauce of instrumentalized invitations with something for everybody, yet hoping that next year or at least soon artistic autonomy will be resurrected [and who the hell wants autonomy in the first place]. It’s just a matter of riding out the bad times as if art was like crop; after a few bad years it will come back. Pas de tout zat is not gonna happen, and mind you the more benevolent, christian and available we are the more shit will come our direction. The moment you say yes and consider doing the same – just a little smaller – for a lot less resources the happier cultural policy will be.
So fuck that – this is not an invitation. What you have in front of you is a command, it’s an instruction that offers no alternatives – it’s like worse than "fasten your seatbelts" with Bulgarian flight stewardesses – it’s so not up for negotiation, it’s a freaking order.
Spangbergianism is a book that doesn’t apologize for nothing, it’s a book written out of despair, with no other desire than change – and fuckin fast. It’s a book that has no smaller ambitions than to change the world [permanently] and to find a way out of our present artistic predicament and when we are anyways at it out of capitalism all together. And mind you it’s totally funny on the way – [I know I wrote it.]
I say this only once: This is not an invitation, it’s an order not only to get out of the house and pick up the book but also to start the struggle against well-meaning, I’m-available and super flexible art. It’s a command to join the fight against opportunism and endless concession and it is a cry for help. Like you, I’m alone but trust me my support is unconditional. Side by side. We take no prisoners. We show no remorse. We fight until the end. No fuck that – we fight even longer.
Mårten Spångberg is performance related artist living and working in Stockholm. His interests concern choreography in an expanded field, something that he has approached through experimental practices and creative process in multiplicity of formats and expressions. He has been active on stage as performer and creator since 1994, and has since 1999 created his own choreographies, from solos to larger scale works, which has toured internationally. The solo Powered by Emotion (2003) for himself has become a modern classic. In 2002 he choreographed “Break, Intermission, Before and After” for the Frankfurt Ballet. A thorough focus on concept in pieces such as "Avantgarde" (1999), "Recent Works" (2000), "All All…" (2002) and "Artists’-talk" (2002), has transformed into a stronger focus on the dancing body and the production of experience starting with "Powered by Emotion" and later with "Heja Sverige" (2005), "After Sade" (2006), "Slowfall" (2008) and the ballet performance DARK (2009). He has also worked as a dancer and collaborator with among others Xavier Le Roy, Christine De Smedt and Thomas Plischke.
http://spangbergianism.wordpress.com/


Mårten Spångberg
Spangbergianism
Spangberg, 2011, no ISBN
8,00 €