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  • Paul B. Preciado

    An Apartment on Uranus

  • Fredi Fischli, Niels Olsen (Ed.)

    Cloud '68 Paper Voice. Smiljan Radic's Collection…

  • Khayaat Fakier, Diana Mulinari, Nora…

    Marxist-Feminist Theories and Struggles Today. Essential…

  • Kollektiv Quotidien

    Lefebvre for Activists [dt./engl.]

  • Siegfried Zielinski

    Variations on Media Thinking

  • Marcus White, Nano Langenheim

    The Death of Urbanism. Transitions through the stages of…

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  • Clara Bouveresse

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  • Anne Massey

    Interior Design Since 1900 (World of Art)

  • Finn Brunton

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  • Andrea Bajani

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  • Joost Meuwissen

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  • Nina Canell & Robin Watkins (eds.)

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  • Kumiko Inui

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  • Claude Lefort

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  • Sharon Lockhart

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  • Pascal Johanssom (Ed.)

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  • Andreas Nentwich, Christine Schnapp

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  • David Reinfurt

    A New Program for Graphic Design

  • Sophie J. Williamson (Ed.)

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  • Zamp Kelp

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  • M. Seidel, G. Steixner (Hg)

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  • Moisés Puente (Hg)

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  • Alona Rodeh

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  • Vision 5

    Artists Photographs

  • Hilma Af Klint

    Visionary

  • Allan Kaprow

    How To Make A Happening CD

  • Ruth Sonderegger

    Polyphone Ästhetik: Eine kritische Situierung

  • Philipp Oswalt

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  • Tom Rice

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  • Jürgen Habermas

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  • Constance DeJong, Andrew Lampert (Ed.)

    Tony Conrad. Writings

  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

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  • G. Raunig

    Maschinen Fabriken Industrien

  • Lukas Feireiss (Ed.)

    The Radical Cut-Up Reader: No Single Narrative

  • Juliane Streich (Hg.)

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  • Chris O'Leary

    Ashes to Ashes. The Songs of David Bowie, 1976-2016

  • Edit DeAk, Walter Robinson (eds.)

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  • Alice Gorman

    Dr Space Junk vs The Universe. Archaeology and the Future

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  • Rene Boer, Marina Otero Verzier, Katia…

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  • Susan Ferguson

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  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

  • Julia Eckhardt

    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

  • Adolph Stiller, Aneta Bulant-Kamenova (…

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  • Carola Platzek (Hg.)

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  • raumlaborberlin (Hg.)

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  • Christian Maurel / Peter Rehberg

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  • Ursula Prokop

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  • Christoph Liepach

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  • Agnès Gayraud

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  • Alina Popa

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  • Timothy Morton

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  • Alfia Nakipbekova (Ed.)

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  • Alexander Wilson

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  • Seraji, Devabhaktuni, Lu (Eds.)

    From Crisis to Crisis: Debates on Why Architecture Criticsm…

  • Momus

    Herr F

  • Robert Conrad

    Vergessene Orte in Berlin und Brandenburg

  • 2G / # 79

    Studio Muoto (Paris)

Mladen Stilinovic. Sing!

Accompanying the first big-scale retrospective exhibition of the artist - who is also part of the Kontakt Art Collection - taking place in Ludwig Museum–Museum of Contemporary Art in Budapest in 2011, this book features over 100 installations, environments, artist’ books, collages, slogans, photo works, and previously unpublished early videos and experimental films and includes essays by such distinguished scholars as Branka Stipančić, Ellen Blumenstein, Ana Javenski, Georg Schöllhammer, et. al. which examine the extensive and consistent oeuvre of Mladen Stilinović and his importance on the international art scene.
The catalogue SING!, edited by Branka Stipančić, gives a comprehensive overview of Mladen Stilinović’s œuvre. In the first part of the catalogue five Essays analyze the work of the artist from different perspectives. The essay Auction of Red – A Look at the 70s by Branka Stipančić presents the early work of the artist and the activities of the Group of Six Artists. Ana Janevski examines the early films of Stilinović, in the context of the flourishing experimental film-scene of the former Yugoslavia. Igor Zabel’s text was originally published in the catalogue: Artist at Work 1973–1983, published by the Galerija ŠKUC, Ljubljana in 2005. By republishing this essay, the editor and the publisher wished to pay homage to the memory of Igor Zabel. Ellen Blumenstein refers to one of the most known pieces of Stilinović, Artist at Work (1978) when analyzing the famous manifesto of the artist, Praise of Laziness. The role of the work in the artist’s world as well as in the society gives the framework of her thought-awakening essay. Katalin Székely’s essay gives an overview of parallel phenomena in the former Yugoslavian and Hungarian neo-avant-garde art, through the work Taken out from the Crowd (1976).
Texts by and interview with the artist (by Darko Šimičić) are inserted into the second part of the publication, the part where most of the Works of Stilinović are reproduced. The third part of the catalogue, Documentation, edited byBranka Stipančić, consists of the List of the works exhibited in the Ludwig Museum, the list of the artist’s books, the lists of the actions and interventions as well as of the films of the artist. The group and solo exhibitions as well as a selected bibliography and a list of the works in collections are also included.


Branka Stipancic (Ed.)
Mladen Stilinovic. Sing!
Ludwig Muzeum, 2011, 9789639537316