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  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

    The New Normal

  • G. Raunig

    Maschinen Fabriken Industrien

  • Lukas Feireiss (Ed.)

    The Radical Cut-Up Reader: No Single Narrative

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    These Girls. Ein Streifzug durch die feministische…

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    Ashes to Ashes. The Songs of David Bowie, 1976-2016

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    Art-Rite

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    Dr Space Junk vs The Universe. Archaeology and the Future

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    Volksfronten / Popular Fronts. Art and Populism in an Era…

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    Architecture of Appropriation. On Squatting as Spatial…

  • Susan Ferguson

    Women and Work. Feminism, Labour, and Social Reproduction

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    Love, Icebox. Letters from John Cage to Merce Cunningham

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    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

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    Stefka Georgieva: Architektin der 1960er Jahre in Bulgarien

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    Dialectic of Pop

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    Ökologisch sein

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    Urbaner Protest. Revolte in der neoliberalen Stadt

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    Der Fluch der Ökonomie

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    Exploring Xenakis. Performance, Practice, Philosophy

  • Alexander Wilson

    Aesthesis and Perceptronium. On the Entanglement of…

  • Seraji, Devabhaktuni, Lu (Eds.)

    From Crisis to Crisis: Debates on Why Architecture Criticsm…

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    Vergessene Orte in Berlin und Brandenburg

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    Studio Muoto (Paris)

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    Branded Protest. The Power of Branding and its Influence on…

  • Wiel Arets

    Un-Conscious-City

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    ...and Other Such Stories: 2019 Chicago Architecture…

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    Charlotte Perriand: Inventing A New World

  • Daniel López-Pérez

    R. Buckminster Fuller - Pattern-Thinking

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    Quirino De Giorgio. An Architect's Legacy

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    Mycelium

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    RuPaul's Drag Race and Philosophy. Sissy That Thought

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    The Glossary of Cognitive Activism (For a not so distant…

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    Sustainability is not enough. Non-Conventional…

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    The Museum Is Not Enough

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    Color and Type: Mehrfarbige Multi-Layer-Schriften entwerfen…

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    Scandalous Space - Between architecture and archaeology

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    Being Numerous. Essays on Non-Fascist Life

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    Sound Art: Sound as a Medium of Art

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    From static oblivion

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    Schemas of Uncertainty

  • Lucy Cotter

    Reclaiming Artistic Research

Archaeology of the Digital

With text by and interviews with Peter Eisenman, Frank Gehry, Benjamin Gianni, Chuck Hoberman, Greg Lynn, Kenshi Oda, Bill Record, Rick Smith, Tensho Takemori, Joe Tanney, Chris Yessios, Shoei Yoh, Mirko Zardini
Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s. Conceived as an object-based investigation of four pivotal projects that established distinct directions in architecture’s use of digital tools, the book highlights the dialogue between computer sciences, architecture and engineering that was at the core of these experiments.
The Lewis Residence by Frank Gehry (1989–95) was prescient in exploring the power of computer rationalization in describing and fabricating sculptural tectonic elements. On the other hand, Peter Eisenman’s Biozentrum (1987) tested the computer’s ability to generate its own formal language. A vanguard attempt to digitally script the design process, the Biozentrum’s geometries emerge from abstract representations of DNA structures, manipulated through processes intended to simulate genome replication. The scaffold-like lines of Shoei Yoh’s unbuilt Odawara Municipal Sports Complex (1990–91) wood truss ceiling and constructed gymnasium Galaxy Toyama (1990–92) were verified for integrity by computer analysis, using intensive coding and virtual testing to advance a language of minimalist structural expressionism. Chuck Hoberman’s Expanding Sphere (1992) is a finely-tuned folding polyhedron that smoothly expands and contracts, opening the way to later explorations in responsive and adaptive architecture.
This volume includes conversations with the architects and key collaborators in each of the featured projects—architects, engineers, software programmers and university researchers whose interests in these nascent technologies were evident in their own practices. Each project is then presented through a selection of archival material, conveying factual and concrete information on their development through this material history.
Copublished with the Canadian Centre for Architecture
Design by Katja Gretzinger


Greg Lynn (Ed.)
Archaeology of the Digital
Sternberg Press, 2013, 978-3-943365-80-1