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  • Barbagallo, Beuret, Harvie (Hg.)

    Commoning with George Caffentzis and Silvia Federici

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    The Research Issue

  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

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    The Middle Matter. Sound as Interstice

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    The Withdrawal of the Red Army

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    Transboundary Design. Perspective of Yoshihisa Tanaka

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    Access for All. São Paulo's Architectural…

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    The Value of Critique: Exploring the Interrelations of…

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    Die vergessenen Alternativen. Strukturalismus und…

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    The Architecture of Ruins: Designs on the Past, Present and…

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    Museums at the Post-Digital Turn

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    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

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    Mischa Kuball. res.o.nant

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    The New Populism: Democracy Stares into the Abyss

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    Aisthesis: Scenes from the Aesthetic Regime of Art

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    Palast der Republik. Utopie, Inspiration, Politikum

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    Metal Skins

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    Totalization: Speculative Practice in Architectural…

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    Infinite Span. 90 Years of Brazilian Architecture

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    Museums at the Post-Digital Turn

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    Wohnen für Alle: Bautenkatalog

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    Jill Johnston. The Disintegration of a Critic

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    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

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    Archive Species: Bodies, Habits, Practices

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    Decoding Dictatorial Statues

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    Graphic Design Play Book: An Exploration of Visual Thinking

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    Working Aesthetics: Labour, Art and Capitalism

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    Sovereign Words. Indigenous Art, Curation and Criticism

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    Champagner für die Pferde

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    Against Nature

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    Boden behalten - Stadt gestalten

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    Afterlives of Neoliberalism

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    Slow Down Fast, A Toda Raja

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    Virtual Reality: Edition Digital Culture 6

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    Architekturpädagogiken: Ein Glossar

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    Uncanny Interfaces

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    Pop und Populismus: Über Verantwortung in der Musik

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    Tiny Interiors: Compact Living Spaces

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    Color for Architects

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    Junya Ishigami

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    Sad by Design: On Platform Nihilism

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    Questions? Looking for answers in the middle of somewhere

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    Unsorcery

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    AUDINT. Unsound : Undead

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    New Dark Age: Technology and the End of the Future

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    Die Stadt als Architektur

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Archaeology of the Digital

With text by and interviews with Peter Eisenman, Frank Gehry, Benjamin Gianni, Chuck Hoberman, Greg Lynn, Kenshi Oda, Bill Record, Rick Smith, Tensho Takemori, Joe Tanney, Chris Yessios, Shoei Yoh, Mirko Zardini
Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s. Conceived as an object-based investigation of four pivotal projects that established distinct directions in architecture’s use of digital tools, the book highlights the dialogue between computer sciences, architecture and engineering that was at the core of these experiments.
The Lewis Residence by Frank Gehry (1989–95) was prescient in exploring the power of computer rationalization in describing and fabricating sculptural tectonic elements. On the other hand, Peter Eisenman’s Biozentrum (1987) tested the computer’s ability to generate its own formal language. A vanguard attempt to digitally script the design process, the Biozentrum’s geometries emerge from abstract representations of DNA structures, manipulated through processes intended to simulate genome replication. The scaffold-like lines of Shoei Yoh’s unbuilt Odawara Municipal Sports Complex (1990–91) wood truss ceiling and constructed gymnasium Galaxy Toyama (1990–92) were verified for integrity by computer analysis, using intensive coding and virtual testing to advance a language of minimalist structural expressionism. Chuck Hoberman’s Expanding Sphere (1992) is a finely-tuned folding polyhedron that smoothly expands and contracts, opening the way to later explorations in responsive and adaptive architecture.
This volume includes conversations with the architects and key collaborators in each of the featured projects—architects, engineers, software programmers and university researchers whose interests in these nascent technologies were evident in their own practices. Each project is then presented through a selection of archival material, conveying factual and concrete information on their development through this material history.
Copublished with the Canadian Centre for Architecture
Design by Katja Gretzinger


Greg Lynn (Ed.)
Archaeology of the Digital
Sternberg Press, 2013, 978-3-943365-80-1