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  • Cranfield and Slade

    12 Sun Songs

  • Tiffany Potter, C.W. Marshall (Hg.)

    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

  • Jan Jelinek & Laura Mars Grp. (Hg.)

    Ursula Bogner. Pluto hat einen Mond

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    The Urban Connection. An Actor-Relational Approach to Urban…

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    -arium. Weather and Architecture

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    Never Use White Type on a Black Background

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    The Situationists and the City

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    Echo of Space / Space of Echo

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    Studies in Organic

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    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

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    The Tao of Wu

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    Supercritical. Peter Eisenman & Rem Koolhaas

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    Made by the Office for Metropolitan Architecture

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    Harun Farocki. Against What? Against Whom?

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    Modern Architecture and the Mediterranean

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    Lecture Performance

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    Bernhard Willhelm & Jutta Kraus

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    Iaspis Forum on Design and Critical Practice

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    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

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    Metasprache des Raums / Metalanguage of Space

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    Red Water

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    Weiss

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    Colour Mania

  • Ziggy Hanaor

    Graphic Europe. An Alternative Guide to 31 European Cities

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    Krautrock. Cosmic Rock and its Legacy

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    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

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    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

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    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

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    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

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    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

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    The Fall of the Studio. Artists at Work

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    Class Works. Weitere Beiträge zu vermittelnder,…

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    Colour in Contemporary Architecture

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    Blue Peter. Sixth Book

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    Wahrheit der Demokratie

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    Everywhere and All at Once. Performa 07

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    Being an Artist in Post-Fordist Times. Arts in Society

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    Open City. Designing Coexistence

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    Valences of the Dialectic

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    ABÉCÉDAIRE – Gilles Deleuze von A bis Z (3 DVD)

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    The Velvet Underground. New York Art

  • Elisabeth Bronfen

    Crossmappings. Essays zur visuellen Kultur

  • Stephen Willats

    Doppelgänger

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    Kino des Minimalismus

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    Der Wind, das Licht ECM und das Bild

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    Dynamische Erscheinungsbilder im kulturellen und…

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    Commonwealth

  • Buckminster R. Fuller

    Education Automation: Comprehensive Learning for Emergent…

  • Buckminster R. Fuller

    Ideas and Integrities. A Spontaneous Autobiographical…

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    Art School. Propositions for the 21st Century

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    Utopics. Systems and Landmarks

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    Art and Contemporary Critical Practice

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    Archivologie. Exterioritäten des Wissens in Philosophie,…

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    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

  • Franziska Morlok, Till Beckmann

    Extra. Enzyklopädie der experimentellen Druckveredelung

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    AA Book. Projects Review 2009

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    The SANAA Studios 2006-2008. Learning from Japan

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    Totally Wired. Postpunk Interviews and Overviews

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    Modern Typography in Britain. Graphic Design, Politics and…

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    Situation. Documents of Contemporary Art

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    Adventures of Perception. Cinema as Exploration. Essays/…

  • Radical Philosophy

    157 - September/October 2009

  • Nina Chakrabarti

    My Wonderful World of Fashion. A Book for Drawing, Creating…

  • Claudia Basrawi

    Mittelmeer Anämie - Damaskus, Beirut, Kairo

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    The Wire Primers. A Guide to Modern Music

  • Charlotte Klonk

    Spaces of Experience. Art Gallery Interiors from 1800 to…

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    Papercraft. Design and Art with Paper

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    def - drafts establishing future

  • Vince Aletti

    The Disco Files 1973-78. New York's Underground, Week…

  • Open 17

    A Precarious Existence. Vulnerability in the Public Domain

  • El Croquis 145

    Christian Kerez 2000-2009

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    Avantgarden und Politik. Künstlerischer Aktivismus von Dada…

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    Displayer 03

  • Lutz Bacher

    Smoke Gets in Your Eyes

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    Des-/Orientierung, Dis-/Orientation, Dés-/Orientation 2

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    Unfolded. Papier in Design, Kunst, Architektur und Industrie

  • Mona Vatamanu, Florin Tudor

    Dissolving Absolute Structures

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    Geometrie des Verfahrens. Schriften zur Methode

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    Das Ende des Kasino-Kapitalismus? Globalisierung und Krise

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    Urban Reports. Urban strategies and visions in mid-sized…

  • Arundhati Roy

    Listening to Grasshoppers. Field Notes on Democracy

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    Edith Bouvier Beale of Grey Gardens. A Life in Pictures

The Whole Earth. California and the Disappearance of the Outside

In the year 1966, a young man named Stewart Brand handed out buttons in San Francisco reading: “Why haven’t we seen a photograph of the whole Earth yet?” Two years later, the NASA photograph of the “blue planet” appeared on the cover of the Whole Earth Catalog. In creating the catalogue, frequently described as the analogue forerunner of Google, Brand had founded one of the most influential publications of recent decades. It mediated between cyberneticists and hippies, nature romantics and technology geeks, psychedelia and computer culture, and thus triggered defining impulses for the environmentalist movement and the rise of the digital network culture.
The photo of the blue planet developed a sphere of influence like almost no other image: it stands not only for ecological awareness and crisis but also for a new sense of unity and globalization. The universal picture of “One Earth” hence anticipated an image of the end of the Cold War, whose expansion into space it accompanied, and overwrote or neutralized political lines of conflict by transferring classical politics and criticism of it to other categories, such as cybernetic management or ecology.
The exhibition “The Whole Earth” is an essay composed of cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it. The accompanying publication includes image-rich visual essays that explore key themes: “Universalism,” “Whole Systems,” “Boundless Interior,” and “Apocalypse, Babylon, Simulation,” among others. These are surrounded by critical essays that shed light onto 1960s California and the networked culture that emerged from it.
Artists: Nabil Ahmed, Ant Farm, Eleanor Antin, Martin Beck, Jordan Belson, Ashley Bickerton, Dara Birnbaum, Erik Bulatov, Angela Bulloch, Bruce Conner, Öyvind Fahlström, Robert Frank, Jack Goldstein, Nancy Holt and Robert Smithson, Lawrence Jordan, Silvia Kolbowski, Philipp Lachenmann, David Lamelas, Sharon Lockhart, Piero Manzoni, Raymond Pettibon, Adrian Piper, Robert Rauschenberg, Ira Schneider, Richard Serra, Alex Slade, Jack Smith, Josef Strau, The Center for Land Use Interpretation, The Otolith Group, Suzanne Treister, Andy Warhol, Bruce Yonemoto, et al.
With contributions by Sabeth Buchmann, Mercedes Bunz, Diedrich Diederichsen, Kodwo Eshun, Anselm Franke, Erich Hörl, Norman M. Klein, Maurizio Lazzarato, Flora Lysen, Eva Meyer, John Palmesino, Laurence Rickels, Bernd M. Scherer, Fred Turner
A German-language version of this publication is also available:
The Whole Earth. Kalifornien und das Verschwinden des Außen
ISBN 978-3-943365-76-4, €26,00
sold out, both!


Diedrich Diederichsen, Anselm Franke (Eds.)
The Whole Earth. California and the Disappearance of the Outside
Sternberg Press, 2013, 978-3-943365-76-4