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  • Armen Avanessian (Hg.)

    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

  • Marc Angelil, Rainer Hehl (Eds.)

    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

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    Eine Feier, elf Räume und ein gelber Korridor

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    Three Faces. Archive Chalayan

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    The Global Art Compass

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    Reziproke Räume. Texte zu Kulturanthropologie und…

  • Jan Verwoert

    COOKIE!

  • Martin Conrads, Franziska Morlok (Ed.)

    War postdigital besser?

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    L.A. [Ten]. Interviews on Los Angeles Architecture, 1970–…

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    The Mysticism of Money

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    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

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    Materialrevolution 2. Neue nachhaltige und multifunktionale…

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    Make Shift City. Renegotiating the Urban Commons

  • CTM 2014 Festival Magazine

    Dis Continuity

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    Mapping Everything

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    Artists’ Cocktails

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    Flying Furniture

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    ReNew Marxist Art History

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    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

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    Liebe ist kälter als das Kapital. Love is colder than…

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    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

  • Junya Ishigami

    How Small? How Vast? How architecture grows

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    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

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    Playing at Home. The House in Contemporary Art

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    Collage and Architecture

  • Gaßner, Kölle, Roettig (Ed.)

    Eva Hesse. One More Than One

  • Andreas Baur, Bernd Stiegler, Felix…

    Wozu Bilder? Gebrauchsweisen der Fotografie

  • Kim Gordon

    Is It My Body? Selected Texts

  • René Spitz

    A5/06. HfG Ulm

  • Petra Reichensperger (Ed.)

    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

  • Torsten Blume, Christian Hiller (Hg.)

    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

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    Ware und Wissen: or the stories you wouldn’t tell a stranger

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    and Materials and Money and Crisis

  • Barbara Penner

    Bathroom (Objekt series)

  • Otto Paans, Ralf Pasel

    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

  • Emma Lavigne

    Pierre Huyghe

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    Architecture after Revolution

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    Domes, Arches and Minarets. A History of Islamic-Inspired…

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    Bedsit Disco Queen. How I Grew Up and Tried to be a Pop Star

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    Contestations. Learning from Critical Experiments in…

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    IDEA 362. Poetics of Graphic Language. Contemporary…

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    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    A-Typical Plan

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    Tyo-WTC

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    Protest Camps

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    Isotype. Design and Contexts, 1925–1971

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    Seeing from Above. The Aerial View in Visual Culture

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    The Ritual of the Snake

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    Wunderland

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    The Mysticism of Money. Precisionist Painting and Machine…

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    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

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    Implosions / Explosions. Towards a Study of Planetary…

  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Vibeke Gieskes (Ed.)

    The Future of Architecture

  • Mark Sinclair, Tony Brook

    Type Only

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    Some Book. Graphic Expressions between Design and Art

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    Nuggets – New and Old Writing on Art, Architecture, and…

  • Ellen Blumenstein, Katharina Fichtner (…

    The World According to Patricia Esquivias. Fernando Garrido…

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    The Economy of Sustainable Construction

  • Joshua Decter

    Art Is a Problem. Selected Criticism, Essays, Interviews…

  • James Guerin

    Berlin Quarterly. European review of Culture. Issue 1

  • Blexbolex

    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

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    Kosmetiksalon Bar Babette

  • Model House Research Group (Ed.)

    Transcultural Modernisms

  • Museo Berardo (Ed.)

    Pancho Guedes. Vitruvius Mozambicanus

  • Clog

    Unpublished

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

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    Theorien der Gegenwartskunst

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    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

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    Forum zur Genealogie des MedienDenkens 1. Siegfried…

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    Institutional Attitudes. Instituting Art in a Flat World

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    Architecture / Architektur

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    Radio

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    Gwangju Folly II

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    Andrea Zittel. Institute of Investigative Living. Leben und…

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    3 New York Dadas and the Blindman

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    Snapshot Photography. The Lives of Images

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    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

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    The Contemporary, the Common: Art in a Globalizing World

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    The Space Age. Poster Book

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    The Design of Portuguese Semi-Industrial Confectionery

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    Gehen

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    Dogma. 11 Projects

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    Mies Van Der Rohe. Neue Nationalgalerie in Berlin 1962-1968

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

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    Peter Fischli, David Weiss

Unpublished

Publications—both physical and digital—receive a constant stream of press releases, project updates, and photographs from architects yearning for the validation of having their work published. But still, the vast majority of buildings go unexamined by the critical press. How many times have we seen the same signature project reviewed? How many worthy unknown projects must, by extension, never receive an appraisal?
There are any number of factors to account for this. It seems undeniable, for example, that certain building typologies and regions remain underrep- resented in the mainstream architectural press, and it is perhaps too easy to imagine that this stems from a widespread editorial bias. It would be a mistake to discount the impact of logistics, however. The constraints of time, staff sizes, travel costs, image rights, formatting and layout requirements, and access to information simply cannot be ignored by publishers, editors, and writers. Equally important is the imperative to sell, or at least pay heed to the perceived interests of the readership. Sometimes a building falls by the wayside due to mere coincidence—another project was just published with the same exterior material, the press release came in on the day an editor was out sick, the photographer only took landscape-oriented images, the PDF was corrupted.
At a moment when new forms of publication are emerging and disrupting traditional models—and the definition of what it even means for a building to "be published" is an open question—it is time to analyze what is being pub- lished, why it's being published, and to examine what is being left out of the conversation.
Contributors
Michael Kimmelman, Paul Goldberger, Suzanne Stephens, Cathleen McGuigan, Michael Abrahamson, Matthias Altwicker, AJ Artemel, David Basulto, Aleksandr Bierig, Shumi Bose, Can Vu Bui, John Cantwell, Evan Chakroff, Justine Clark, Aran Coakley, Archie Lee Coates IV, Greg Corso, Keith Eggener, Jeffrey Franklin, Sean Gaffney, Matt Hall, Sallie Hambright-Belue and Robert Silance, J. Brantley Hightower, Yat-Sing Ha, Julia van den Hout, Eric J. Jenkins, Jayne Kelley, Yat-Shun Kei, Diana E. E. Kleiner, Stephanie Lee, Thomas Lozada, Kyle May, Craig McCormack, William Menking, Daniel Patrick Morrison, Dietrich Neumann, Andreas Papadantonakis, Trevor Patt, Jacob Reidel, Sam Roche, Nick Safley, Morten Scholz, Rachel Meade Smith, Brent Sturlaugson, Supersterz, Emilia Terragni, Andrew Torres, Tiago Trigo, Danny Wills, Arthur Wortmann, and Alex Yuen.


Clog
Unpublished
Clog, 2013, 978-0-983-8204-7-5