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  • Karin Berkemann (Hg.)

    Das Ende der Moderne? Unterwegs zu einer…

  • Amber Husain

    Replace Me

  • IDEA Magazine

    IDEA 396. Explore Color Design. Digital Color and the…

  • Lisa Beißwanger

    Performance on Display. Zur Geschichte lebendiger Kunst im…

  • Janne Gärtner, Anne Waak

    Aus einem Land vor unserer Zeit. Die Kinder von Kleinwelka

  • Sven Quadflieg

    Mit erhobener Faust. Die Ästhetik des Protests und die…

  • Rosi Braidotti

    Posthuman Feminism

  • -archaicstudio, Anja Dotter

    image [im-ij] \ ˈim-ij \

  • Jens Müller

    A5/10: Collecting Graphic Design – Die Archivierung des…

  • Judith Butler

    Sinn und Sinnlichkeit des Subjekts

  • Andrew Herscher, Daniel Bertrand Monk

    The Global Shelter Imaginary: IKEA Humanitarianism and…

  • Matthew Hockenberry, Nicole…

    Assembly Codes. The Logistics of Media

  • Elizabeth A. Povinelli

    Between Gaia and Ground: Four Axioms of Existence and the…

  • Rosa Barba

    On the Anarchic Organization of Cinematic Spaces

  • Marcus Quent

    Gegenwartskunst. Konstruktionen der Zeit

  • Napoleone Ferrari, Michelangelo Sabatino

    Carlo Mollino. Architect and Storyteller

  • Stefan Jung / Marcus Stiglegger (Hrsg.)

    Berlin Visionen. Filmische Stadtbilder seit 1980

  • Urban-Think Tank (Ed.)

    The Architect and the City: Ideology, Idealism, and…

  • Saâdane Afif

    Morceaux choisis – A Monograph

  • Birgit Schlieps, Hanne Loreck (Hg)

    Aktau. Bildphänomene einer Plattenbaustadt in der…

  • Anne König (Ed.)

    Jonas Mekas. I Seem to Live. The New York Diaries. Vol 2.…

  • John Robinson

    Famous for Fifteen People. The Songs of Momus 1982-1995

  • Linda Peake, Elsa Koleth, Gokboru Sarp…

    A Feminist Urban Theory for Our Time. Rethinking Social…

  • Stephan Lanz

    Das Regieren der Favela. Gewaltherrschaft, Populärkultur…

  • Tom Avermaete, Janina Gosseye

    Urban Design in the 20th Century. A History

  • Moisés Puente (Ed.)

    Lacaton & Vassal. Free space, transformation, habiter

  • Anselm Franke, Heinz Emigholz, HKW (Eds…

    Counter Gravity - Die Filme von Heinz Emigholz

  • Maryam Jafri, Nina Tabassomi

    Maryam Jafri. Independence Days

  • Adam Pendleton, Alec Mapes-Frances (Eds…

    Adam Pendleton. Pasts, Futures, and Aftermaths: Revisiting…

  • Georg W. Bertram, Stefan Deines, Daniel…

    Die Kunst und die Künste. Ein Kompendium zur Kunsttheorie…

  • Wolfgang Fuhrmann, Claus-Steffen…

    Perspektiven der Musikphilosophie

  • Judith Butler

    Marx ökologisch. Pariser Marxlektüren

  • Beate Bartel, Gudrun Gut, Bettina…

    M_Dokumente. Mania D., Malaria!, Matador

  • Matthias Brunner, Maren Harnack,…

    Transformative Partizipation. Strategien für den…

  • Franco “Bifo” Berardi

    The Third Unconscious The Psychosphere in the Viral Age

  • Sara Ahmed

    Complaint!

  • Susan Stewart

    The Ruins Lesson. Meaning and Material in Western Culture

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 245. Fassadenmanifest

  • Shannon Mattern

    A City Is Not a Computer Other Urban Intelligences

  • Leslie Kern

    Feminist City. Claiming Space in a Man-Made World

  • Louise Schouwenberg & Michael…

    The Auto-Ethnographic Turn in Design

  • Yuk Hui

    Art and Cosmotechnics

  • B. Cannon Ivers (ed.)

    250 Things a Landscape Architect Should Know

  • Esther Anatolitis

    Place, Practice, Politics

  • Alexander Steffen

    Vanishing Berlin

  • Philipp Meuser

    Architektur in Afrika. Bautypen und Stadtformen südlich der…

  • Alex Head

    Ricochet. Cultural Epigenetics and the Philosophy of Change

  • Ulrich Gutmair

    The First Days of Berlin. The Sound of Change

  • Kateryna Botonova and Quinn Latimer (…

    Amazonia. Cosmology as Anthology

  • Edward Tufte

    The Visual Display of Quantitative Information

  • Edward R. Tufte

    Beautiful Evidence

  • Edward R. Tufte

    Visual Explanations. Images and Quantities, Evidence and…

  • McKenzie Wark

    Das Kapital ist tot

  • Rein Raud

    Being in Flux: A Post-Anthropocentric Ontology of the Self

  • Bruno Latour

    After Lockdown. A Metamorphosis

  • hg. von Giovanna Zapperi

    Carla Lonzi. Selbstbewusstwerdung. Texte zu Kunst und…

  • Helmut Draxler

    Die Wahrheit der Niederländischen Malerei. Eine Archäologie…

  • Walter Scheiffele, Steffen Schuhmann (…

    Karl Clauss Dietel. Die offene Form

  • Tinatin Gurgenidze (Ed.)

    Eastern Block Stories. Visualising Housing Estates from…

  • Édouard Glissant

    Philosophie der Weltbeziehung. Poesie der Weite

  • Kirsty Bell

    Gezeiten der Stadt. Eine Geschichte Berlins

  • Doris Kleilein, Friederike Meyer (Hrsg.)

    Die Stadt nach Corona

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 2

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 1

  • Jesko Fezer & Studio…

    (How) do we (want to) work (together) (as (socially engaged…

  • Melissa Canbaz, Künstlerhaus Bremen (Ed…

    Aleana Egan. small field

  • Milos Kosec, Neja Tomsic, Martin…

    Nonument

  • C.L.R. James

    Die Schwarzen Jakobiner. Toussaint Louverture und die…

  • bell hooks

    Feminismus für alle

  • Alfred Weidinger (Hrsg.)

    PROOF OF ART. A short history of NFTs from the beginning of…

  • Florian Schmidt

    Wir holen uns die Stadt zurück. Wie wir uns gegen…

  • Cornelia Saalfrank, Katrin Lewinsky

    TinyBE. Living in a sculpture

  • Lucius Burckhardt

    Der kleinstmögliche Eingriff oder die Rückführung der…

  • Lucius Burckhardt

    Warum ist Landschaft schön? Die Spaziergangswissenschaft

  • Maggie Nelson

    On Freedom

  • Matthew Soules

    Icebergs, Zombies, and the Ultra Thin. Architecture and…

  • Johanna Hoerning, Philipp Misselwitz (…

    Räume in Veränderung – Ein visuelles Lesebuch Ein- und…

  • Bauhaus-Institut für Geschichte und…

    100+. Neue Perspektiven auf die Bauhaus-Rezeption. Mit…

  • Gustavo Ambrosini, Guido Callegari

    Roofscape Design. Regenerating the City upon the City

  • Nicolas Nova, Anaïs Block

    Dr. Smartphone: An Ethnography of Mobile Phone Repair Shops

  • Harald Kirschner

    Abenteuer Platte

  • Wolfgang Bachmann, Sandra Hofmeister,…

    Zu Hause. Architektur zum Wohnen im Grünen / At Home…

  • Marietta Kesting, Susanne Witzgall (Hg.)

    Politik der Emotionen / Macht der Affekte

  • Annette Geiger, Bianca Holtschke (Hg.)

    Piktogrammatik. Grafisches Gestalten als Weltwissen und…

  • Justin McGuirk (Hg)

    Charlotte Perriand. The Modern Life: Melancholia and the…

  • Jens Casper, Luise Rellensmann (Hg)

    Das Garagenmanifest

  • Philippe Koch, Andreas Jud, ZHAW…

    Bauen ist Weiterbauen. Lucius Burckhardts…

  • Anette Baldauf, Janine Jembere, Naomi…

    Despite Dispossession. An Activity Book

  • Allen S. Weiss

    Figure against Form. The Dolls of Michel Nedjar

  • Frank B. Wilderson III

    Afropessimismus

  • Andreas Malm

    Der Fortschritt dieses Sturms

  • Kike España

    Die sanfte Stadt

  • Henk Slager (Ed.)

    The Postresearch Condition

  • IKE Institut Konstruktives Entwerfen,…

    Bauteile wiederverwenden. Ein Kompendium zum zirkulären…

  • Manuela Zechner

    Commoning Care & Collective Power. Childcare Commons…

  • W.v. Acker, T. Mical

    Architecture & Ugliness: Anti-Aesthetics and the Ugly…

  • Duncan Bell, Bernardo Zacka (Eds.)

    Political Theory and Architecture

  • Saikaku Toyokawa

    Yoyogi National Gymnasium And Kenzo Tange

Ed Atkins

In his work, which includes video installations, texts, and drawings, British artist Ed Atkins (born in 1982, lives and works in London) explores the material quality of our contemporary visual world and its existential resonance. He records his videos in high-definition with powerful surround sound; these new options for technical creation and presentation have the paradoxical capacity of reproducing life-like materiality and bodies using immaterial means. This paradox is also a theme in Atkins’ work, which revolves around the cadaver, disease, and death motifs that raise awareness of the viewers’ own corporeality. Atkins’ digital compositions use saturated colors and precise editing rhythms, and show archive material of forests, beaches, fruit, and clips from zombie films, as well as computer-generated animations. They are accompanied by sound, which ranges from guitar crescendos, horror film melodies, and dialogue, to the murmurs of the artist himself behind the camera.
This is the first major publication on Ed Atkins’ work and it provides a comprehensive overview of his artistic production through a detailed selection of his video works, numerous installation views, a newly commissioned text by Joe Luna, an essay by Ed Atkins, and a conversation between the the artist and Beatrix Ruf.
The book is published in the Kunsthalle Zürich series in collaboration with the Julia Stoschek Collection, Düsseldorf, and the Kunsthalle Mainz.


Beatrix Ruf, Julia Stoschek, Thomas D. Trummer (Ed.)
Ed Atkins
JRP, 2014, 978-3-03764-359-4