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  • Cranfield and Slade

    12 Sun Songs

  • Tiffany Potter, C.W. Marshall (Hg.)

    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

  • Jan Jelinek & Laura Mars Grp. (Hg.)

    Ursula Bogner. Pluto hat einen Mond

  • Luuk Boelens

    The Urban Connection. An Actor-Relational Approach to Urban…

  • Jürgen Mayer H., Neeraj Bathia (Hg.)

    -arium. Weather and Architecture

  • Anneloes van Gaalen

    Never Use White Type on a Black Background

  • Tom McDonough (Hg.)

    The Situationists and the City

  • Atelier Bow-Wow

    Echo of Space / Space of Echo

  • Kengo Kuma & Associates

    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

  • Antje Ehmann, Kodwo Eshun (Hg)

    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

  • Kölnischer Kunstverein, Museum of…

    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Van der Zijpp, Harms, Granata (Hg.)

    Bernhard Willhelm & Jutta Kraus

  • Ericson, Frostner, Kyes, Teleman,…

    Iaspis Forum on Design and Critical Practice

  • Storm Thorgerson, Aubrey Powell

    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

  • Viction:ary (Hg.)

    Colour Mania

  • Ziggy Hanaor

    Graphic Europe. An Alternative Guide to 31 European Cities

  • Nikolaos Kotsopoulos (Hg.)

    Krautrock. Cosmic Rock and its Legacy

  • Lucas Cappelli (Hg.)

    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

  • B. Steele, F. G. de Canales (Hg.)

    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

  • Christel Vesters (Hg.)

    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

  • Nadine Scharfenort

    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

  • Wouter Davidts, Kim Paice (Hg.)

    The Fall of the Studio. Artists at Work

  • Eva Egerman, Anna Pritz (Hg.)

    Class Works. Weitere Beiträge zu vermittelnder,…

  • S. Komossa, K. Rouw, J. Hillen (Hg.)

    Colour in Contemporary Architecture

  • Jonathan Monk

    Blue Peter. Sixth Book

  • Jean-Luc Nancy

    Wahrheit der Demokratie

  • RoseLee Goldberg (Hg.)

    Everywhere and All at Once. Performa 07

  • Pascal Gielen, Paul De Bruyne (Hg.)

    Being an Artist in Post-Fordist Times. Arts in Society

  • Tim Rieniets, Jennifer Sigler, Kees…

    Open City. Designing Coexistence

  • Fredric Jameson

    Valences of the Dialectic

  • C. Parnet, P.-A. Boutang

    ABÉCÉDAIRE – Gilles Deleuze von A bis Z (3 DVD)

  • Johan Kugelberg (Hg.)

    The Velvet Underground. New York Art

  • Elisabeth Bronfen

    Crossmappings. Essays zur visuellen Kultur

  • Stephen Willats

    Doppelgänger

  • N. Grob, B. Kiefer, R. Mauer, J.…

    Kino des Minimalismus

  • Lars Müller (Hg.)

    Der Wind, das Licht ECM und das Bild

  • Ulrike Felsing

    Dynamische Erscheinungsbilder im kulturellen und…

  • Michael Hardt, Antonio Negri

    Commonwealth

  • Buckminster R. Fuller

    Education Automation: Comprehensive Learning for Emergent…

  • Buckminster R. Fuller

    Ideas and Integrities. A Spontaneous Autobiographical…

  • Steven Henry Madoff (Hg.)

    Art School. Propositions for the 21st Century

  • Simon Lamunière (Hg.)

    Utopics. Systems and Landmarks

  • Gerald Raunig, Gene Ray (Hg.)

    Art and Contemporary Critical Practice

  • Knut Ebeling, Stephan Günzel (Hg.)

    Archivologie. Exterioritäten des Wissens in Philosophie,…

  • Gui Bonsiepe

    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

  • Franziska Morlok, Till Beckmann

    Extra. Enzyklopädie der experimentellen Druckveredelung

  • Architectural Association (Hg.)

    AA Book. Projects Review 2009

  • Florian Idenburg (Hg.)

    The SANAA Studios 2006-2008. Learning from Japan

  • Simon Reynolds

    Totally Wired. Postpunk Interviews and Overviews

  • Paul Stiff (Hg.)

    Modern Typography in Britain. Graphic Design, Politics and…

  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Scott MacDonald

    Adventures of Perception. Cinema as Exploration. Essays/…

  • Radical Philosophy

    157 - September/October 2009

  • Nina Chakrabarti

    My Wonderful World of Fashion. A Book for Drawing, Creating…

  • Claudia Basrawi

    Mittelmeer Anämie - Damaskus, Beirut, Kairo

  • Rob Young (Hg.)

    The Wire Primers. A Guide to Modern Music

  • Charlotte Klonk

    Spaces of Experience. Art Gallery Interiors from 1800 to…

  • R. Klanten, S. Ehmann, B. Meyer (Hg.)

    Papercraft. Design and Art with Paper

  • abc - art berlin contemporary

    def - drafts establishing future

  • Vince Aletti

    The Disco Files 1973-78. New York's Underground, Week…

  • Open 17

    A Precarious Existence. Vulnerability in the Public Domain

  • El Croquis 145

    Christian Kerez 2000-2009

  • Lutz Hieber, Stephan Moebius (Hg.)

    Avantgarden und Politik. Künstlerischer Aktivismus von Dada…

  • Wilfried Kuehn, Doreen Mende, Stephan…

    Displayer 03

  • Lutz Bacher

    Smoke Gets in Your Eyes

  • Design2context (Hg.)

    Des-/Orientierung, Dis-/Orientation, Dés-/Orientation 2

  • Petra Schmidt, Nicola Stattmann

    Unfolded. Papier in Design, Kunst, Architektur und Industrie

  • Mona Vatamanu, Florin Tudor

    Dissolving Absolute Structures

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

  • Blätter für deutsche und internationale…

    Das Ende des Kasino-Kapitalismus? Globalisierung und Krise

  • N. Schüller, P. Wollenberg, K.…

    Urban Reports. Urban strategies and visions in mid-sized…

  • Arundhati Roy

    Listening to Grasshoppers. Field Notes on Democracy

  • Anne Verlhac (Hg.)

    Edith Bouvier Beale of Grey Gardens. A Life in Pictures

Less but better. Weniger, aber besser

Wenige Produktdesigns sind so haltbar wie die von Dieter Rams. Nahezu alles was der einflussreichste Designer des 20. Jahrhunderts entworfen hat, gilt heute als Klassiker. Die überarbeitete Neuauflage von Weniger, aber besser zeigt einmal mehr warum Dieter Rams Designverständnis auch in Zukunft nicht an Aktualität verlieren wird.
Die Vorstellungen davon, was gutes Design kann, soll und muss, ändern sich stetig mit technischen Möglichkeiten und kulturellen Entwicklungen. Dieter Rams zehn Thesen zum Design befürworten puristisches, beinahe unmerkliches Design und gelten deshalb in Lehre und Praxis als zeitlose Grundüberlegungen: Gutes Design ist innovativ. Gutes Design macht ein Produkt verständlich. Gutes Design ist ästhetisch. Gutes Design macht ein Produkt brauchbar. Gutes Design ist unaufdringlich. Gutes Design ist ehrlich. Gutes Design ist langlebig. Gutes Design ist konsequent bis ins letzte Detail. Gutes Design ist umweltfreundlich. Gutes Design ist so wenig Design wie möglich.
Weniger, aber besser hat nicht den Anspruch, eine lückenlose Rams-Werkschau zu sein oder die vollständige Firmengeschichte von Braun zu erzählen. Vielmehr zeigt dieses Buch, welche Ideen, Kriterien und Methoden hinter den großen Produktdesigns von Dieter Rams stehen und wie sich anhand einer sich wandelnden Produktkultur universale Designmaßstäbe ableiten lassen. Aus Dieter Rams Überlegungen zu Ethik und Werten im Design lassen sich klare Strukturen für zukünftiges Gestalten ableiten. Denn eins hat sich über viele Jahre bewiesen: weniger ist einfach besser.
Few product designs have the staying power of creations by Dieter Rams. Almost everything produced by the most influential designer of the twentieth century is today considered a classic. This new and revised edition of Less but better shows once again why Dieter Rams’s approach to design will be relevant for the foreseeable future.
Ideas of what can and must be achieved by good design are in a constant state of flux as a result of cultural and technological developments. Dieter Rams, however, came up with ten principles that advocate for a purist, almost imperceptible design. These principles are still considered timeless fundaments of design theory and practice today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design is helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible.
Less but better does not set out to be a complete documentation of Dieter Rams’s body of work, nor does it claim to tell the full story of the company Braun. Rather the book explores the ideas, criteria, and methods behind Rams’s creations and reveals how a shifting culture of product manufacturing gave rise to universal design benchmarks. From his reflections on design ethics and values we can distill a clear paradigm for future design—because one principle has remained firm over the years: less is simply better.
Dieter Rams, born in Wiesbaden in 1932, initially studied architecture. He is widely considered one of the most significant industrial designers of the twentieth century. In the more than 40 years that he spent working at the electrical appliance manufacturer Braun, Rams turned out a wealth of pioneering creations that continue to influence designers around the world today. He has also generated a new awareness of the social function of design in Germany.
Jo Klatt is an acknowledged connoisseur and collector of Braun products. For many years he worked at the magazine Design+Design and was the publisher of numerous works, including the first edition of Less but better.
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Dieter Rams
Less but better. Weniger, aber besser
DGV, 2014, 978-3-89955-525-7