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  • Hans Ulrich Obrist

    Kuratieren!

  • Steven Shaviro

    The Universe of Things. On Speculative Realism

  • Florian Böhm, Annahita Kamali

    Everything is Connected. Home Collection (Vitra)

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    The Experimenters. Chance and Design at Black Mountain…

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    Startup Berlin Guide

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    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

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    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

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  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    INAESTHETICS #4 Philosophy!

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    Le Corbusier. Aventures Photographiques

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    Space for Visual Research

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    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

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    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

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    On Pleasure Bent

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    Sigfried Kracauer. Photographic Archive

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    Kew. Rhone

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    Building as Ornament

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    Harry Glück: Wohnbauten

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    Museum of the Future

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    The Fabric of Space. Water, Modernity, and the Urban…

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    Women's Work. Is Never Done

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    The Shape of Evidence. Contemporary Art and the Document (…

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    New Management

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    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

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    Curating Research

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    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

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    Torpor (Roman)

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    DIVIDUUM. Maschinischer Kapitalismus und molekulare…

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    Jean-Luc Godard/JLG: Selbstporträt im Dezember

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    Zipper Keeper 2015

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    Architecture, Politics, and Identity in Divided Berlin

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    Dächerstreit: Flachdach/Steildach

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    Textures of The Anthropocene. Grain Vapor Ray

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    The Past's Threshold. Essays on Photography

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    Bug Report. Digital war besser

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    Trouble in Paradise. From the End of History to the End of…

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    Other Planes of There

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    The Architecture of Use. Aesthetics and Function in…

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    Folklore U.S.

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    Hystericizing Germany

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    Utopien vermeiden. Avoiding Utopias

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    Can Jokes Bring Down Governments? Memes, Design and…

  • Amy Brandt

    Interplay. Neoconceptual Art of the 1980s

  • Francesca Hughes

    The Architecture of Error. Matter, Measure, and the…

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    Retracing the Expanded Field

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    Der Klang der Familie: Berlin, Techno and the Fall of the…

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    Soziologie der Weltraumfahrt

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    Labor der Moderne. Nachkriegsarchitektur in Europa.…

  • Tim Stüttgen

    IN A QU*A*RE TIME AND PLACE

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    Psychopolitik. Neoliberalismus und die neuen Machttechniken

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    Shacks, Snow, Streets, Shrubs

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    Building with Air

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    Die Sprachen der Banlieues

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    Was ist dein Streik? Militante Streifzüge durch die…

  • Nora Schultz

    Portikus Printing Plant and Portikus Sounds

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    Lebbeus Woods, Architect

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    The Grand Domestic Revolution Handbook

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    My Belgrade (2nd Edition)

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    Constructed Situations. A New History of the Situationist…

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    In situ – de visu – in motu. Architecture, cinéma et arts…

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    The Intervals of Cinema

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    Glass! Love!! Perpetual Motion!!! A Paul Scheerbart Reader

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    Africa in Stereo. Modernism, Music, And Pan-African…

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    OK DJ

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    Preservation Is Overtaking Us (Gsapp Transcripts)

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    Performance Projections. Film and The Body in Action

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    Lina Bo Bardi 100. Brasiliens alternativer Weg in die…

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    ElectriCity. Elektronische Musik aus Düsseldorf

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    Museum Off Museum

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    Lygia Clark. The Abandonment of Art

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    Fifties House. House & Garden

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    The Choreographic

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    It's Playtime

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    The Universal Addressability of Dumb Things

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    Le Langage Hypermoderne de l'Architecture

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    Modetheorie. Klassische Texte aus vier Jahrhunderten

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    Interieur und Bildtapete. Narrative des Wohnens um 1800

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    Designing Everyday Life

Buildings Must Die. A Perverse View of Architecture

Buildings, although inanimate, are often assumed to have "life." And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the "death" of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture's sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture's preoccupation with good form, loosens its vanities of durability, and expands its sense of value. It does so not to kill off architecture as we know it, but to rethink its agency and its capacity to make worlds differently. Cairns and Jacobs offer an original contemplation of architecture that draws on theories of waste and value. Their richly illustrated case studies of building "deaths" include the planned and the unintended, the lamented and the celebrated. They take us from Moline to Christchurch, from London to Bangkok, from Tokyo to Paris. And they feature the work of such architects as Eero Saarinen, Carlo Scarpa, Cedric Price, Arata Isozaki, Rem Koolhaas and Francois Roche. Buildings Must Die is both a memento mori for architecture and a call to to reimagine the design values that lay at the heart of its creative purpose.


Stephen Cairns, Jane M. Jacobs
Buildings Must Die. A Perverse View of Architecture
MIT, 2014, 978-0-262-02693-2