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  • Thomas Keenan, Tirdad Zolghadr (Eds.)

    The Human Snapshot

  • Between Artists

    Thom Andersen / William E. Jones

  • Heidrun Holzfeind

    Strictly Private

  • Doreen Mende, Estelle Blaschke, Armin…

    Doppelte Ökonomien / Double Bound Economies

  • Bernadette Corporation

    Reena Spaulings. A Novel by Bernadette Corporation

  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

  • Richard Shone, John-Paul Stonard (Ed.)

    The Books that Shaped Art History. From Gombrich and…

  • Flora Samuel, Inge Linder-Gaillard

    Sacred Concrete. The Churches of le Corbusier

  • Unit Editions (Ed.)

    Jurriaan Schrofer (1926-90). Restless typographer

  • Kerstin Faber, Philipp Oswalt (Hg.)

    Raumpioniere in ländlichen Regionen. Neue Wege der…

  • Michael Hensel

    Performance-Oriented Architecture. Rethinking Architectural…

  • Christoph Menke

    Die Kraft der Kunst

  • T. J. Demos

    Return to the Postcolony

  • IDEA Magazine

    IDEA 357. Architecture in Print: The Development of…

  • Ronan & Erwan Bouroullec

    Drawing

  • Klaus Zwerger

    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

  • Wolfgang Müller

    Subkultur Westberlin 1979–1989 - Freizeit

  • Abäke, Bernadette Corporation, Laurenz…

    Sonderedition Zwölf Taschen für Pro qm

  • Ja, Panik

    Schriften. Erster Band

  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

  • Dietmar Kammerer (Hg)

    Vom Publicum. Das Öffentliche in der Kunst

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

  • Studienhefte Problemorientiertes Design…

    Horst Rittel. Die Denkweise von Designern

  • Blind Gallery (Hg.)

    Wim Crouwel

  • Tacet #01

    Who is John Cage?

  • Enqvist, Masucci, Rosendahl, Widenheim…

    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

  • Marijke Steedman (Hg.)

    Gallery as Community. Art, Education, Politics

  • Afterall Books (Hg.)

    From Conceptualism to Feminism: Lucy Lippard's Numbers…

  • Claire Bishop

    Artificial Hells. Participatory Art and the Politics of…

  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

  • Elke Krasny (Hg.)

    Hands-On Urbanism 1850 - 2012

  • Jost Hochuli

    Das ABC eines Typografen

  • M. Ziehl, S. Oßwald, O. Hasemann, D.…

    Second Hand Spaces. Recycling Sites Undergoing Urban…

  • Okwui Enwezor (Hg.)

    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

  • Institut Mathildenhöhe Darmstadt (Hg.)

    A House Full of Music. Strategien in Musik und Kunst

  • Sophie Elisabeth Hochhäusl

    Otto Neurath - City Planning. Proposing a socio-political…

  • Susan Morgan (Hg.)

    Piecing Together Los Angeles. An Esther McCoy Reader

  • Magdalena Droste (Ed.)

    Lilly Reich. Designer and Architect

  • Jan Gehl

    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

  • Xavier Antin

    Printing at Home

  • Vladimir Arkhipov

    Home-Made Europe. Contemporary Folk Artifacts

  • Eyal Weizman

    The Least of All Possible Evils

  • David Harvey

    Rebel Cities. From the Right to the City to the Urban…

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

  • Douglas Crimp

    Our Kind of Movie. The Films of Andy Warhol

  • Garry Neill Kennedy

    The Last Art College. Nova Scotia College of Art and Design…

  • Christof Migone

    Sonic Somatic. Performances of the Unsound Body

  • Felix Denk, Sven von Thun

    Der Klang der Familie. Berlin, Techno und die Wende

  • Walter Benjamin

    The "Berlin Chronicle" Notices

  • Gerald Raunig

    Fabriken des Wissens. Streifen und Glätten 1

  • Jane Bennett

    Vibrant Matter. A Political Ecology of Things

  • Christiane Rösinger

    Liebe wird oft überbewertet. Ein Sachbuch

  • Beatriz Preciado

    Pornotopia. Architektur, Sexualität und Multimedia im…

  • William E. Jones

    Halsted Plays Himself

  • Max Risselada (Hg.)

    Alison & Peter Smithson. A Critical Anthology

  • Miriam Bratu Hansen

    Cinema and Experience

  • Walter Benjamin

    Berlin Childhood circa 1900

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • Annette Wehrmann

    Luftschlangentexte

  • Hillel Schwartz

    Making Noise. From Babel to the Big Bang and Beyond

  • Sean Stewart (Hg.)

    On the Ground. An Illustrated Anecdotal History of the…

  • Marcos L. Rosa (Hg.)

    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

    Savage Messiah

  • Oda Pälmke (Hg.)

    Ganz gut – Quite Good Houses

  • Adolf Loos

    Hummer unter der Bettdecke

  • Jennifer Bass, Pat Kirkham

    Saul Bass. A Life in Film & Design

  • Mårten Spångberg

    Spangbergianism

  • Ryan McGinness

    To Do List Calendar 2012

  • Judith F. Rodenbeck

    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

  • Kit White

    101 Things to Learn in Art School

  • Peter Pfrunder (Hg.)

    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

  • N. Brenner, P. Marcuse, M. Mayer (Hg.)

    Cities for People, Not for Profit. Critical Urban Theory…

  • Richard Dyer

    In The Space Of A Song. The Uses of Song in Film

  • Andres Lepik (Hg.)

    Moderators of Change. Architektur, die hilft

  • Bechir Kenzari (Hg.)

    Architecture and Violence

  • Roger Thiel

    Anarchitektur

  • Charles Jencks

    The Story of Post-Modernism

  • Toru Hachiga (Hg.)

    Creatives in Japan. Keywords to Know

  • Paul Hegarty, Martin Halliwell

    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

  • Paul De Bruyne, Pascal Gielen

    Community Art: The Politics of Trespassing

  • Rem Koolhaas, Hans Ulrich Obrist (Hg.)

    Project Japan. An Oral History of Metabolism

  • Florian Urban

    Tower and Slab. Histories of Global Mass Housing

  • Marit Paasche, Judy Radul (Hg.)

    A Thousand Eyes. Media Technology, Law, and Aesthetics

#Accelerate: The Accelerationist Reader

Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies.
The term was coined to designate a certain nihilistic alignment of theory with the excess and abandon of capitalist culture, and the associated performative aesthetic of texts that seek to become immanent to the very process of alienation. Developing at the dawn of contemporary neoliberal consensus, the uneasy status of this impulse, between subversion and acquiescence, between theoretical purchase and aesthetic enjoyment, constitutes the core problematic of accelerationism.
Since the 2013 publication of Williams's and Srnicek's #Accelerate: Manifesto for an Accelerationist Politics, the term has been adopted to name a set of new theoretical enterprises that aim to conceptualise non-capitalist futures outside of traditional marxist critiques and regressive, decelerative or restorative solutions.
#ACCELERATE presents a genealogy of accelerationism, tracking the impulse through 90s UK darkside cyberculture and the theory-fictions of Nick Land, Sadie Plant, Iain Grant, and anonymous units like CCRU and SWITCH, across the cultural underground of the 80s (rave, acid house, Terminator and Bladerunner) and back to its sources in delirious post-68 ferment, in texts whose searing nihilistic jouissance would later be disavowed by their authors and the marxist and academic establishment alike.
On either side of this largely unexplored central sequence, the book includes texts by Marx that call attention to his own 'Prometheanism' and key works from recent years document the recent extraordinary emergence of new accelerationisms steeled against the onslaughts of neoliberal capitalist realism, and retooled for the twenty-first century.
At the forefront of the energetic contemporary debate around this disputed, problematic term, #ACCELERATE activates a historical conversation about futurality, technology, politics, enjoyment and Kapital. This is a legacy shot through with contradictions, yet urgently galvanized today by the poverty of 'reasonable' contemporary political alternatives.
http://www.urbanomic.com/pub_accelerate.php


Armen Avanessian, Robin Mackay (Ed.)
#Accelerate: The Accelerationist Reader
Urbanomic , 2014, 9780957529557
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