Direkt zum Inhalt

Warenkorb

  • Frieda Grafe

    HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion /…

  • Etel Adnan

    Wir wurden kosmisch

  • D. R. McElroy

    Signs & Symbols of the World: Over 1,001 Visual Signs…

  • David Yaffe

    Joni Mitchell - Ein Porträt

  • Gloria Meynen

    Inseln und Meere. Zur Geschichte und Geografie fluider…

  • Leander Scholz

    Die Menge der Menschen

  • Jakob Hayner

    Warum Theater

  • Sylvia Lavin

    Architecture Itself and Other Postmodernist Myths

  • Alastair Hemmens, Gabriel Zacarias (Eds…

    The Situationist International. A Critical Handbook

  • Claudia Mareis, Michael Rottmann

    Entwerfen mit System

  • James Lovelock

    Novozän: Das kommende Zeitalter der Hyperintelligenz

  • Jane Bennett

    Lebhafte Materie. Eine politische Ökologie der Dinge

  • Naomi Hennig, Anna-Lena Wenzel (Hg.)

    General Public 2005-2015

  • Holger Schulze

    Ubiquitäre Literatur. Eine Partikelpoetik

  • Tom Bieling (Hg.)

    Gender (&) Design. Positionen zur Vergeschlechtlichung…

  • Oliver Flügel-Martinsen

    Radikale Demokratietheorien zur Einführung

  • Simon Rothöhler

    Theorien der Serie zur Einführung

  • Eugene Thacker

    Im Staub dieses Planeten: Horror der Philosophie

  • Peter Wilson

    Some Reasons For Traveling To Albania

  • Ulrich Bröckling

    Postheroische Helden. Ein Zeitbild

  • Hubertus Butin

    Kunstfälschung. Das betrügliche Objekt der Begierde

  • Deborah Potts

    Broken Cities. Inside the Global Housing Crisis

  • Günther Vogt, Thomas Kissling (Hg.)

    Mutation und Morphose. Landschaft als Aggregat

  • Markus Miessen, Zoë Ritts (Hg.)

    Para-Plattformen. Die Raumpolitik des Rechtspopulismus

  • Fischer, Gramelsberger, Hoffmann,…

    Datennaturen. Ein Gespräch zwischen Biologie, Kunst,…

  • Ludger Weß, Judith Schalansky (Hg.)

    Winzig, zäh und zahlreich. Ein Bakterienatlas

  • Felwine Sarr

    Afrotopia

  • Anna-Lisa Dieter, Viktoria Krason (Hg.)

    Future Food. Essen für die Welt von Morgen

  • Florian Malzacher

    Gesellschaftsspiele. Politisches Theater heute

  • HfG-Archiv Museum Ulm, Katharina Kurz,…

    Nicht mein Ding − Gender im Design

  • Clog

    Clog 17. Cannabis

  • Frédéric Gros

    Disobey! A Philosophy of Resistance

  • Hal Foster

    What Comes after Farce?

  • Tim Bergfelder, Erica Carter, Deniz…

    The German Cinema Book (second edition)

  • Dieuwertje Hehewerth

    Salticidae Icius - a Research on Independent Art Spaces and…

  • Sruti Bala

    The gestures of participatory art

  • Christopher Sweetapple, Hein-Jürgen Voß…

    Intersektionalität. Von der Antidiskriminierung zur…

  • Anneke Lubkowitz (Hg.)

    Psychogeografie

  • Florian Hertweck (Hg.)

    Architektur auf gemeinsamem Boden. Positionen und Modelle…

  • Neyran Turan

    Architecture as Measure

  • Roger Paez

    Operative Mapping. Maps as Design Tools

  • Silvia Federici

    Jenseits unserer Haut. Körper als umkämpfter Ort im…

  • Dóra Hegyi, Zsuzsa László, Franciska…

    Creativity Exercises. Emancipatory Pedagogies in Art and…

  • Bill Balaskas, Carolina Rito (Eds.)

    Institution as Praxis

  • Julian Hanna

    The Manifesto Handbook. 95 Theses on an Incendiary Form

  • Sandra Teitge (Hg)

    Goethe in the Skyways

  • Samantha Hardingham (ed.)

    Cedric Price Works 1958 - 2003. A Forward-Minded…

  • Markus Krajewski, Harun Maye (Hg)

    Universalenzyklopädie der menschlichen Klugheit

  • Matt Anniss

    Join the Future. Bleep Techno and the Birth of British Bass…

  • Milo Sweedler

    Allegories of the End of Capitalism. Six Films on the…

  • HfG Ulm (Hg.)

    Hans Gugelot: Die Architektur des Design

  • David Rattray

    How I Became One of the Invisible (New Edition)

  • Sarah T. Roberts

    Behind the Screen. Content Moderation in the Shadows of…

  • Jessica Bruder, Dale Maharidge

    Snowden’s Box. Trust in the Age of Surveillance

  • Jungmyung Lee, Lieven Lahaye (eds.)

    Real-Time Realist #2: Typefaces don't care, Typefaces…

  • Oliver Ruf, Stefan Neuhaus (Hg.)

    Designästhetik. Theorie und soziale Praxis

  • Yasha Levine

    Surveillance Valley. The Secret Military History of the…

  • Sandra Umathum, Jan Deck (Hg)

    Postdramaturgien

  • Natasha Stagg

    Sleeveless. Fashion, Image, Media, New York 2011-2019

  • Kübra Gümüsay

    Sprache und Sein

  • Christine Schranz

    Augmented Spaces and Maps. Das Design von kartenbasierten…

  • IDEA Magazine

    IDEA 389. Feminist Moments: Thoughts on graphic design…

  • Patrick Cowley

    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

  • Ted Gioia

    Music - A Subversive History

  • Ernst Hubeli

    Die neue Krise der Städte

  • Mike Davis, Jon Wiener

    Set the Night on Fire - L.A. in the Sixties

  • Marietta Kesting, Maria Muhle, Jenny…

    Hybride Ökologien

  • Pablo Sendra, Richard Sennett

    Designing Disorder. Experiments and Disruptions in the City

  • Annette Michelson, Kenneth White (Eds.)

    October Files 24: Michael Snow

  • Isabelle Sully (Ed.)

    Ruth Wolf-Rehfeldt: Introverse Arrangements

  • Bryndís Snæbjörnsdóttir, Mark Wilson,…

    Beyond Plant Blindness : Seeing the Importance of Plants…

  • George F.

    Good Times in Dystopia

  • Nathaniel Coleman

    Materials and Meaning in Architecture

  • Marion Hohlfeldt, Frank Popper

    GRAV : Groupe de Recherche d'Art Visuel "…

  • Marilyn Chase

    Everything She Touched. The Life of Ruth Asawa

  • Robert B. Pippin

    Filmed Thought. Cinema as Reflective Form

  • Bernd M. Scherer (Hg.)

    Paris Calligrammes. Eine Erinnerungslandschaft von Ulrike…

  • Jennifer Clark

    Uneven Innovation. The Work of Smart Cities

  • David Scheller

    Demokratisierung der Postdemokratie. Städtische soziale…

  • Nezar AlSayyad, Mark Gillem, David…

    Whose Tradition? Discourses on the Built Environment

  • Sally Stein

    Migrant Mother, Migrant Gender

  • Jörg Johnen

    Marmor für alle. Zur Kunst im öffentlichen Raum in Berlin

  • Daniel Buchholz, Christopher Müller (…

    Isa Genzken. Außenprojekte / Projects for Outside

  • Oreet Ashery (Ed.)

    How We Die Is How We Live Only More So

  • Ben Kafka

    The Demon of Writing. Powers and Failures of Paperwork

  • Sandra Hofmeister (Hg.)

    Snøhetta: Architektur Und Baudetails / Architecture and…

  • Steffen Damm, Lukas Drevenstedt

    Clubkultur. Dimensionen eines urbanen Phänomens

  • Volker Pantenburg (Hg.)

    Harun Farocki. Ich habe genug!

  • David Joselit

    Heritage and Debt. Art in Globalization

  • Carrie Noland

    Merce Cunningham. After the Arbitrary

  • Didier Eribon

    Betrachtungen zur Schwulenfrage

  • Susan Jahoda, Caroline Woolard

    Making and Being: Embodiment, Collaboration, and…

  • Bill Gaver, Phoebe Sengers

    The Presence Project. Computer Related Design Research…

  • KW, ZK/U (Hg.)

    Statista. Staatskunst am Haus der Statistik

  • Germaine R. Halegoua

    Smart Cities

  • Alain Badiou

    The Pornographic Age

  • Christina Thomson (Hg.)

    Das Grafische Atelier Stankowski + Duschek

  • Divya Victor

    Scheingleichheit. Drei Essays

The Le Corbusier Gymnasium in Baghdad

The story begins end 2004, along with the very first research engaged for a thesis –concerning the urban and architectural transformations of the XXth century Baghdad, after three successive stays in Baghdad since June 2003. In June 1955, commissions were passed to world-famous architects by Nuri Said’s government via the Development Board, a governmental body created in 1950 in charge of developing new infrastructures throughout the whole country. There was a huge University campus by Walter Gropius, an opera-house by Frank Lloyd Wright, a building for the Ministry of Planning by the Italian Gio Ponti, a Civic Center by the Dutch Marinus Dudok, a Museum by the Finnish Alvar Aalto, etc. The aim of such a series of grand constructions was to endow the Iraqi capital with a modernist development, an ambition amply justified at the time by the country’s petrol booming revenues1. As concerns Le Corbusier he was to build an Olympic city, including a 50000 people capacity stadium, a gymnasium with a stage holding 3500 spectators, a pool for 5000 spectators, but also a basin with a “wave mechanism”, an outdoors amphitheater, several training grounds, “nautical amusements”. If indeed, some of these schemes were implemented in the following ten years, others, for instance those of Wright or Aalto, never came to be. As for Le Corbusier’s commission, it was only implemented partially and much later, with finally only the gymnasium being built in the spring of 1980. Yet this construction’s destiny is singular.
http://ifpo.hypotheses.org/3560


Mina Marefat
The Le Corbusier Gymnasium in Baghdad
Editions du Patrimoine , 2014, 9782757703021
12,00 €