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  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

  • Kathrin Peters, Andrea Seier (Hg.)

    Gender & Medien-Reader

  • Nadir Z. Lahiji

    Can Architecture Be An Emancipatory Project? Dialogues on…

  • Siegfried Ebeling

    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

  • M. Böttger, S. Carsten, L. Engel (Hg)

    Spekulationen Transformationen. Überlegungen zur Zukunft…

  • Charlotte Klonk (Ed.)

    New Laboratories. Historical and Critical Perspectives on…

  • Gwen Allen

    The Magazine (Documents of Contemporary Art)

  • Steven Shaviro

    Discognition

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    Digital Design Theory

  • Gerald Raunig

    Dividuum. Machinic Capitalism and Molecular Revolution

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    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

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    Nanotecture: Tiny Built Things

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    Cartography of Exhaustion. Nihilism Inside Out

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    Scenes from the Good Life. Nine investigations into the…

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    Publishing as Artistic Practice

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    Obsolescence. An Architectural History

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    Painting beyond Itself. The Medium in the Post-medium…

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    Bauen mit Künstlern: Architekt Peter Ottmann

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    80*81: What Happened?

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    Architectural Robotics. Ecosystems of Bits, Bytes, and…

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    Boooook: The Life and Work of Bob Cobbing

  • Robert Klanten, Sofia Borges (Eds.)

    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

  • Ray Lucas

    Research Methods for Architecture

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    The Use of Bodies

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    Der Sendermann / The Transmitter Man

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    Pirate Essays. A Reader on International Media Piracy

  • Paul B. Preciado

    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

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    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

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    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

  • Christopher Beanland

    Concrete Concept. Brutalist Buildings Around the World

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    Sensing the City. A Companion to Urban Anthropology

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    Sonorama: Listening to the view from the train

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    England's Hidden Reverse. Coil, Current 93, Nurse with…

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    Planetary Gentrification

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    The Radicality of Love

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    The Age of Collage Vol. 2: Contemporary Collage in Modern…

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    The Anatomy of the Architectural Book

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  • Gerald Raunig, Ulf Wuggenig

    Kritik der Kreativität

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    Das leichte Haus. Utopie und Realität der Membranarchitektur

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    Migrating the Feminine

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 01-03

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

    Japan Architects 1945 - 2010. Extra Edition

  • Stuart Walton

    In The Realm of the Senses. A Materialist Theory of Seeing…

  • Felicity D. Scott (Autor), Nikolaus…

    Disorientation: Bernard Rudofsky in the Empire of Signs.…

  • Markus Krajewski, Christian Werner

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    Künstlerische Forschung. Ein Handbuch

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    Die Zukunft der Architektur in 100 Bauwerken

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    Flusseriana: An Intellectual Toolbox

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    The Ministry of Nostalgia. Consuming Austerity

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    Better than de Kooning

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    Doppelleben. Kunst und Popmusik

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    Die Notwendigkeit von Irrtümern

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    Josef Frank. Against Design

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    Design Objects and the Museum

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    Austerity Ecology & the Collapse-porn Addicts. A…

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    IDEA 373. Post Independent Magazine

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    Code-X. Paper, Ink, Pixel and Screen

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    Kapitalistische Geister in der Kultur- und…

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    Architecture. Movements and Trends from the 19th Century to…

  • Franco "Bifo" Berardi

    And. Phenomenology of the End

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    Mass Effect. Art and the Internet in the Twenty-First…

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    Typography Today. Revised Edition

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    Omniverse – Sun Ra

Edgewise. A Picture of Cookie Mueller

Edgewise: A Picture of Cookie Mueller: Contributions by John Waters, Mink Stole, Gary Indiana, et al.
Cookie Mueller (1949–1989) was a firecracker, a cult figure, a wild child, a writer, a go-go dancer, a mother and a queer icon. A child of suburban 1950s Maryland, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious stories and a maven of New York’s downtown art world. Edgewise tells the story of Cookie’s life through an oral history composed of more than 80 interviews with the people who knew her, including John Waters, Mink Stole, Gary Indiana, Sharon Niesp, Max Mueller, Linda Yablonsky, Richard Hell, Amos Poe and Raymond Foye. The contributors take us from the late-1960s artist communes of Baltimore to 1970s Provincetown and New York, through 1980s Berlin and Positano. Along with the text, Edgewise includes artwork, unpublished photographs and archival material and photography by Philip-Lorca diCorcia, David Armstrong, Robert Mapplethorpe, Peter Hujar and others. Since her death from AIDS in 1989, Cookie’s work and life have made her an underground icon. Her original texts, first published by Hanuman Books and Semiotext(e), have been reprinted by Serpent’s Tail, and she is remembered for her appearances in the No Wave films and theater of Amos Poe, Michel Auder, Gary Indiana and others. Along with the text, Edgewise consists of original artwork, unpublished photographs and archival material, and photo contributions by Philip-Lorca DiCorcia, David Armstrong, Robert Mapplethorpe, Peter Hujar and others. Edgewise is a meditation on memory and story-telling.


Chloé Griffin (Ed.)
Edgewise. A Picture of Cookie Mueller
b_books, 2014, 978-3942214209