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  • Fareed Armaly

    Orphée 1990

  • Jürgen Ledderboge

    Friedrichstadtpalast. Vom Neubau zum Denkmal

  • Arch+ Zeitschrift für Architektur und…

    ARCH+ 259. Wonders of the Modern World

  • Paola Vigano

    The Biopolitical Garden. Space, Life, Transition

  • Ramon Gras, Jeremy Burke

    City Science. Performance follows Form

  • Paul B. Preciado

    Dysphoria Mundi

  • Barrault Pressacco

    Wallness. Nature and culture of insulation. Building with…

  • Olivier Kaeser (Ed.)

    Dance First Think Later. The Thinking Body between Dance…

  • Sven Durst

    3 objects (Issue 2)

  • Paul-Antoine Lucas, Bui Quy Son (Hg)

    Housing, Micropolitics, and Pedagogies. Designing and…

  • Itsuko Hasegawa, Kersten Geers, Jelena…

    Itsuko Hasegawa. Shonandai - Exposing the World

  • Chris Dähne, Martin Mäntele, Helge…

    Programmed for Hope. Architectural Experiments at the HfG…

  • Alexander Kluge

    Aus dem Bauhaus der Natur. Die Republik der Tiere in uns

  • Elizabeth Duval

    Nach Trans. Sex, Gender und die Linke

  • SendPoints

    Creative Book Design

  • Bruno Munari

    Bruno Munari. Fantasy. Invention, Creativity, and…

  • Nick Dyer-Witheford, Alessandra Mularoni

    Cybernetic Circulation Complex. Big Tech and Planetary…

  • Andjelka Badnjar, Kristina Pujkilovic,…

    Trees, Time, Architecture! Entwerfen im Wandel

  • Sico Carlier

    Currency #6

  • Julia Bee, Irina Gradinari, Katrin…

    digital:gender – de:mapping affect. Eine spekulative…

  • Zhiyi Cao

    Sediments

  • Tal Stadler

    Strategies for Landing

  • Vladimir Safatle

    Zynismus und das Scheitern der Kritik

  • Philippe Lacoue-Labarthe, Jean-Luc Nancy

    Der Nazi-Mythos

  • Boris Groys

    Zum Kunstwerk werden

  • Luise Rellensmann, Alexander Stumm (Hg.)

    Die Abrissfrage. Fundamente Ökologisches Bauen No 1

  • Marlon Miguel, Elena Vogman (eds.)

    Psychotherapy and Materialism. Essays by François…

  • Olya Kuzovkina

    Road Works (version 1.0)

  • Nadi Abusaada, Wesam Al Asali (eds.)

    Arab Modern. Architecture and the Project of Independence

  • Luc Boltanski, Arnaud Esquerre

    The Making of Public Space. News, Events and Opinions in…

  • Nick Couldry

    The Space of the World. Can Human Solidarity Survive Social…

  • Mark Stoll

    Profit. An Environmental History

  • Guillaume Paoli

    Etwas Besseres als der Optimismus

  • Barragán Foundation

    Barragán Outside Barragán

  • Leila Taylor

    Sick Houses. Haunted Homes and the Architecture of Dread

  • Christina Köchling (Hg.)

    Ästhetik der Technik. Drei Ökohäuser in den 1970-90er Jahre

  • Prof. Dr. Richard Woditsch (Hg.)

    Chronologie einer Ideologie. Architektur-Biografien im…

  • Wenke Seemann

    Wenke Seemann. Utopie auf Platte

  • Stefan Heidenreich

    Attraktion und Mitmacht. Wie Kunst dem Kult des Exklusiven…

  • Aylin Akyildiz, Karoline Fahl, Steffen…

    Einrichten in der Normalität – Wie Kinder und Jugendliche…

  • Henning Lundkvist

    Columns

  • Joseph Vogl

    Meteor. Versuch über das Schwebende

  • Sezgin Boynik, Tom Holert

    Engström/Farocki: About Narration (1975). Materials,…

  • Derek Jarman

    Derek Jarman. A Finger in the Fishes Mouth

  • Jean-Pierre Chupin

    Analogical Thinking in Architecture. Connecting Design and…

  • Scott Colman

    Ludwig Hilberseimer. Reanimating Architecture and the City

  • Ammar Azzouz

    Domicide. Architecture, War and the Destruction of Home in…

  • Marko Jobst, Naomi Stead (eds.)

    Queering Architecture. Methods, Practices, Spaces,…

  • Marina Tabassum

    Khudi Bari. A social project by Marina Tabassum Architects…

  • IDEA Magazine

    IDEA 408. Pixels Speak: Worlds of Tiny Dots and Design…

  • IDEA Magazine

    IDEA 407. Towards a Future Bound to Print Media: Those Who…

  • IDEA Magazine

    IDEA 406. Ikki Kobayashi - Life through Design Drawings

  • IDEA Magazine

    IDEA 405. Sneaking a Look. Cross Sections, Floor Plans…

  • Ludwig Heimbach (Hg.)

    Mäusebunker und Hygieneinstitut. Eine Berliner…

  • Pascal Gielen

    Trust. Building on the Cultural Commons

  • Irene Revell, Sarah Shin (eds.)

    Bodies of Sound. Becoming a Feminist Ear

  • Ilaria Marotta, Andrea Baccin &…

    The Uncanny House

  • Enzo Traverso

    Gaza Faces History

  • Irene V. Small

    The Organic Line

  • Sandra Schäfer

    Contested Landscapes

  • Nina Franz

    Militärische Bildtechniken. Von der frühen Neuzeit bis ins…

  • Volker Pantenburg

    Einfachheit ohne Vereinfachung. Zur Praxis Harun Farockis

  • Justin Barton, Steve Goodman, Maya B.…

    Sonic Faction. Audio Essay as Medium and Method

  • Torsten Andreasen, Emma Sofie Brogaard…

    Finance Aesthetics. A Critical Glossary

  • Lucas Ferraço Nassif

    Unconscious/Television

  • Terry Farrell, Adam Nathaniel Furman

    Postmodernism. Architecture That Changed Our World

  • Natasha Aruri, Katleen De Flander,…

    Critical Mapping for Municipalist Mobilization. Housing…

  • Nida Abdullah, Chris Lee, Xinyi Li (…

    Through Witnessing. Threading the critiquing, making,…

  • Cecilia Casabona, Ginevra Petrozzi (Eds…

    Death Design Data

  • Miriam Rasch, Jojanneke Gijsen, Harma…

    hands on research for artists, designers & educators

  • Rosi Braidotti

    Posthuman Knowledge and the Critical Posthumanities

  • Anna Colin

    Alternative Pedagogical Spaces: From Utopia to…

  • Annett Jahn, Ulrike Mönnig (Hg.)

    An den Rändern taumelt das Glück. Die späte DDR in der…

  • Silvia Franceschini, Nikolaus Hirsch,…

    Pre-Architectures

  • David Toop

    Two-Headed Doctor. Listening For Ghosts in Dr. John's…

  • Thordis Arrhenius, Ellen Braae, Guttorm…

    Architecture and Welfare. Scandinavian Perspectives

  • NIcole Schweitzer (Hg.)

    Uriel Orlow. Forest Times

  • Michael Schäfer

    Invasive Links

  • Daniel Berndt, Susanne Huber, Christian…

    ambivalent work*s. queer perspectives and art history

  • Jorge Silvetti, Hg. von Nicolás Delgado…

    Large, Lasting and Inevitable. Jorge Silvetti in Dialogues…

  • Giulio Bettini, Daniel Penzis

    Typostruktur. Sehnsucht nach architektonischer Relevanz

  • Laura U. Marks

    The Fold. From Your Body to the Cosmos

  • Emmanuele de Donno

    Construction of the Universe - Artists' Magazines and…

  • Julia Grosse, Jenny Schlenzka

    Rirkrit Tiravanija: On Making Less

  • Harry Vogt,  Martina Seeber (Hg.)

    Radio Cologne Sound. Das Studio für Elektronische Musik des…

  • Marion Hirte, Daniel Ott, Manos…

    Schnee von morgen. Statements zum Musiktheater der Zukunft

  • Oana Stănescu, Chase Galis (Hg)

    Cover me softly

  • Claire Bishop

    Merce Cunningham's Events: Key Concepts

  • Viyaleta Zhurava

    FIGUREN / SHAPES

  • Diskursiv (Hg.)

    Diskursiv No. 2, Colors

  • dérive

    dérive N° 98, Eigentum (Jan-Mar 2025)

  • Viktoria Schabert

    Eileen Gray's Museum

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 258. Urbane Praxis

  • Oxana Gourinovitch

    Raising the Curtain. Operatic Modernism and the Soviet…

  • Alexander Eisenschmidt

    Felix Candela From Mexico City to Chicago. Rise and Fall of…

  • Lydia Kallipoliti

    Histories of Ecological Design. An Unfinished Cyclopedia

  • Anders Engberg-Pedersen

    Martialische Ästhetik

  • Matthias Ballestrem, Katharina Benjamin…

    Constructive Disobedience

Flying Plaza. Work Journal. The artist practice of Studio Tomás Saraceno

How does Studio Tomás Saraceno operate, how does a work by the artist evolve? This book examines the “Flying Plaza” project as an example of the working method and offers descriptions of the studio as an artistic laboratory. This enables uniquely
in-depth insights into a contemporary artistic practice that intertwines utopian ideas and physical demands, collective co-production and the legacy of the artistic avant-garde, digital work and hand craftsmanship, expert knowledge and artistic shifts in perspectives.
The book edited by Philipp Oswalt in co-operation with studio Saraceno is attempt, to document a artistic process by different methods: A reconstruction oft he work-process based on a visual diary and interviews with the people involved, a photographic analysis oft he studio, a participatory observation, mapping, address book, chronology, glossary and a projective speculation.
Moby Dick - der weiße Pottwal aus Herman In den letzten Jahren ist der argentinische Künstler Tomás Saraceno mit seiner Vision von Cloud Cities - fliegenden, von Menschen begehbaren, quasi bewohnbaren Strukturen - international bekannt geworden. Flying Plaza stellt eine konzeptuell wichtige Werkserie vor, bei der zum Fliegen und Schweben Windkraft und Sonneneinstrahlung genutzt werden. Diese aktive Form fliegender Raumstrukturen eröffnet neue Fragen zum Verhältnis des Menschen zu Natur, Kosmos und Wetter und zielt damit auf wesentliche Themenfelder des Menschseins im Anthropozän.
Die Publikation stellt nicht nur die Werkgruppe, sondern in Form eines Arbeitsjournals auch die künstlerische Praxis im Studio Saraceno vor: die Projekte befinden sich hier in kontinuierlicher Fortschreibung, in einem dynamischen evolutionären Prozess der Realisierung. Nie abgeschlossen, aber auch nie nur bloßer Entwurf.
In recent years the Argentinian artist Tomás Saraceno has become known around the world for his vision of cloud cities - flying, ostensibly livable structures that people can move around freely in. This book presents a conceptually important series of works, in which flying and floating are powered by the wind and solar radiation. This active form of flying physical structures raises new questions about the human relationship to nature, the cosmos, and the weather and it sets its sights on major areas of interest relating to what it is to be human in the Anthropocene. This publication also gives an insight into artistic practise in Saraceno's studio in the form of a work journal: the projects find themselves being continually updated, part of a dynamic evolutionary process of realization - never finished, yet never merely draft versions.


Philipp Oswalt (Ed.)
Flying Plaza. Work Journal. The artist practice of Studio Tomás Saraceno
Spector, 2018, 978-3-95905-029-6