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  • Leonardo Finotti

    A Collection of Latin American Modern Architecture

  • Werner Sewing

    No more learning from Las Vegas. Stadt, Wohnen oder…

  • Yuk Hui

    On the Existence of Digital Objects

  • Alina Serban & Kalliopi Dimou,…

    Enchanting Views: Romanian Black Sea Tourism Planning and…

  • David Blamey (Ed.)

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  • Andre Lepecki

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  • M. R. Stein, L. Miller, M. Henrichs (Hg)

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  • Helen Marten

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  • Marcus Quent (Hg)

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  • Fabian Frenzel

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  • Keller Easterling

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  • Yuk Hui, Andreas Broeckmann

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  • Jacques Lucan

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  • Seth Price

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  • Beti Zerovc

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  • Giovanna Silva

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  • Amie Siegel

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  • Jens Balzer

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  • Timothy D. Taylor

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  • Nav Haq (Ed.)

    RAVE. Rave and its Influence on Art and Culture

  • Trudy Nieuwenhuys, Gemeente Museum Den…

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  • Borja Ballbé

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  • Riet Wijnen (Ed.)

    abstraction creation, art non figuratif 1932

  • A. Lepik, V. S. Bader (Hg)

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  • Jessica Helfand

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  • Hans Ulrich Obrist

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  • Gloria Moure(Ed.)

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  • François J. Bonnet

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  • Leon van Schaik

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  • Bundesamt für Kultur (CH)

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  • Frank Berzbach

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  • Jens Hoffmann, Claudia J. Nahson (eds.)

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    VeryGraphic. Polish Designers of the 20th Century

  • Sabine Bitter & Helmut Weber

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    Social Media Abyss. Critical Internet Cultures and the…

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    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

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    Spiritus

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    Mortal Cities and Forgotten Monuments

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    Sentiment Architectures. A Field Trip to Behaviour and…

  • Donna J. Haraway

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  • A. Andraos, N. Akawi (eds)

    The Arab City: Architecture and Representation

  • HKW (Ed.)

    Nervous Systems

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  • Owen Hatherley

    Landscapes of Communism. A History Through Buildings

  • Rashid Ali, Andrew Cross

    Mogadishu. Lost Moderns

  • Schmal, Elser, Scheuermann (eds.)

    Making Heimat. Germany, Arrival Country

  • Helge Mooshammer, Peter Mörtenböck

    Visual Cultures as Opportunity

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    Transparenzen/Transparencies

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    Super Superstudio

  • Peter Chadwick

    This Brutal World

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  • P. Cachola Schmal, P. Sturm

    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

  • Ina Blom

    The Autobiography of Video. The Life and Times of a Memory…

  • Timothy Morton

    Dark Ecology. For a Logic of Future Coexistence

  • Benjamin H. Bratton

    The Stack. On Software and Sovereignty

  • Nadine Barth (Hg.)

    Berlin Raum Radar. Neue Architekturfotografie

  • Biljana Ciric, Nikita Yingqian Cai (Ed)

    Active Withdrawals. Life and Death of Institutional Critique

  • Burkhardt Meltzer

    Rethinking the Modular. Adaptable Systems in Architecture…

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    Gedruckt und erblättert. Das Fotobuch als Medium…

  • Estelle Blaschke

    Banking on Images. From the Bettmann Archive to Corbis

  • Georg Windeck

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  • Walter Benjamin.

    Sonnets

  • Glenn Adamson, Julia Bryan-Wilson

    Art in the Making: Artists and Their Materials from the…

  • David Toop

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  • Nicolas Grospierre

    Modern Forms. A Subjective Atlas of 20th-Century…

  • Slavoj Zizek

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  • Ian Brennan

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I'm Isa Genzken, the Only Female Fool

Foreword by Nicolaus Schafhausen; texts by Joshua Decter and Tom McDonough
“The Only Female Fool” is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods. Genzken’s collaboration with other artists and her admiration for certain artistic positions is also brought into focus, and selected works by Dan Graham, Gordon Matta-Clark, Jasper Johns, Gerhard Richter, Wolfgang Tillmans, and Lawrence Weiner are presented in dialogue with Genzken’s multilayered work.
Copublished with Kunsthalle Wien on the occasion of Isa Genzken’s exhibition “I’m Isa Genzken, the Only Female Fool,” May 28–September 7, 2014
Design by Kummer & Herrman
September 2014, English/German
14.3 x 21 cm, 114 pages, 48 color ill., softcover
out of print!


Kunsthalle Wien (Ed.)
I'm Isa Genzken, the Only Female Fool
Sternberg Press, 2014, 978-3-95679-081-2