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  • Sabine Hansmann, Finn Geipel (Hg.)

    Raummaschine: Exploring the Manifold Spaces

  • Peter Donhauser

    Musikmaschinen: Die Geschichte der Elektromusik

  • Amanda Boetzkes

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  • Daniel Birnbaum, Sven-Olov Wallenstein

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  • A. Juppien, R. Zemp

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  • Christoph Cox

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  • David Byrne

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  • Sabine Breitwieser (Ed.)

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  • Ulrike Bernard

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  • C. Leonard, L. Khonsary (Hg)

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  • Robert Kronenburg

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  • Oliver Marchart

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  • Jürgen Hasse, Sara F. Levin

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  • Alexandra Klei

    Wie das Bauhaus nach Tel Aviv kam: Re-Konstruktion einer…

  • Sarah Banet-Weiser

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  • Stephen Prina

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  • Christoforos Savva

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  • A Prior #20

    The Research Issue

  • Bernard Stiegler

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  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

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    The Middle Matter. Sound as Interstice

  • I. Galuzin, G. Severianova (Eds.)

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  • IDEA #381

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  • Bernhard Denkinger

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  • P. Bogner, G. Zillner

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  • Jonathan Hill

    The Architecture of Ruins: Designs on the Past, Present and…

  • L. Giusti, N. Ricciardi (Eds.)

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  • IDEA Magazine

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  • Marco Revelli

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  • Jacques Ranciere

    Aisthesis: Scenes from the Aesthetic Regime of Art

  • Gean Moreno

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  • Saskia de Wit

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  • Tchoban Foundation

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  • Natascha Süder Happelmann

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  • HeK (House of Elecronics Basel)

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  • Alain Ehrenberg

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  • Rosi Braidotti

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    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

  • Jochen Volz, Gabi Ngcobo (Eds.)

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    Critical Care. Architecture and Urbanism for a Broken Planet

  • Anne Kockelkorn, Nina Zschocke (Hg)

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  • Elke Neumann

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  • A+U 441

    Metal Skins

  • Troy Schaum (Ed.)

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  • F. Serapiao, G. Wisnik

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  • Heike Munder (Ed.)

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  • L. Giusti, N. Ricciardi (Eds.)

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  • Victor Papanek

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  • Andreas, Jung, Schmal (Hg.)

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  • Elizabeth Resnick

    The Social Design Reader

  • Anca Benera, Arnold Estefan

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  • Byung-Chul Han

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  • Camiel van Winkel

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  • Ted Hyunhak Yoon

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  • Danielle Child

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  • Monika Rinck

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    Junya Ishigami

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  • Paul Mason

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  • M. F. Gage (Ed.)

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The Architecture of Use. Aesthetics and Function in Architectural Design

By analyzing ten examples of buildings that embody the human experience at an extraordinary level, this book clarifies the central importance of the role of function in architecture as a generative force in determining built form. Using familiar twentieth-century buildings as case studies, the authors present these from a new perspective, based on their functional design concepts. Here Grabow and Spreckelmeyer expand the definition of human use to that of an art form by re-evaluating these buildings from an aesthetic and ecological view of function. Each building is described from the point of view of a major functional concept or idea of human use which then spreads out and influences the spatial organization, built form and structure. In doing so each building is presented as an exemplar that reaches beyond the pragmatic concerns of a narrow program and demonstrates how functional concepts can inspire great design, evoke archetypal human experience and help us to understand how architecture embodies the deeper purposes and meanings of everyday life.
Stephen Grabow is Professor of Architecture at the University of Kansas. He is the recipient of fellowships from the National Endowment for the Humanities, the National Endowment for the Arts and the American Fulbright Commission. He was educated in architecture at the University of Michigan and at Pratt Institute, in landscape architecture at the University of California at Berkeley and holds a doctorate in urban planning from the University of Washington. Kent Spreckelmeyer is Professor of Architecture at the University of Kansas. He is a Fellow of the American Institute of Architects and the recipient of a Kemper Teaching Fellowship and numerous grants in the field of healthcare planning. He was educated in architecture at the University of Kansas and at University College, London and holds a doctorate in architecture from the University of Michigan.
'A timely elucidation of the poetics of use as the fundamental ground on which any architecture of lasting value must be built. The ten works examined exemplify the fusion of the practical and the poetic, remove our focus from exterior form to the inhabited space within, and reveal that a building's most important use is to enrich our experience and enhance the life that takes place in it.' - Robert McCarter, Ruth and Norman Moore Professor of Architecture, Washington University in St. Louis, USA 'In this provocative and well-documented book, Grabow and Spreckelmeyer argue that conventional definitions of functionalism should be expanded, thus enriching our appreciation of significant works of modern architecture.' - David G. De Long, Professor Emeritus of Architecture, University of Pennsylvania, USA 'Compelling in its arguments and clear in its exposition, this book resituates the concept of use at the center of architectural theory and practice where it belongs. Through discussions of literary texts, paintings, music, and cultural history, we see how the art of building can not only accommodate the patterns of our lives but give them legible and beautiful expression.' - David Leatherbarrow, Professor and Chair, Graduate Architecture Group, University of Pennsylvania, USA 'This wonderfully clear-headed book serves as an antidote to the empty formalism of so much of today's architectural avant-garde. Grabow and Spreckelmeyer show, in ten eloquent case-studies, how great architecture arises out of an elevated understanding of human activities and social relationships; and how the best buildings don't just function, but inspire us to do and to be well. This book demonstrates how the meaning of buildings often comes from the institutions they house, providing architecture with its content as well as its contents.' - Thomas Fisher, Professor of Architecture and Dean, College of Design, University of Minnesota, USA


Stephen Grabow, Kent Spreckelmeyer
The Architecture of Use. Aesthetics and Function in Architectural Design
Routledge, 2015, 978-0-415-84302-7