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    Commoning with George Caffentzis and Silvia Federici

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    Manufacturing Happy Citizens: How the Science and Industry…

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    The Middle Matter. Sound as Interstice

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    The Withdrawal of the Red Army

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    Transboundary Design. Perspective of Yoshihisa Tanaka

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    Access for All. São Paulo's Architectural…

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    Museums at the Post-Digital Turn

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    Mischa Kuball. res.o.nant

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    The New Populism: Democracy Stares into the Abyss

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    Productive Universals. Specific Situations: Clinical…

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    Palast der Republik. Utopie, Inspiration, Politikum

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    Metal Skins

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    Totalization: Speculative Practice in Architectural…

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    Infinite Span. 90 Years of Brazilian Architecture

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    Producing Futures: A Book on Post-Cyber-Feminisms

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    Museums at the Post-Digital Turn

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    Wohnen für Alle: Bautenkatalog

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    Jill Johnston. The Disintegration of a Critic

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    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

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    Archive Species: Bodies, Habits, Practices

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    Decoding Dictatorial Statues

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    Graphic Design Play Book: An Exploration of Visual Thinking

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    Working Aesthetics: Labour, Art and Capitalism

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    Champagner für die Pferde

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    Against Nature

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    Boden behalten - Stadt gestalten

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    Afterlives of Neoliberalism

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    Slow Down Fast, A Toda Raja

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    Architekturpädagogiken: Ein Glossar

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    Uncanny Interfaces

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    Pop und Populismus: Über Verantwortung in der Musik

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    Tiny Interiors: Compact Living Spaces

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    Color for Architects

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    Junya Ishigami

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    Sad by Design: On Platform Nihilism

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    Questions? Looking for answers in the middle of somewhere

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    Unsorcery

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    AUDINT. Unsound : Undead

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    Die Stadt als Architektur

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The Fabric of Space. Water, Modernity, and the Urban Imagination

Water lies at the intersection of landscape and infrastructure, crossing between visible and invisible domains of urban space, in the tanks and buckets of the global South and the vast subterranean technological networks of the global North. In this book, Matthew Gandy considers the cultural and material significance of water through the experiences of six cities: Paris, Berlin, Lagos, Mumbai, Los Angeles, and London. Tracing the evolving relationships among modernity, nature, and the urban imagination, from different vantage points and through different periods, Gandy uses water as a lens through which to observe both the ambiguities and the limits of nature as conventionally understood.
Gandy begins with the Parisian sewers of the nineteenth century, captured in the photographs of Nadar, and the reconstruction of subterranean Paris. He moves on to Weimar-era Berlin and its protection of public access to lakes for swimming, the culmination of efforts to reconnect the city with nature. He considers the threat of malaria in Lagos, where changing geopolitical circumstances led to large-scale swamp drainage in the 1940s. He shows how the dysfunctional water infrastructure of Mumbai offers a vivid expression of persistent social inequality in a postcolonial city. He explores the incongruous concrete landscapes of the Los Angeles River. Finally, Gandy uses the fictional scenario of a partially submerged London as the starting point for an investigation of the actual hydrological threats facing that city.


Matthew Gandy
The Fabric of Space. Water, Modernity, and the Urban Imagination
The MIT Press, 2014, 9780262028257